Here are 45 books that Bloodline fans have personally recommended if you like
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When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.
The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.
It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.
Attacked, damned, praised and read around the world, THE CARPETBAGGERS was first published in 1961 and shelved high enough that the kids couldn't get their hands on it.
Set in the aviation industry and Hollywood in the 1930s, it is said the lead protaganist Jonas Cord is based on Bill Lear and Howard Hughes. It is the original sex and money blockbuster: a cracking story driven relentlessly forward by the sheer power and boldness of Robbins' writing.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.
Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.
I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature.
When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series—the first prime-time soap opera.
Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people—their passions and vices, their ambitions and defeats, their…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
One of the great lions of mid-20th-century literature, Irwin Shaw is probably best known for Rich Man, Poor Man, which became television’s first big miniseries. But this book, chronicling the dark glamour of the Cannes Film Festival in 1970, centers on the antihero Jesse Craig, a burned-out film producer trying to regain relevance in an arena that worships the new.
Reading it today, you can’t help but wish that kind of effortless European style and chic still existed. It also contains one of my favorite exchanges in a novel, when a young woman asks Craig, “If you had to do it all over again, would you?” and he responds wearily, “No one gets to do it all over again.” Oh, snap!
'They were honest mean and thieves, pimps and panderers and men of virtue. Therewere beautiful women and delicious girls, handsome men with the faces of swines...' 'They were all gamblers in a game with no rules, placing their bets debonairly or in the sweat of fear...' These are some of the characters in Irwin Shaw's bestselling EVENING IN BYZANTIUM. The place is Cannes, the setting, a film festival. The hero is Jesse Craig, forty-eight years old, whose survival is at stake in the midst of this gaudy carnival.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”
I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.
It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.
I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.
I love a good historical crime novel that’s set within a time I almost remember. It’s 1966 and Mick Goodenough arrives in Moorabool, demoted and depressed to be back. We all know killers often start by killing animals, so a dead, tortured dog raises Mick’s alert level, even though it’s dismissed by the other cops. A lone woman starts receiving weird, whistling phone calls and from there, the tension gradually racks up. Mick Goodenough has all the qualities I enjoy in a detective—intelligence, good hunches, and he loves his dogs.
The summer of 1966–7. Hal and his little brother have just come to live in Moorabool. They’re exploring the creek near their new home when they find the body of a dog.
Not just dead, but killed.
Not just killed, but horribly maimed.
Constable Mick Goodenough, recently demoted from his big-city job as a detective, is also new in town—and one of his dogs has gone missing. Like other pets around the town.
He knows what it means when someone tortures animals to death. They’re practising. So when Hal’s mother starts getting late-night phone calls—a man whistling, then hanging up—Goodenough,…
As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.
I am a huge fan of Hitchcock’s Strangers on a Train, and this book is an homage to that film—but in the form of a domestic thriller.
A mysterious stranger on the train, a wife troubled by her husband’s infidelity, a missing nanny: each has her own story to tell that eventually intersects with the others and kept me guessing until the end.
'WHAT A READ!... Completely engrossing, undeniably enthralling... The biggest five stars.' NetGalley reviewer, 5 stars
'A masterclass in storytelling... Unforgettable.' Samantha Downing, author of My Lovely Wife
Everyone has a secret. Who would you trust with yours?
On Selena Murphy's train home from work, a mysterious woman named Martha strikes up a conversation and shares a confession: she's having an affair with her boss. In turn, Selena shares her own secret: she suspects her husband is sleeping with the nanny.
At Selena's station the two women part, and Selena never expects to see her again. Until she receives a message.…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
There is something about books set in the cold, you know immediately bad things are going to happen! It may be my early childhood in Scotland, or my English upbringing, but I have always been drawn to the dark side of stories, the things under the bed, the monsters in the closet. I still love to be scared by the twists and chills but also am a sucker for a happy ending. In my novels, I always strive to entertain, to scare, and surprise, but ultimately there needs to be an emotional truth beneath everything. And this is true of the books I read as well.
Five total strangers trapped in a car together, during a blizzard trying to get home against mounting impossible odds – what’s not to like? I love believable situations which you know as a reader have so much potential to take a deadly turn!
