The best books about inheritances

This book stayed in my head for a long time, I think I read it back in high school. I was fascinated by the occult happening in Louisiana. It was my first encounter with this kind of folklore, voodoo, and black magic. It sends me the same vibes as King Diamond’s Voodoo concept album.

I found the ancient curse theme intriguing and the origin of the evil within the Conway house fascinating. All in all, I remember how the convoluted and twisted plot kept the pages turning quickly.

I could recommend this book for the writing, which is remarkable—layered and incisive and beautiful—or for the plotting, which is dense and chaotic in all the best ways, even as Veselka displays the patience of a confident master. Or for the multitude of richly drawn, intriguing characters and how they move around the country and one another. As they wander from Alaska to Seattle to New England in search of a family secret—and in search of themselves—Veselka brings readers along on their quest as she slowly reveals the mystery of a dysfunctional family dynamic and the systems that create so many others like it.  

This was the first fantasy series I read, and it changed my life. Elric of Melniboné is a glorious blend of Grimdark and Sword and Sorcery, that starts a satisfying series, which, in and of itself, is the cornerstone of a larger collection of fantasy works.

So many works have borrowed from Elric, you really owe it to yourself to read the original. The books are short, and read quite quickly. There is incredible pathos within the story arc, and a deep, dark creativity to the worldbuilding.

You can’t go wrong with any Rebekah Weatherspoon book frankly, but Xeni has a special place in my heart because of the leads: Xeni, a witchy bi lead with a very complicated family bumping into a favourite romantic trope: the marriage of convenience (only, it’s very much not convenient, thank you); and Mason, a burly, bearded, bi bear who, I cannot express this clearly enough, is so instantly cuddle-worthy. That these bisexual characters are thrown into this marriage by someone they both loved as part of her will just adds to the trope joy. Beyond that, there’s so much steamy sex-positivity in this book, alongside Weatherspoon’s always brilliant supportive friend groups and mix of chosen and biological family that I found myself taking the dog for extra walks just to keep listening. 

This is fantasy right up to date: for 8 to 12-year-olds, it was published in 2021. Its castle setting immediately defines it as fantasy: "Beyond the castle’s moat, the deep, dark forest was shot through with trails of sunlight, tracing golden paths of possibility…. The dark-haired girl… sat, bare feet dangling against stone, on the windowsill of her tower bedroom." It’s a vivid picture, instantly engaging us in a world where family is very important. The heroine, Cordelia, is one of three triplets. Their task is to use their magical powers to find and mend the Raven Crown so that the parched land beyond the forest can be healed of the fighting that rampages across it, and people and the natural world live in peace—themes I feel very much in sympathy with.

I’ve spent much of my adult life searching for media that gives me the same feeling as sitting down to my favourite Halloween movies as a kid. The gorgeous, autumnal crunch of Hocus Pocus, the spooky-but-not-scary atmosphere of Tim Burton’s 90’s offerings, the magic and adventure of Willow and The Dark Crystal. It was a big, specific ask, and yet I found it so perfectly in Frances Hardinge. 

My favourite of her books (so far) is A Skinful of Shadows. A twisting, turning, spooky adventure about a girl harboring the spirit of an abused circus bear who must save herself, her doofus brother, and said bear from being hollowed out and used as hosts by their horde of ghoulish ancestors. It’s cozy, clever, spectral perfection.

If your favorite song is “Look What We Made You Do” try Of Cages and Crowns by Brianna Crump.

Think Hunger Games but with more romance, and very much the vibe of “I got my but you’ll all get yours.” There’s revenge, survival, romance, and revenge and a rebellion brewing in the background, but I was surprised at how much this book surprised me.

Every time I thought I knew what was coming next, some new secret or shocking twist surprised me.

A World War II bomber pilot returns home thoroughly determined to have no more excitement in his life. He settles down in a quiet wills-and-trusts practice. In a dusty file about an unclaimed estate, he sees that a missing heir may be living in Europe. Searching for this heir, he is pulled into Cold War politics, kidnaped, and dragged into Communist Albania, where his fate becomes an international incident. The law overtakes George in a thoroughly believable way; it is an example of why readers fear the law, which may at any moment demand that we sacrifice our comfort, our place in society, and even our very lives.

The omniscient narrator in this classic novel speaks to the reader in a dispassionate present-tense voice that helps reinforce the satirical tone and immediacy of the novel. Dickens, who grew up in a debtor’s prison and included his bleak observations of life in a debtor’s prison in many of his great novels, used his fiction to shine a light on the social injustices of Victorian life. Bleak House shines much of that light on the punitive legal system (sound like today?), which Dickens exposed in some of his other novels as well. In thinking about the many theatrical and film adaptations made of this novel, we can see how much easier that work was due to the present tense writing, which creates the immediacy and suspense found in many great films.

I couldn’t put it down when I read it, maybe because I am a woman. The most famous 13th century tale about Genghis Khan and his creation of Mongolia doesn’t mention women’s involvement in the creation of Mongolia. Jack Weatherford, a famous writer and historian, noticed a line in the Secret History of the Mongols which might have indicated a censorship in the story. He further explores the censored parts of the Secret History only to find fascinating and active involvement of women in Mongolian history. Anyone who is interested in history, truth, and women’s empowerment will find this book amazing. Jack writes so well and his books are always a fast read.  

