Here are 100 books that Peyton Place fans have personally recommended if you like
Peyton Place.
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My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I believe that the best haunted house books are ones in which it’s the characters who are haunted. In this bookby Daphne du Maurier, I’m not sure if the house is haunted by the specter of Rebecca, but I know the narrator certainly is.
I love how the author creates an atmosphere filled with dread as the new wife imagines her predecessor, tries to live up to her reputation, and finally learns who she really was.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
Sometimes people are given a horrible position at birth either by economics, environmental conditions, or bad luck. The Four Winds helped me understand some of the great migrations that have occurred in this country and the motivations that inspired the move.
I came to root for Elsa, the flawed main character, who sincerely did the best she could for her son. I felt her pain, agony, and frustration when a series of bad events happened along her journey.
It wasn’t an easy read, but a necessary one to understand resilience, courage, strength, and doing what you have to do when given no other choice.
"The Bestselling Hardcover Novel of the Year."--Publishers Weekly
From the number-one bestselling author of The Nightingale and The Great Alone comes a powerful American epic about love and heroism and hope, set during the Great Depression, a time when the country was in crisis and at war with itself, when millions were out of work and even the land seemed to have turned against them.
“My land tells its story if you listen. The story of our family.”
Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.
The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.
It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.
Attacked, damned, praised and read around the world, THE CARPETBAGGERS was first published in 1961 and shelved high enough that the kids couldn't get their hands on it.
Set in the aviation industry and Hollywood in the 1930s, it is said the lead protaganist Jonas Cord is based on Bill Lear and Howard Hughes. It is the original sex and money blockbuster: a cracking story driven relentlessly forward by the sheer power and boldness of Robbins' writing.
I grew up in an extremely rural area before the internet, where there was no cable. So, I read. Reading led to my desire to write, and I have. When Jackie discussed the characters of The Waking Bell with me, I envisioned an American version of Rebecca, where the protagonist is a naïve young woman who follows her heart in a dark, gothic setting. While I didn’t grow up in the mountains, I have experienced the differences between people from different backgrounds that live in the same rural area. Those experiences are whereThe Waking Bell begins.
The Lost Ones is set a few years before my book, but I found it intriguing, and it has ghosts. While I usually don’t write ghost stories, I have written with supernatural undertones. This book has what I love: mysterious twists and turns. What’s more, I wanted to recommend it because I kinda stumbled upon it and wanted to share.
SHORTLISTED FOR THE GOLDSBORO BOOKS GLASS BELL AWARD
SHORTLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION DEBUT CROWN
'A gothic gem of intrigue and atmosphere' HWA Debut Crown Judges
England, 1917
Reeling from the death of her fiance, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick - but she arrives to discover a house of unease and her sister gripped by fear and suspicion.
Before long, strange incidents begin to trouble Stella - sobbing in the night, little footsteps on the stairs - and as events…
I grew up in an extremely rural area before the internet, where there was no cable. So, I read. Reading led to my desire to write, and I have. When Jackie discussed the characters of The Waking Bell with me, I envisioned an American version of Rebecca, where the protagonist is a naïve young woman who follows her heart in a dark, gothic setting. While I didn’t grow up in the mountains, I have experienced the differences between people from different backgrounds that live in the same rural area. Those experiences are whereThe Waking Bell begins.
I’m not certain how many readers know of this book. But even though the time setting isn’t the same, I related to Willow’s character and Cady Blue. Both haven’t had an easy life, but you will fall in love with them. If you read this book, let me know if you do. Perhaps it’s because both characters have had hard beginnings.
Those were the words I lived by growing up, the words that protected me in an unsafe home. But words are only letters and eventually even they couldn't keep his hands off me.
Hoping to leave behind the shattered life of my past, I find myself in a boring, small town, with an aunt I've never met and at a school I loathe.
But soon I learn not everything in this world is as black and white as I've determined. Sometimes those we are so quick to judge often need a…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
One of the great lions of mid-20th-century literature, Irwin Shaw is probably best known for Rich Man, Poor Man, which became television’s first big miniseries. But this book, chronicling the dark glamour of the Cannes Film Festival in 1970, centers on the antihero Jesse Craig, a burned-out film producer trying to regain relevance in an arena that worships the new.