When a storm strands Mira at the airport with no way to get home, she welcomes the kind offer of sharing a rental car with a woman from her flight. But when this also involves another three people, who all seem to have their own personal baggage and agendas, you know this is not going to be a smooth ride. As if driving in a storm isn’t enough of a problem, personal items keep going missing, and it soon becomes obvious that one of the five is trying to make sure they don’t all make it back alive! This is a fast-paced fun, twisty read, a perfect…
A New York Times Bestseller A "page-turning thriller that will keep readers guessing until the very end" (School Library Journal) about a road trip in a snowstorm that turns into bone-chilling disaster, from New York Times bestselling mystery author and "master of tension" (BCCB) Natalie D. Richards. She thought being stranded was the worst thing that could happen. She was wrong. Mira needs to get home for the holidays. Badly. But when an incoming blizzard results in a canceled connecting flight, it looks like she might get stuck at the airport indefinitely. And then Harper, Mira's glamorous seatmate from her…
I write mysteries and I love to read them. The mysteries I write are traditional and cozy. The focus is on my sleuth as she solves murders, her relationships, and on the local setting. These past few years I've enjoyed reading mysteries quite a bit edgier than the ones I write. These books are filled with characters that are often unstable or emotionally damaged. The murders are more brutal; the plots are more complex. Psychological thrillers veer off in many directions, and the person narrating the story is not always reliable. You can't take for granted that what a character says is true. Your best bet is to observe the action and enjoy the ride!
Zoe commutes to her job every day on a crowded train on the London underground. She discovers that someone is posting advertisements in a local paper saying which women take which trains. And there's a photograph of herself, claiming she's up for some "discreet casual action." Who is behind this and why? Zoe becomes suspicious of everyone in her life—her boss, her significant other—wondering who is cruel enough to set up unsuspecting women that commute by train. She's shocked when she finds out the truth, part of which she never discovers. A final zinger.
Discover the twisty, gripping Richard & Judy Book Club pick and Sunday Times Number One bestseller. And don't miss the next nail-biting thriller from Clare Mackintosh. Hostage is out now.
You do the same thing every day. You know exactly where you're going. You're not alone . . .
When Zoe Walker sees her photo in the classifieds section of a London newspaper, she is determined to find out why it's there. There's no explanation: just a grainy image, a website address and a phone number. She takes it home to her family, who are convinced it's just someone who…
As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.
This was my favorite book the year I read it, and I will read it again, with no doubt the same result. The narrator is an anonymous 18-year-old woman navigating family, community, and romantic relationships in the midst of the Irish Troubles.
Almost every character is identified by a local nickname, part town culture and part a way to keep both authorities and rebels off track. I loved the strong writing and the surprising but always plausible twists. I’ve recommended it to every reader I know.
Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and…
After solving her first case, private eye Siobhan O’Brien is hired by Phillip Ahn, an octogenarian billionaire with his own personal island in the Pacific Northwest. Ahn, a genius in artificial intelligence, swears that Duke, his youngest child and only son, is an impostor. Is Ahn crazy, or is Duke…
I've always loved reading romance, and something about those jealous, possessive, alpha males just always got my heart racing. I love a hero who's all in from the get-go and will do anything for the woman he loves. He knows what he wants and goes after it. I also get how crazy busy we can be. I don't know about you, but I don't always have time to sit down and read a super long novel. Insta-love romances are short and spicy and don't take more than an hour or two to read. You can count on my insta-love stories to be filled with heat, passion, and happily ever afters.
Once again, I'm a sucker for a good stalker romance, and boy is Silas a hot stalker. He's not a creepy-type stalker but one who's just totally obsessed with the woman he loves. Everything he does is to keep Jamie safe, even if it is totally over the top. And Jamie is such a cute, goofy heroine. It's hard not to love her. This book had a bit of mystery element to it too, which was really cool. And, of course, it had MINK's signature: a kitty cat co-starring as a character. The way she includes a fluffy feline in all her books really gives them all a sweet touch.
Am I stalking my neighbor Jamie? Yes. Is that necessarily a bad thing? Surely not. Look, I realize it sounds bad, okay? But I take care of Jamie’s problems whenever they arise. Just look at her ex-boyfriend, for example. He was trouble. Now he’s not around anymore. See? I solve problems. Whenever Jamie needs help, I’ll be there for her. It’s just who I am. Besides, if you aren’t obsessed with the one you love, are you even in love?
Jamie
Someone is stalking me. I can’t figure out who it is, but I know they’re out there. And…
