The most recommended books about making movies

The 1970s were a second ‘Golden Age’ for Hollywood cinema, but many creative individuals from this time remain marginalized. Their names are unfamiliar, and their films are unseen. 

This new collection of essays edited by Lennard, Palmer, and Pomerance combines canonical directors (De Palma, Lumet, Ashby, Peckinpah) with more neglected figures whose work won’t be easy to find on Netflix: Elaine May, Paul Mazursky, Joan Micklin Silver, Bob Rafelson…

During cinema’s current craze for pre-sold sequels, franchises, biopics, and 1980s nostalgia, a look back at the 1970s reminds us of how fresh and original (if not always profitable) Hollywood could be.

As Hollywood’s Golden Age sputtered to a close and the old studio behemoths collapsed, United Artists became the Little Studio That Still Could, thanks largely to the discerning eye and risk-taking appetite of David Picker, its young head of marketing and production. Under his leadership, UA made deals that snagged the James Bond series, the Beatles’ two feature films, and Woody Allen’s best movies. Picker’s formula was simple—sign the most intriguing filmmakers in America and Europe to low-budget, one-movie contracts and then leave them alone to do their finest work. Picker praises his pals and lacerates his foes, including Robert Altman, Otto Preminger, and most especially Bill Cosby, whom he despised long before the sexual assault allegations. Anyone recall Cosby’s woeful Leonard Part 6?

I’ll never forget finding this biography at a secondhand bookstore just off the Kurfurstendamm in Berlin a few years ago. I took it to a small café near the zoo and read it–cover to cover–that very same day!

There is little doubt Samuel Goldwyn was Hollywood’s last tycoon. In this outstanding book, Berg beautifully tells the rags-to-riches tale of a poor Jewish glovemaker who became the most important producer in American cinema. Many great stars make appearances, including Charlie Chaplin and Mary Pickford. A meticulously researched and compelling tome.

One common theme with the books I love is that the characters are amazing. They’re funny, endearing, thoughtful, and fiery. When my fave writing duo came out with this stunning novel, I was hard-pressed to put it down. I loved Fizzy, and I have absolutely no doubt you’ll love her too.

Add in a hot British producer, a romance-based reality show, so much angst you could light a match against it, and the sweetest will-I-make-a-good-step-mom subplot, and you have a comfort read that’ll leave you wishing the show they aired was real.

I really enjoy essays and writing about different forms of art, about the genesis of an artwork and the humans who create them, and Ian Penman's book on German director Reiner Werner Fassbinder is among the best of its kind that I've read in recent years.

Written in four weeks to emulate the frantic way Fassbinder scripted and directed his films, this is not a dry, super-detailed biography but a romp through the 1970s and 80s Western European art and history and, at the same time, an ode to the bright screen in the dark room and its powers. 

Apart from presenting George Lucas in his own words, this book offers a concise introduction to his career, including a chronology and a filmography.

The interviews collected herein go from a May 1971 article in the San Francisco Chronicle about the young filmmaker whose first feature, the rather abstract Science Fiction drama THX 1138, had just come out (and flopped!), all the way to a conversation with the Los Angeles Times in January 1999 about the forthcoming release of the first Star Wars prequel Star Wars: Episode I – The Phantom Menace.

Despite dramatic changes in Lucas’s status as a filmmaker (and businessman) across this period, the interviews reveal striking continuities, notably his striving for maximum control over his films and business affairs.

Discovering the art of Alejandro Jodorowsky helped me to remove limitations from my own art. It was a joy to discover his work and it was a further joy to discover that his life has been just as uncompromising, surreal, and magical as his art. He has hung out with circus people, shamans, great artists (Marcel Marceau, Leonora Carrington, Jean Giraud… the list goes on). His novels, autobiographies, comic books, movies, and pictures are all fantastic. 

This book typifies what I love about Weird Fiction. It charts a slow descent from the mundane into the uncanny.

The protagonist is a film historian who discovers what may be an extremely significant fragment of an old movie, and in the process of tracking down the original print discovers hidden truths about an invisible world ruled by ancient gods. 

It's hard to be specific about the plot, because the genius of the story is the author's ability to create a mood of escalating dread. In the best Weird Tales tradition, much of the horror lies in the narrator's inability to prove what she discovers. Something is going on, something terrifying, but every time she tries to understand exactly what it is the details shift and melt away.

Wasson and Basinger are two other authors where you simply want to read everything they’ve written.

The reason I picked Hollywood: The Oral History for this list is that you have several hundred pages of Hollywood players telling their own stories. What could be better?? We get the scoop from stars, grips, screenwriters, carpenters, producers, directors, publicists, and everything in between.

What was it like to work in Hollywood in 1949? This book has your answer. What was the transition from Old Hollywood to New Hollywood like, this book has the goods. 

I loved this biography of the director, the first of its kind, which is filled with loads of anecdotes, and curious insights based on its author chatting to people Kubrick new.

I also enjoyed it because LoBrutto did his research, consulting historical records in New York City, and reconstructing the director’s early life. In many ways, our book follow in LoBrutto’s wake.