As a child, finding reality both overwhelming and boring, I was drawn to movies. My father, a New York City disc jockey also at odds with reality, had contacts at a sixteen-millimeter movie rental company. He often brought films home, shown in a makeshift screening room he set up in our basement. Singin’ in the Rain, the classic musical, made a great impression there. Its funny first scene at a movie premiere featured a pompous star’s ennobling account of his early days, comically contradicted by the tacky, scrounging, painfully undignified truth. What lay behind Hollywood's glamor, smiles, and success soon became as interesting to me as what was on the screen.
It lacks the film version’s famous, freakish appeal, including Bette Davis's wild, classic performance. Yet Henry Farrell’s horror novel about a weird, washed-up child star and her wheelchair-bound sister powerfully captures the lazy, languid midday atmosphere of Los Angeles, in which a person’s career and sanity can dry up in the sun.
The literary classic that inspired the iconic film - the story of two sisters and the hell they made their home.
Once an acclaimed child star of vaudeville, Baby Jane Hudson performed for adoring crowds before a move to Hollywood thrust her sister, Blanche, into the spotlight. As Blanche's film career took off, a resentful Jane watched from the shadows as her own career faded into obscurity - until a tragic accident changed everything.
Now, years later, the two sisters live in a decaying mansion, isolated from the outside world. Crippled by the accident, Blanche is helpless under the control…
Gavin Lambert adapted the works of D. H. Lawrence and Tennessee Williams for the films Sons and Lovers and The Roman Spring of Mrs. Stone. He directed one interesting, low-budget, Paul Bowles-like movie, Another Sky. His prose work is insightful about the behind-the-scenes world of the movies.
The linked stories in this book memorably spotlight hangers-on and working-class people on the edges of entertainment. Also of interest is Inside Daisy Clover, his novel about a teen tomboy star which became an affected, bombastic, entertaining Natalie Wood movie.
The land along Pacific Palisades is apt to slip away without warning, hence the road-side signs - SLIDE AREA. Narrated by a script-writer, Lambert's widely-acclaimed 1959 Hollywood classic of lonely souls marooned on a glittering wasteland is a perceptive and sensitive study of human emotion.
A leading man in the fifties and early sixties (I Married a Monster from Outer Space is a good, suburbs-set science fiction movie), Tom Tryon became an acclaimed horror writer with his novel The Other.
His collection of stories and novellas about Hollywood is gamy, gruesome, and sometimes ugly (his story, Willie, based on the brutal murder of silent film star Ramon Navarro, borders on torture porn) but also feels authoritative and true. Fedora, his sub-Sunset Boulevard story about a faded movie star, came full circle and was one of Billy Wilder’s last and least successful films.
The pasts and presents of four onetime and still-going Hollywood movie stars interweave in a world of mystery and memories, publicity and reclusiveness, legend and loss
With strange echoes of today’s New York City, Irwin Shaw’s 1962 novel starts with a once-famous actor being punched in the face for no reason after arriving in Rome to do a looping job. While the overwritten story goes downhill from there, it takes a riveting look at Italy’s La Dolce Vita atmosphere, with characters reportedly based on Tyrone Power and Darryl Zanuck.
An excellent nonfiction account of an actual Hollywood killing, this is a well-written and researched investigation of the (as yet) unsolved 1922 shooting of director William Desmond Taylor. The murder was committed right when scandals, including Fatty Arbuckle’s, besieged an ascendant Hollywood.
Also of interest: A Murder in Hollywood by Casey Sherman, which recaps the killing of Johnny Stompanato, Lana Turner’s gangster boyfriend, supposedly by her teenage daughter, Cheryl. This crime inspired entertainment from Harold Robbin’s potboiler, Where Love Has Gone, to Woody Allen’s self-serious movie, September.
New York Times Bestseller Edgar Award winner for Best Fact Crime The Day of the Locust meets The Devil in the White City and Midnight in the Garden of Good and Evil in this juicy, untold Hollywood story: an addictive true tale of ambition, scandal, intrigue, murder, and the creation of the modern film industry. By 1920, the movies had suddenly become America's new favorite pastime, and one of the nation's largest industries. Never before had a medium possessed such power to influence. Yet Hollywood's glittering ascendency was threatened by a string of headline-grabbing tragedies-including the murder of William Desmond…
In my book, a scruffy movie trivia fanatic, Roy Milano, turns detective to track down the legendary missing footage of Orson Welles’ The Magnificent Ambersons, a film notoriously butchered by its studio in the forties.
Roy’s position as the quintessential fan, observer, and outsider allows him to penetrate the sometimes dangerous, sometimes comical world of the film business while reciting to himself movie trivia facts (all true!) that keep him calm and grounded in the world. In the sequel, The Shooting Script, Roy chases after a print of Jerry Lewis’ benighted, unfinished Holocaust drama, The Day the Clown Cried.
He’s riddled with guilt. She’s annoyed with the status quo.
The death of a crime boss’s daughter forces Detective Neil Caldera to leave NYC. He seeks refuge in the tranquil embrace of a small town, where he finds himself entangled in the labyrinth of a teenage girl’s murder. Tess Fleishman’s pale skin and extreme weight loss portrays a disease she wants others to see. While inside, a compulsion for Neil fuels her passion to have him or destroy him.
He's riddled with guilt. She's annoyed with the status quo. The death of a crime boss's daughter forces Detective Neil Caldera to leave NYC. He seeks refuge in the tranquil embrace of a small town, where he finds himself entangled in the labyrinth of a teenage girl's murder. Tess Fleishman's pale skin and extreme weight loss portrays a disease she wants others to see. While inside, a compulsion for Neil fuels her passion to have him or destroy him. As Neil delves into the heart of the town's secrets, will truth deliver solace? Or will Tess prevail?
