The best tarot books

I have been a tarot devotee since my early teens and have offered both training and divinatory sessions using the tarot. My book on the fifteenth-century tarot deck known as the Sola-Busca, The Game of Saturn, was nominated The Best Esoteric Book of the Year and was reviewed in two of the world’s leading academic journals. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing appear in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.

I strive to inspire others through my writing, yoga card decks, and workshops; therefore, I’m passionate about finding inspiration and passing it on to others. For me discovering a dose of wise counsel or learning how someone else endured and overcame challenging times is a lifeline…especially when I feel hopelessly stuck. These 5 books are a balm for the soul, quieting the negative self-talk long enough to clear a path to joy, optimism, and creativity. I hope these recommendations bring the same sense of inspiration for you…just when you need it most! 

I began reading Tarot in high school – or at least, trying to. Like most people, I was pretty intimidated starting out. It took several teachers, a stack of books, and a lot of years before I understood that Tarot cards are simply repositories for symbols of the human experience. That’s how they continue to be so popular: they speak to something deep within us all. It was only natural that my art endeavors and my passion for the ancient Minoans would eventually dovetail with my love of Tarot. The end result was The Minoan Tarot, which I’m delighted to share with you along with these excellent Tarot books.

Since I was a teenager, I have been attracted to astrology, Jungian psychology, synchronicity, symbolism, alchemy, and Jewish esotery. Someone gave me my first Tarot deck as a present. Since then I collect old and new decks from the entire world and created my own Sun and Moon Tarot. I continue to deepen my knowledge of tarot and all the systems associated with it. At times I focus more on the Sefiroth and Kabbalah. Sometimes I’m more interested in different ways of interpreting tarot. I've been illustrating Astrological Learning Cards for a while now, trying to better understand the different astrological archetypes and to make art.

When I joined the Peace Corps in the early nineties, I wasn’t allowed to take much luggage. I decided to bring a Tarot deck, figuring I’d finally have time to learn it while parked in an Estonian forest. That Tarot deck opened up a world of Renaissance mysticism and magic, and I’ve been hooked ever since. Tarot cards and readings feature prominently in many of my cozy mystery novels, not the least of which are the Tea and Tarot mysteries. Now my imaginary Tarot reader from that series, Hyperion Night, has recently written his own Tarot guidebook, The Mysteries of Tarot.

I have been a tarot devotee since my early teens and have offered both training and divinatory sessions using the tarot. My book on the fifteenth-century tarot deck known as the Sola-Busca, The Game of Saturn, was nominated The Best Esoteric Book of the Year and was reviewed in two of the world’s leading academic journals. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing appear in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.

I found the tarot at the age of fourteen. Like many teenagers exploring the spirit world, I was curious about witchcraft, prophecies, numerology, astrology – it was a matter of time until I found the Tarot and fell in love with the cards. From studying Tarot, I branched out into Gnosticism, Kabbalah, and finally coming home to my culture’s Hellenic Tradition (Hellenism). I went on to college to receive a B.A. in Religion and later a M.A. in Ancient History.  I give the Tarot large credit to all my later achievements in life. Those 78 cards opened my eyes to a whole world of mysteries to be unlocked.  

I began reading Tarot in high school – or at least, trying to. Like most people, I was pretty intimidated starting out. It took several teachers, a stack of books, and a lot of years before I understood that Tarot cards are simply repositories for symbols of the human experience. That’s how they continue to be so popular: they speak to something deep within us all. It was only natural that my art endeavors and my passion for the ancient Minoans would eventually dovetail with my love of Tarot. The end result was The Minoan Tarot, which I’m delighted to share with you along with these excellent Tarot books.

I’ve been studying and reading tarot for more than 50 years—starting when I was a teenager. I feel called to do this work—I think of it as holy work, because every reading is an inner journey for my client, I merely serve as a guide for them to discover the insights and wisdom that already exists hidden within them. Over the years I’ve studied with some of today’s top tarot teachers, I’ve studied Kabbalah with respected rabbis. I’ve studied psychological principles with leading therapists. And I’ve studied storytelling with world-famous performers. Tarot brings all these disciplines together in a way that makes every reading an encounter with the Divine that lives within each of us.  

