I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
This is a collection I have constantly gone back to over the years and is probably my all-time favorite in the history of the counter-culture. I love the blend of rigorous research and easy reading, as well as the breadth of topics and diversity of approaches.
It is replete with thoughtful analyses and eloquent descriptions of the counter-culture, without ever giving in to the nostalgia of era or condemning it for that has gone wrong since. A great starting point if you want a good overview of the history of the American counter-culture.
Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
Denis Johnson’s big, National Book Award-winning novel revolves around the Vietnam War itself, with a big cast of characters and many narrative threads.
I really loved following all the threads and seeing the intricate web they formed. The picture it paints of America is still relevant today. It’s an exciting book, and though it requires quite a lot from a reader, it ends up being hugely satisfying.
`Once upon a time there was a war, and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That's me.'
This is the story of Skip Sands, a CIA spy engaged in psychological operations against the Viet Cong, and the disasters that befall him. It is also the story of two brothers heading towards self-destruction, and a story…
I was a Brooklyn kid who grew up on Long Island. I started hitting the bars and clubs in NYC when I was still a teenager. I found my way to CBGB in 1975, moved to Bleecker St in 1976, and in a right place/right time moment I found myself working the Mudd Club door in early 1979. That moment was a life changer. The Mudd Club book tells the story.
The best book written about 1960’s Pop-Culture madness and mayhem. As founding member of The Fugs and a unique literary voice, Ed Sanders tells this tale brilliantly. The warning signs, the goosebumps, and knowing when it’s time to stop are all there in The Family.
Pete Quaife, co-founder and original bass player of the Kinks, based this novel on his experiences growing up in post World War 2 England and on forming a rock band in the early 1960s.
Veritas first appeared in 2011 but was released in this collector’s edition in 2023. (Full disclosure: I was friends with the author and wrote the foreword for this latest edition.)
If you are interested in the music scene in the 1960s you will thoroughly enjoy Veritas. Quaife tells the story of the fictional Elmores, a fledging band struggling to learn their instruments, to stabilize group membership, to gain parental approval and support, and to arrange gigs. Anyone who has tried to form a band will relate to the Elmores.
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
I had always been interested in the contradictions of the American counter-culture, so I loved how Frank underscored how rebellion and dissent had such a surprisingly positive impact on the corporate world.
Far from seeing counter-cultural messages as threats to American capitalism, marketing, and advertising executives welcomed these non-conformist ideals as a fantastic way of commercializing their mundane products by connecting them with hipness and authenticity. Frank’s contrarian position jibes well with my own thoughts on the topic, and I really enjoyed how he takes the reader through the genesis of hip advertising.
An evocative symbol of the 1960s was its youth counterculture. This study reveals that the youthful revolutionaries were augmented by such unlikely allies as the advertising industry and the men's clothing business. The ad industry celebrated irrepressible youth and promoted defiance and revolt. In the 1950s, Madison Avenue deluged the country with images of junior executives, happy housewives and idealized families in tail-finned American cars. But the author of this study seeks to show how, during the "creative revolution" of the 60s, the ad industry turned savagely on the very icons it had created, using brands as signifiers of rule-breaking,…
I became a young man near the end of the sixties, and I have always been enthralled by the era's various idiosyncrasies, both good and bad. For instance, I loved the complex yet pleasant rock music and the freewheeling lifestyle. On the downside, the war in Vietnam cast its pall over the times, and I narrowly escaped being drafted and sent off to Southeast Asia. Overall, it was an era in which good and evil were starkly defined, and many people were attempting to create a better, more peaceful world. There is still much we can learn from this time.
This memoir paints a vivid picture of the sixties due to its author's excellent writing style and his immersion into the important events of the era.
One of the key factors for me and many other young people at the time was the war in Vietnam, where Stone served as a reporter. Later, he was closely associated with the sixties counterculture, including the exploits of Ken Kesey and the Merry Pranksters, which he describes in this absorbing and fascinating book.
From the New York City of Kline and De Kooning to the jazz era of New Orleans's French Quarter, to Ken Kesey's psychedelic California, Prime Green explores the 1960s in all its weird, innocent, turbulent, and fascinating glory. Building on personal vignettes from Robert Stone's travels across America, the legendary novelist offers not only a riveting and powerful memoir but also an unforgettable inside perspective on a unique moment in American history.