Reading it today, you can’t help but wish that kind of effortless European style and chic still existed. It also contains one of my favorite exchanges in a novel, when a young woman asks Craig, “If you had to do it all over again, would you?” and he responds wearily, “No one gets to do it all over again.” Oh, snap!
'They were honest mean and thieves, pimps and panderers and men of virtue. Therewere beautiful women and delicious girls, handsome men with the faces of swines...' 'They were all gamblers in a game with no rules, placing their bets debonairly or in the sweat of fear...' These are some of the characters in Irwin Shaw's bestselling EVENING IN BYZANTIUM. The place is Cannes, the setting, a film festival. The hero is Jesse Craig, forty-eight years old, whose survival is at stake in the midst of this gaudy carnival.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”
I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.
It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
Ok, so this is not technically midcentury (it was published in 1977), but I had to include one of those amazing 1970s yarns. I chose this one because I remember reading this as an adolescent and feeling it was sort of like a more adult, sophisticated Nancy Drew book, replete with cliffhangers at the end of each chapter.
This global potboiler, about a beautiful pharmaceutical heiress marked for murder, has enough twists and turns to keep anyone reading way past bedtime. I think it also planted the seed for me to write my own novels of courageous, Grace Kelly-style heroines caught up in the throes of romantic mystery and adventure.
One of Sidney Sheldon's most popular and bestselling titles, repackaged and reissued for a new generation of fans.
The daughter of a rich and powerful father, Elizabeth Roffe is young, beautiful - and sole heir to a billion dollar fortune.
Then tragedy strikes. Her father is killed in a freak accident and Elizabeth must take command of his mighty global empire, the pharmaceutical company Roffe and Sons. It makes Elizabeth the richest girl in the world. But someone, somewhere, is determined that she must die.
From the backstreets of Istanbul to the upmarket offices of New York, Bloodline is a…
I’ve always been intrigued by monsters. I grew up watching or reading anything that had a monster in it, much to the chagrin of my monster-hating mother. Over time, I grew bored with the same monsters in the same historical settings. It wasn’t until I discovered some of the books on this list that I found writers doing new, fun, and inventive things that reinvigorated my own love for them. I’m always going to be a monster junky, but I always hope to find authors that can bring these classic terrors into the modern world.
This is the first book that made me feel like I was in a fully realized location. I couldn’t put it down and continue to revisit it annually because the depth of detail in the town and its citizens draws me in and makes the events more impactful as they unfold.
I’ve always enjoyed a good vampire story, but Salem’s Lot was the first vampire story that made me a little nervous of the creaking sounds in the hallway or a tapping at a window.
#1 BESTSELLER • Ben Mears has returned to Jerusalem’s Lot in hopes that exploring the history of the Marsten House, an old mansion long the subject of rumor and speculation, will help him cast out his personal devils and provide inspiration for his new book.
But when two young boys venture into the woods, and only one returns alive, Mears begins to realize that something sinister is at work.
In fact, his hometown is under siege from forces of darkness far beyond his imagination. And only he, with a small group of allies, can hope to contain the evil that…
I’ve always been fascinated by the everyday lives of people from early New England; I want to understand how they experienced their world, made choices, and participated in changing history. Most of these people left no memoirs, so I’ve spent years in all manner of archives, piecing together clues to individual lives. I’ve found extraordinary insights on how and why people farmed in tax valuations, deeper knowledge of their material world in probate court inventories, evidence of neighborly interdependence in old account books, etc. I’ve spent my career as a public historian sharing these stories through museum research and exhibits, public programs, lectures, and writing. I love the hunt – and the story!
When the Robertsons bought their 18th-century home in Hampton, Ct., they inherited an unparalleled lode of documents assembled over 100 years of the previous owners’ history. Starting in the 1790s, the Traintors saved, it seems, every bit of paper that came through their hands: from private letters and business accounts, to pamphlets, social invitations, school records, and, of course books. The Robertsons spent years digesting this remarkable trove. In this book, they “open out” the evidence – as Laurel Ulrich did for Martha Ballard’s diary – in a way that transforms it into a moving and deeply intimate story of family life and community change in a small New England town. I found their tale – told often in the Taintors’ own words – to be vivid, immediate, a surprisingly frank, personal, and moving story.
Examines 150 years of the social life and customs of a small New England town through letters and other documents belonging to the family that built and lived in the authors' house in Hampton, Connecticut
