45 books like Bloodline

This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.

The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.

It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.   

The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.

Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.

I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature. 

One of the great lions of mid-20th-century literature, Irwin Shaw is probably best known for Rich Man, Poor Man, which became television’s first big miniseries. But this book, chronicling the dark glamour of the Cannes Film Festival in 1970, centers on the antihero Jesse Craig, a burned-out film producer trying to regain relevance in an arena that worships the new.

Reading it today, you can’t help but wish that kind of effortless European style and chic still existed. It also contains one of my favorite exchanges in a novel, when a young woman asks Craig, “If you had to do it all over again, would you?” and he responds wearily, “No one gets to do it all over again.” Oh, snap!

I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”

I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.

It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.    

I loved this book because it tells the story of a young woman in a perilous political situation who doesn’t cave to horrifying violence or conform simply to stay safe. I admire the voice Burns creates for the main character, called “middle sister,” because it’s unlike any narration in any other novel. 

For me, the strangeness of middle sister’s narration gets at the disconnect between the way a young woman sees herself and the way the rest of the world sees her—as inconsequential, as a sexual object, as a target. I love the way that she thinks her way out of the traps all around her, using humor and clear-sightedness to survive ‘the troubles’ in Northern Ireland during the 1970s.  

Zoe commutes to her job every day on a crowded train on the London underground. She discovers that someone is posting advertisements in a local paper saying which women take which trains. And there's a photograph of herself, claiming she's up for some "discreet casual action." Who is behind this and why? Zoe becomes suspicious of everyone in her life—her boss, her significant other—wondering who is cruel enough to set up unsuspecting women that commute by train. She's shocked when she finds out the truth, part of which she never discovers. A final zinger.

I love a good historical crime novel that’s set within a time I almost remember. It’s 1966 and Mick Goodenough arrives in Moorabool, demoted and depressed to be back. We all know killers often start by killing animals, so a dead, tortured dog raises Mick’s alert level, even though it’s dismissed by the other cops. A lone woman starts receiving weird, whistling phone calls and from there, the tension gradually racks up. Mick Goodenough has all the qualities I enjoy in a detective—intelligence, good hunches, and he loves his dogs.

I love this book because the hero, Eric, has been in love with the heroine Piper since they were teenagers. However, the heroine is his brother’s best friend so he pulled back so as not to step on any toes. The entire time, Piper believed he hated her. I love when she realizes that not only doesn’t Eric hate her, but she loves him too.

This author is a master at romantic suspense, so while they are falling in love, there’s so much more going on in the background that when Piper realizes Eric loves her, it makes their story all the sweeter.

I am a huge fan of Hitchcock’s Strangers on a Train, and this book is an homage to that film—but in the form of a domestic thriller.

A mysterious stranger on the train, a wife troubled by her husband’s infidelity, a missing nanny: each has her own story to tell that eventually intersects with the others and kept me guessing until the end.

Chevy Stevens is one of my favorite go-to authors and Never Let You Go, the story of a woman and her child who escape an abusive relationship and eleven years later the threat returns, is a book that has lingered with me for years. In the very first chapter Stevens manages to capture such intense fear and helplessness in Lindsey and her daughter Sophie as well as a sense of determination and a will to survive. But Lindsey can’t do it alone. At her side is Angus – a lug of a German shepherd mix, whom Lindsey found at the local animal shelter. Angus doesn’t make an appearance until about halfway in the novel, but what an appearance he makes. He instantly becomes a beloved family member, providing a sense of comfort and security to Lindsey and Sophie. As Lindsey’s ruthless ex-husband draws ever closer, Lindsey, Sophie, and Angus… show more.