Here are 100 books that Bloodline fans have personally recommended if you like
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When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.
The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.
It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.
Attacked, damned, praised and read around the world, THE CARPETBAGGERS was first published in 1961 and shelved high enough that the kids couldn't get their hands on it.
Set in the aviation industry and Hollywood in the 1930s, it is said the lead protaganist Jonas Cord is based on Bill Lear and Howard Hughes. It is the original sex and money blockbuster: a cracking story driven relentlessly forward by the sheer power and boldness of Robbins' writing.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.
Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.
I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature.
When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series—the first prime-time soap opera.
Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people—their passions and vices, their ambitions and defeats, their…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
One of the great lions of mid-20th-century literature, Irwin Shaw is probably best known for Rich Man, Poor Man, which became television’s first big miniseries. But this book, chronicling the dark glamour of the Cannes Film Festival in 1970, centers on the antihero Jesse Craig, a burned-out film producer trying to regain relevance in an arena that worships the new.
Reading it today, you can’t help but wish that kind of effortless European style and chic still existed. It also contains one of my favorite exchanges in a novel, when a young woman asks Craig, “If you had to do it all over again, would you?” and he responds wearily, “No one gets to do it all over again.” Oh, snap!
'They were honest mean and thieves, pimps and panderers and men of virtue. Therewere beautiful women and delicious girls, handsome men with the faces of swines...' 'They were all gamblers in a game with no rules, placing their bets debonairly or in the sweat of fear...' These are some of the characters in Irwin Shaw's bestselling EVENING IN BYZANTIUM. The place is Cannes, the setting, a film festival. The hero is Jesse Craig, forty-eight years old, whose survival is at stake in the midst of this gaudy carnival.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”
I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.
It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.
As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.
I am a huge fan of Hitchcock’s Strangers on a Train, and this book is an homage to that film—but in the form of a domestic thriller.
A mysterious stranger on the train, a wife troubled by her husband’s infidelity, a missing nanny: each has her own story to tell that eventually intersects with the others and kept me guessing until the end.
'WHAT A READ!... Completely engrossing, undeniably enthralling... The biggest five stars.' NetGalley reviewer, 5 stars
'A masterclass in storytelling... Unforgettable.' Samantha Downing, author of My Lovely Wife
Everyone has a secret. Who would you trust with yours?
On Selena Murphy's train home from work, a mysterious woman named Martha strikes up a conversation and shares a confession: she's having an affair with her boss. In turn, Selena shares her own secret: she suspects her husband is sleeping with the nanny.
At Selena's station the two women part, and Selena never expects to see her again. Until she receives a message.…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
In 2022 she teamed with best-selling thriller author James Patterson on a novel about an aspiring country musician with a troubled past. AnnieLee hitchhikes her way to Nashville, but just as her musical career starts to gain traction, the demons from her past start to catch up.
Knowing Dolly co-wrote the story makes it hard to avoid reading her voice into the experiences of the youthful main character, but also into the voice of the older country music legend Ruthanna, who takes the struggling newcomer under her wing.
This book reminds you that Dolly, at her core, is a skillful storyteller.
From America’s most beloved superstar and its greatest storyteller—a thriller about a young singer-songwriter on the rise and on the run, and determined to do whatever it takes to survive.
Every song tells a story.
She’s a star on the rise, singing about the hard life behind her.
She’s also on the run. Find a future, lose a past.
Nashville is where she’s come to claim her destiny. It’s also where the darkness she’s fled might find her. And destroy her.
Run, Rose, Run is a novel glittering with danger and desire—a story that…
Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought.
So. Much. Drama. When a couple of dead bodies turn up, no one can be trusted, and everyone’s a suspect since there are more than enough motives to go around.
I found this wildly entertaining and engrossing, not knowing who was “good” and “bad.” Discovering that as the pages went on made the journey so much fun, with surprises around every corner.
'A white knuckle read!' - Amazon reviewer 'An ending I did not see coming!' - Amazon reviewer
'From its seize-you-by-throat opening to that jack-in-the-box finale, this slick, sleek thriller held me breathless. Psychological suspense at its brightest and boldest.' - A. J. Finn, author of THE WOMAN IN THE WINDOW
A page-turning thriller about secrets and revenge, told from the perspectives of a husband and wife who are the most perfect, and the most dangerous, match for each other.
******
A BOOK OF THE MONTH PICK
For better, for worse...
Rebecca didn't know love was possible until she met Paul,…
I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.
This book by John Grisham asks how moral people live in an unjust society. They either come to terms with the wickedness of a broken world or end their lives.
The opening page of the Grisham novel reveals a man who can’t cope with his sins, those of his ancestors, and society. I submit the reader wants a more courageous protagonist capable of coping with the chaos. The entire purpose of crime fiction is to re-establish the order shattered by evil.
In the long-awaited successor to the novel that launched his phenomenal career, John Grisham brings us the powerful sequel to A Time to Kill. As filled with page-turning twists as it is with legal mastery, Sycamore Row proves beyond doubt that John Grisham is in a league of his own.
Jake Brigance has never met Seth Hubbard, or even heard of him, until the old man's suicide note names him attorney for his estate. The will is dynamite. Seth has left ninety per cent of his vast, secret fortune to his housemaid.
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
Based on the case of child killer Mary Bell this book is an unexpected page-turner and is written with so much heart. It’s dark, compulsive, and the prose sparkles.
This is another dual timeline book we follow Chrissie as a child living a hard life and eventually committing murder. We meet her again as an adult with a new identity and a daughter of her own. Nancy Tucker is a psychologist I believe and it certainly comes across.
The entire cast in this book is written with such tenderness and insight. A really difficult book dealing with a tough topic but also a story of redemption and understanding.
'So that was all it took,' I thought. 'That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all.'
Chrissie knows how to steal sweets from the shop without getting caught, the best hiding place for hide-and-seek, the perfect wall for handstands.
Now she has a new secret. It gives her a fizzing, sherbet feeling in her belly. She doesn't get to feel power like this at home, where food is scarce and attention scarcer.
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
This book was Beautiful Gowns but make it horror—and I loved every second of it. While more of a thriller than horror, the kills in this one stick with me like its comparative film, Ready or Not did.
Our main character is the resident bad girl of her private school, and once she's lost everything she worked for, she's not afraid to be the villain for the bag. I love reading about ambitious girls who leave scratch marks behind them, and Adina practically plows through the book, telling everyone, "This is not America's Next Top Best Friend." Not afraid to lie, cheat, or steal your man, I’m still glad she got everything she wanted - especially because she took it for herself.
“A brutally honest and haunting cautionary tale…exposing the lie that is meritocracy and the unrelenting toll that being a final girl takes. A bloody tale spun masterfully…a dark delight.” —Faridah Àbíké-Íyímídé, New York Times bestselling author of Ace of Spades
A Black teen desperate to regain her Ivy League acceptance enters an elite competition only to discover the stakes aren’t just high, they’re deadly, in this “spine-chilling thriller” (Publishers Weekly).
You must work twice as hard to get half as much.
Adina Walker has known this the entire time she’s been on scholarship at the prestigious Edgewater Academy—a school for…
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