Since I was a teenager, I have been attracted to astrology, Jungian psychology, synchronicity, symbolism, alchemy, and Jewish esotery. Someone gave me my first Tarot deck as a present. Since then I collect old and new decks from the entire world and created my own Sun and Moon Tarot. I continue to deepen my knowledge of tarot and all the systems associated with it. At times I focus more on the Sefiroth and Kabbalah. Sometimes I’m more interested in different ways of interpreting tarot. I've been illustrating Astrological Learning Cards for a while now, trying to better understand the different astrological archetypes and to make art.

I have been a tarot devotee since my early teens and have offered both training and divinatory sessions using the tarot. My book on the fifteenth-century tarot deck known as the Sola-Busca, The Game of Saturn, was nominated The Best Esoteric Book of the Year and was reviewed in two of the world’s leading academic journals. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing appear in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.

I’ve always been a huge believer of love and romance and happily ever after. I also know that real life and happily ever after aren’t always easy. It took me 45 years to find my Prince Charming (after kissing a lot of frogs). I love reading stories of hope, courage, and promise and strong women who pursue their dreams. They inspire me to keep going and to keep writing. Whether I’m creating women’s fiction, historical novels, fantasy, or romance, my books explore relationships and why people do what they do, and every story focuses on love (what we always strive for) and forgiveness (what we always need). 

I have always seen my life as a journey, with lessons to be learnt along the way. Adventures on land and sea have drawn me into contact with many races and traditions and brought me close to nature in its many moods. When a physical journey ends, an inner journey takes me in directions I had never looked at before. Early spiritual questioning led me to eastern philosophies and made me aware of the underlying links between all cultures. In relying on my own experiences rather than what others have written, I believe my writing brings a freshness and individuality to the age-old questions of who we are and where we are going.

I’m a poet, tarot muse, and artist whose childhood experiences with vivid night-time dreams and a handful of years on a commune in the cornfields ignited my passion for exploring inner imagery. I read voraciously from science fiction to fairytales to channelings. I discovered tarot in my twenties, using it to read for others, mend my broken heart, and get squared away enough to apply to graduate school for poetry in the heartland at the Iowa Writers’ Workshop. Ever since, tarot is my favorite mirror for self-reflection. Author of two poetry collections, I wrote a workbook to help others apply the tarot in joyful, healing ways through writing and art.

I have been a tarot devotee since my early teens and have offered both training and divinatory sessions using the tarot. My book on the fifteenth-century tarot deck known as the Sola-Busca, The Game of Saturn, was nominated The Best Esoteric Book of the Year and was reviewed in two of the world’s leading academic journals. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing appear in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.

I have always seen my life as a journey, with lessons to be learnt along the way. Adventures on land and sea have drawn me into contact with many races and traditions and brought me close to nature in its many moods. When a physical journey ends, an inner journey takes me in directions I had never looked at before. Early spiritual questioning led me to eastern philosophies and made me aware of the underlying links between all cultures. In relying on my own experiences rather than what others have written, I believe my writing brings a freshness and individuality to the age-old questions of who we are and where we are going.

I’ve always believed a story should be world changing and epic on some level. Perhaps on a personal level, perhaps in the actual sense of world changing. Whether it’s for my readers of a short story, the players in a tabletop role playing game I’m running, or the arc of a novel. Some of these books help form that idea, and others supported it later in my life. I love it when a tale shakes my world—in addition to the world of the characters—and makes me question what I believe. With a doctorate in metaphysics and a love of fantasy and sci-fi, I’m always looking for ways to shake up my worldview!

I’ve been studying and reading tarot for more than 50 years—starting when I was a teenager. I feel called to do this work—I think of it as holy work, because every reading is an inner journey for my client, I merely serve as a guide for them to discover the insights and wisdom that already exists hidden within them. Over the years I’ve studied with some of today’s top tarot teachers, I’ve studied Kabbalah with respected rabbis. I’ve studied psychological principles with leading therapists. And I’ve studied storytelling with world-famous performers. Tarot brings all these disciplines together in a way that makes every reading an encounter with the Divine that lives within each of us.  

I started studying the tarot ten years ago with no thought that I would ever write about it. I took an introductory class in the back of a local metaphysical shop and went down a rabbit hole of books and teachings. I also enjoy readings myself - from quick fifteen minute reads at sidewalk fairs, to hour long readings in person with renowned readers, from an hour on Zoom with a famous reader, to a reading in a shop in Salem, Massachusetts during the chaos that is October in that town - I’ve benefited from them all. It has been a delight to include this interest in my latest novel.

Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.