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
William Hauptman is a Tony Award-winning playwright and the author of one of my all-time favorite Texas novels, The Storm Season, about a tornado chaser in Wichita Falls during the Reagan era as the middle class is dissolving.
Journey to the West is a diamond-sharp autobiographical novel based on Hauptman’s experiences leaving his conservative hometown of Wichita Falls to go to college at the University of Texas in Austin. He arrives just as the sixties begin taking off, and soon his mind gets blown and his life upended. Hauptman writes so well of this quintessential experience that so many people have when they go to college and taste freedom for the first time in their lives. The novel/memoir follows our hero as he ends up in San Francisco during the Summer of Love, starving and strung out. Hauptman, is a first-class writer and this is one of his coolest…
It is the 1960s, and Will Langner is a high school thespian who cannot wait to get out of his Texas town and attend college in Austin, where he will never have to see any of his peers again. But Will has no idea his path is about to lead him to a fellow classmate with the power to change everything?even the future.
Danny Abrams swears there is something better than popularity in high school: Zen enlightenment. As the two search for the meaning of life, they finally graduate and embark on a journey that takes them westward from Austin…
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
Bud Shrake’s novel of Dallas at the time of the Kennedy Assassination is an excellent example of what I call “eyewitness fiction.” As a prominent journalist at the rabidly anti-JFK Dallas Morning News, Shrake spent time mingling with the far-right millionaires who refashioned Dallas into a “City of Hate.” Yet the politically liberal, dope-smoking Shrake was also a denizen of Dallas’s underworld and was dating the star stripper at Jack Ruby’s nightclub. From these twin worlds, he fashioned this ferocious, comically subversive portrait of Dallas in the months leading up to the assassination.
Shrake’s writing has less in common with his Texas contemporaries than it does with American novelists Ken Kesey, Charles Portis, and Kurt Vonnegut. This novel blasts off so hard it can be a bit hard for some readers to hang on in the beginning. But if you stay with it, and latch on to Shrake’s Dexedrine-fueled…
A TV western star quits his successful series and returns to Dallas to make a documentary film that reveals the truth about his home town. His quest forces him to learn if he is capable of using his six-gun for real as he moves from booze and radical politics in oil men's palaces into the infamous Carousel Club and the underworld of arms and dope smuggling in a city ripe for the murder of a President.
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This novel is a strange triptych, with three tangentially connected parts that all have to do with the darker side of the '60s counterculture. I loved it.
One part is about the early days of the Rolling Stones, with the band members themselves as characters. Then there’s avant-garde filmmaker Kenneth Anger, who made a movie in which Mick Jagger appeared alongside Bobby Beausoleil, who later joined the Manson Family. The third part is about the Manson Family itself, leading up to their inexplicable crimes.
The book engaged and compelled me in spite of (also because of) its disjointed nature—it’s beautifully written and a true work of art.
Three dramatic and emblematic stories intertwine in Zachary Lazar's extraordinary novel, Sway -- the early days of the Rolling Stones, including the romantic triangle of Brian Jones, Anita Pallenberg, and Keith Richards; the life of avant-garde filmmaker Kenneth Anger; and the community of Charles Manson and his followers. Lazar illuminates an hour in American history when rapture found its roots in idolatrous figures and led to unprovoked and inexplicable violence.
Connecting all the stories in this novel is Bobby Beausoleil, a beautiful California boy who appeared in an Anger film and eventually joined the Manson "family." With great artistry, Lazar…
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
I found this book extremely important because it finally put to bed the myth that counter-cultural women were merely subservient to their male counterparts, while these women did so much to actually shape the counter-culture.
I recommend reading this alongside Nina Graboi’s criminally neglected autobiography–One Foot in the Future–that serves as a perfect illustration of American women successfully looking for empowerment in these counter-cultural enclaves.
It was a sign of the sixties. Drawn by the promise of spiritual and creative freedom, thousands of women from white middle-class homes rejected the suburban domesticity of their mothers to adopt lifestyles more like those of their great-grandmothers. They eagerly learned 'new' skills, from composting to quilting, as they took up the decade's quest for self-realization. 'Hippie women' have alternately been seen as earth mothers or love goddesses, virgins or vamps - images that have obscured the real complexity of their lives. Gretchen Lemke-Santangelo now takes readers back to Haight Ashbury and country communes to reveal how they experienced…
