21 books like The Carpetbaggers

Hardboiled specialist Horace McCoy made his mark as an unsparing chronicler of Depression-era despair with his 1935 masterpiece They Shoot Horses, Don’t They?. His 1938 novel isn't nearly as good, but it feels so lived-in and sordid that it tells major truths about the dreamers, users, and big talents who populated '30s Hollywood. In it, Ralph and Mona, two modestly talented beautiful losers, hit Tinseltown hungering for stardom. But Ralph, 18 years before the doomed screenwriter hero of Sunset Boulevard, winds up providing stud service to a wealthy older woman and Mona finds her own private hell. The novel is a bleak meditation on exploitation, failure, and corruption in a town where, as one character observes, “Morality never crosses the city limits.”

Novelist-screenwriter-director Richard Sale’s scabrous, compulsively readable 1963 novel is packed with malicious characters scrambling up Hollywood’s “glass mountain of success” only to tumble into what Jacqueline Susann would call four years later would call “the Valley of the Dolls.” Pretty much set in Movieland’s seven circles of hell, the novel charts the rise and fall of an ex-gigolo who becomes a major movie star leading man. Grabbing a "Best Actor" Oscar nomination, he becomes hellbent on knee-capping -- or flat-out destroying -- his competitors. An acid-laced smorgasbord of its era, it teems with transactional sex, unapologetic misogyny, homophobia, and groovy Swinging Sixties dialogue – all of it as despicably and wondrously monstrous as its 1966 movie version (scripted by Harlan Ellison!) is unintentionally side-splitting.

Newbie novelist Jacqueline Susann created an iconic all-time bestseller with her tale of three young glamazons who vault to the show business heights, only to tumble into a pit of addictions, poor choices in men, and delightfully overripe dialogue. Susann made her sweeping, sexy soap opera shenanigans even more irresistible by patterning her characters on such 20th-century headline-makers as Marilyn Monroe, Judy Garland, Grace Kelly, Ethel Merman, and the Kennedys. Said publicity-savvy Susann, “They can keep calling it that ‘roman à clef'. It’ll only make my books sell.” They did. It did. Although the sanitized and critically bashed 1967 movie version toned down the à clef elements, it became a box-office smash that has gone on to become enshrined as a kitsch classic.

What I love about The Mandarins is that in describing the life of de Beauvoir, Sartre, Camus and their contemporaries in Paris at the end of the Second World War, it provided me with greater insight into how an existentialist approach to meaning in life can be put into practice.

I also really enjoyed the book for the quality of its writing and its interesting plot. It is fiction, but so close to what actually happened as to almost be history.  

This one is a bit of an obscurity. Another roman a clef from the 1980s, it’s a murder mystery set in Manhattan Society, only this time, it’s about the ways the high and mighty get down and dirty—and at the time, it was said to be based on several very real Upper East Side New York gentleman whose behavior was anything but gentle. At the time, many knew but no one talked about the sleaze and moral corruption that lurked in the dark corners of the world of wealth. I heard enough and saw enough to think that Stewart knew a lot.  

I'm not sure the 1957 movie version of Hemingway's 1926 first novel, with terrific performances by Tyrone Power, Ava Gardner, and Errol Flynn, is a great movie, but when I first saw it on my old black and white TV in the early sixties, I was so deeply affected. I had to immediately read the book.

Hemingway, was, of course, himself an expatriate American in Paris in the 1920s. What I love about the book is Hemingway's ability to capture the atmosphere of the time and place, as his Lost Generation characters booze, fight, love, and perhaps try to come to terms with the life they have created for themselves. Then there is that impossible love story between war-injured Jake and Brett!

A rising star in the American book scene of the 1960s, novelist Clifford Irving suddenly claimed his greatest fame in 1972 as a criminal who almost succeeded in the most brazen literary hoax of all time by selling rights to a bogus autobiography of reclusive billionaire Howard Hughes. Exposed and convicted of fraud, Irving spent 16 months in federal prison and returned his $765,000 advance. But he may have had the last laugh with the 1981 publication of this raucous and hilarious inside account of the scam, removing all his skeletons from the closet and shaking them for everyone to see. A movie starring Richard Gere as Irving followed in 2006. Irving died at the age of 87 in 2017.

A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.

A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.

Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself. 


Carl Hiaasen’s Florida-set books are dark, clever, and ever so funny, with his perfectly drawn characters being eccentric, shady as hell, or just plain whack-a-doodle.

Sometimes all three at the same time. Most of his books are standalones but his one recurring character, the sidekick to lots of the books’ protagonists, is Clinton Tyree, the ex-governor of Florida. Tyree was one of the few honest men to hold that office, until one day, sick of the corruption, he simply vanished into the Everglades.

He appeared later as Skink, a one-eyed man at one with nature who dined on roadkill and engaged in the occasional act of ecoterrorism. He’s frequently the protector of Florida’s downtrodden. In Stormy Weather, he befriends Bonnie Lamb, an unhappy honeymooner, and kidnaps her new husband.