The most recommended books about making movies

I really enjoy essays and writing about different forms of art, about the genesis of an artwork and the humans who create them, and Ian Penman's book on German director Reiner Werner Fassbinder is among the best of its kind that I've read in recent years.

Written in four weeks to emulate the frantic way Fassbinder scripted and directed his films, this is not a dry, super-detailed biography but a romp through the 1970s and 80s Western European art and history and, at the same time, an ode to the bright screen in the dark room and its powers. 

This book typifies what I love about Weird Fiction. It charts a slow descent from the mundane into the uncanny.

The protagonist is a film historian who discovers what may be an extremely significant fragment of an old movie, and in the process of tracking down the original print discovers hidden truths about an invisible world ruled by ancient gods. 

It's hard to be specific about the plot, because the genius of the story is the author's ability to create a mood of escalating dread. In the best Weird Tales tradition, much of the horror lies in the narrator's inability to prove what she discovers. Something is going on, something terrifying, but every time she tries to understand exactly what it is the details shift and melt away.

I loved this book for its slow-burn charm. However, at first, the heroine, Poppy Lively, had a lot of life problems that were making her very anxious, and I started to feel anxious, too! However, when she starts her new Hollywood job, Poppy comes into her own and begins to make a new life for herself, and it was then that this novel began to charm and delight me.

Poppy is a woman learning how to be herself in a difficult world, and I grew to love her for it. In the end, I was cheering her on as she confronts her past and realises where her real loyalties lie. There's also a really nice hint of romance.

As Hollywood’s Golden Age sputtered to a close and the old studio behemoths collapsed, United Artists became the Little Studio That Still Could, thanks largely to the discerning eye and risk-taking appetite of David Picker, its young head of marketing and production. Under his leadership, UA made deals that snagged the James Bond series, the Beatles’ two feature films, and Woody Allen’s best movies. Picker’s formula was simple—sign the most intriguing filmmakers in America and Europe to low-budget, one-movie contracts and then leave them alone to do their finest work. Picker praises his pals and lacerates his foes, including Robert Altman, Otto Preminger, and most especially Bill Cosby, whom he despised long before the sexual assault allegations. Anyone recall Cosby’s woeful Leonard Part 6?

A massive influence on my own cultural approach to understanding cinema and intersectional representation, hooks offers acute analyses of the way films can affect us on a personal, political, and communal level, for better and for worse.

Hooks is smart, sharp, and switched on to how misogyny and racism can adversely affect the treatment of female characters of colour, especially.

Discovering the art of Alejandro Jodorowsky helped me to remove limitations from my own art. It was a joy to discover his work and it was a further joy to discover that his life has been just as uncompromising, surreal, and magical as his art. He has hung out with circus people, shamans, great artists (Marcel Marceau, Leonora Carrington, Jean Giraud… the list goes on). His novels, autobiographies, comic books, movies, and pictures are all fantastic. 

Wasson and Basinger are two other authors where you simply want to read everything they’ve written.

The reason I picked Hollywood: The Oral History for this list is that you have several hundred pages of Hollywood players telling their own stories. What could be better?? We get the scoop from stars, grips, screenwriters, carpenters, producers, directors, publicists, and everything in between.

What was it like to work in Hollywood in 1949? This book has your answer. What was the transition from Old Hollywood to New Hollywood like, this book has the goods. 

Before he became a writer of potboiler novels and true-crime journalism, Dominick Dunne was a film and television producer and a social butterfly who also happened also to be an avid amateur photographer. This memoir of his Hollywood days, which resulted in a crash-and-burn from which he emerged as a writer, is filled with intimate, candid images of such friends (not all faithful) as Jane Fonda, Elizabeth Taylor, Natalie Wood, Paul Newman, and Frank Sinatra, as well, of course, as Dunne and his family. There are dreamy and even eye-popping tales throughout, and if you're at all familiar with Dunne's books or magazine writing, you'll marvel at how so much of it so neatly dovetails with the life he actually lived and, thankfully, captured on film and in these frank and candid pages.

There have been so many books about George Lucas’s most famous creation, the Star Wars saga, and about the man himself.

As far as biographical accounts are concerned, Dale Pollock’s volume (initially published in 1983, and updated in 1990 and 1999) has to be given a lot of credit for being the first to properly introduce this unique filmmaker, whose life and career have been so full of unexpected twists and turns, to the world – and to me!

Pollock’s well-researched and very readable book set a high standard for all the writers following in his footsteps.

This book terrified me, mainly because I happened to read it just after getting out of a long-term relationship. The premise itself is pretty perverse, or maybe sad depending on your viewpoint – a widow who hasn’t moved on since the death of his wife holds auditions for a fake movie so that he can find his perfect mate. As you’ll see in my own novel, auditions can often be the perfect cover for something more sinister. In this case though, it’s the auditionee who gets the upper hand. Very creepy and with a great twist, Audition is definitely one to read.