An orphan with no home or money of her own, Katharine is her aunt’s pawn, sent to do all her dirty work. As the story opens in 1852, it’s to undertake the unthinkable—have her child-like Uncle Tulman committed to an asylum. While this novel doesn’t employ ‘magic’, I love Victorian-era stories and this one had numerous intriguing threads: Katharine’s innocent, genius uncle created fantastical mechanical inventions, many characters to root for who didn’t quite ‘fit’ the society’s norms, and a maze of a house with mysterious, suspicious happenings. I could see no way for poor Katharine to save her uncle and his protective community, so the story twists thrilled me.

This was the first rom-com book I read and it made me giggle, sigh, and swoon. I was hooked on the series afterward and I could not consume the books fast enough. Jill Shalvis has a way of creating relatable characters which you end up cheering for at the end. In fact, the MC, Maddie, from the first chapter tugs at your heartstrings and you can’t help but hope she finishes her bag of potato chips before anything else happens. Well unless it happens to be Jax. Their meet-cute is comically on point. Not to mention the nosy busy bee elder, who loves to post everything on “the” Facebook. You can’t help but chuckle at every page turn and hope Maddie finds the courage within her and go after what she wants. 

I’ve always loved a plot that sends a penniless young woman off to an old house in the countryside on a mysterious mission that will hopefully result in an inheritance. This is a contemporary take on that with a twist—our protagonist, Hal, is a tarot card reader on the run from some loan sharks. She receives a letter saying she’s inherited money from a woman she doesn’t believe she’s related to, so she sets off for Cornwall to con her way into the cash. Hal arrives to find a creepy old family manor complete with creepy old housekeeper, and newfound “relatives” that are keeping even more secrets than she is. She has to solve a decades-old mystery to scoop the cash and stay alive. 

Gothic novels took the romance genre and added elements of death, inheritance, gloomy locations, and supernatural twists. Ann Radcliffe's Mysteries of Udolpho is the canonical example of this style.

The book features a detailed rendering of the many locations featured in the book, one of which is the oppressive castle named in the title. Radcliffe conjures entire moods in this story, and you'll be whisked along in the footsteps of Emily St. Aubert as she's spirited away by the villainous Montoni.

The book also features in Jane Austen's Northanger Abby, as Catherine and Isabella both read it.

In my school, a dog-eared copy of the completely messed-up and horrifying Flowers In The Attic was passed around as contraband. We were not allowed to read it, which, of course, added to the appeal.

Many people find the character of “the grandmother” of the kids locked up in the attic pretty terrifying. But for me, Corinne, their weak and stupid mother, is the true villain of the story.

The slow betrayal she indulges in, as her children lose out to her desire for social acceptance and the high life is utterly heartbreaking.

If you like a very sick story about how the sins of one generation get visited upon the next, you will love Flowers in the Attic.

The governance and administration of the Mongol Empire was an unimaginably complex exercise. Faced with endless factional rivalries as well as the need to erect and enforce the empire’s authority over a vast span of territory, the challenge of ruling the empire was truly formidable. In Women and the Making of the Mongol Empire, Anne Broadbridge examines the central role played by leading women in shaping Mongol society and its armies, thereby drawing out the sinews of power driving this vast imperium.    

Hudson and Lowell Legacy Consultants is a genealogy business formed by Johanna Hudson. The first line of the novel reads, “... clients don’t consider… that genealogy outcomes can be disappointingly unpredictable.” This statement is a prelude to the conflict weaving throughout the novel as the protagonist becomes embroiled in murder. Johanna makes a career move to pursue a new business opportunity. I left clinical medicine to have more time for writing. It was a difficult choice because I enjoyed taking care of people.

Another entry by C.J. Archer (can you tell I like this author?) and another great blending of genres.  Set in turn of the century England but including the existence of magic, the world-building is sure to immerse you and keep you reading on to the next book. Again, the “mystery” built in is not your typical, which makes the reading all the more intriguing.

I love books of discovery, people who are lost and figure out a way to find their voices, and characters who become the silver linings for others and in doing so find love and a meaningful life.

This is a quirky story about one woman’s quest to return lost treasures to their rightful owners, with the help of an irritable ghost. Each character in this charming novel is fully developed, and every plot thread expertly woven. It’s perfect for readers searching for a heart-warming read and a dusting of magic!

Technically, Stephanie Plum isn’t an amateur sleuth because she works as a bounty hunter, but since she was never trained and tends to succeed despite her bungling and ineptitude, I consider her an amateur sleuth. Besides, when you’re sorely in need of a good laugh to release some endorphins, you can’t go wrong spending a few hours with Stephanie and her colorful cohorts. This twenty-seventh outing in the long-running series is one of the best when it comes not only to the humor, but it offers up a well-plotted story, and lots of red herrings. Plus, there’s plenty of Grandma Masur in this one. What more could you ask for?