Fans pick 38 books like Hits, Flops, and Other Illusions

A sci-fi space opera that’s told like a documentary film.

This was the first book (but certainly not the last) that ever made me jealous I didn’t write, and inspired countless hours of me trying to duplicate.

Set in an alternate 1986 where silent films still reign and using various forms (reality tv, movie, celebrity rags, audio transcripts) this is a genre-bending collective gorgeously told and seriously underread. 

Graphic novels are seeing a real boom, and Ira Marcks’ Spirit Week is the perfect scary graphic novel middle-grade for visual readers.

Inspired by The Shining (you know, that Stephen King book made into a horror movie with Jack Nicholson), this graphic novel manages to weave horror and cinematic elements to make for a great nod to the horror genre.

Our main kid character Suzy is an aspiring engineer, and she’s at the Underlook Hotel to tutor a famous filmmaker’s son named Danny. But the kids are quickly sucked into solving the mystery of the hotel, alongside a cast of colorful characters. Part mystery, part cinematic horror, Spirit Week will appeal to all readers. I read it in one sitting, it was that good. 

I’ll admit, the Russian villain in this thriller is a very bit part, but I can’t have a top 5 list of any thriller without including Elmore Leonard. I read one of Leonard’s first urban thrillers, Glitz, back in ‘80’s and was blown away with how gritty it was. I’d never heard dialogue coming out of character’s mouths like that before. He wrote dialogue like people actually spoke—not with perfect dialect, but street language. It’s the reason he was dubbed the Dickens of Detroit. If you’ve read Elmore Leonard and liked him, then pick this up and read it. It’s a quasi-sequel to Get Shorty with shylock Chili Palmer moving from the movie industry to the music business. 

If you’ve never read Leonard, then start with this one. My writing career would never have flourished like is has without reading Leonard, so this on is near to my heart. Enjoy.  

I’ll never forget finding this biography at a secondhand bookstore just off the Kurfurstendamm in Berlin a few years ago. I took it to a small café near the zoo and read it–cover to cover–that very same day!

There is little doubt Samuel Goldwyn was Hollywood’s last tycoon. In this outstanding book, Berg beautifully tells the rags-to-riches tale of a poor Jewish glovemaker who became the most important producer in American cinema. Many great stars make appearances, including Charlie Chaplin and Mary Pickford. A meticulously researched and compelling tome.

Before he became a writer of potboiler novels and true-crime journalism, Dominick Dunne was a film and television producer and a social butterfly who also happened also to be an avid amateur photographer. This memoir of his Hollywood days, which resulted in a crash-and-burn from which he emerged as a writer, is filled with intimate, candid images of such friends (not all faithful) as Jane Fonda, Elizabeth Taylor, Natalie Wood, Paul Newman, and Frank Sinatra, as well, of course, as Dunne and his family. There are dreamy and even eye-popping tales throughout, and if you're at all familiar with Dunne's books or magazine writing, you'll marvel at how so much of it so neatly dovetails with the life he actually lived and, thankfully, captured on film and in these frank and candid pages.

Okay, it’s more of an autobiography than a memoir, but Kazan’s 826-page volcano is the most explosive and mesmerizing show-business book I’ve ever plunged into. From his salad days as a struggling actor with New York’s Group Theatre to his conquest of Broadway as the hottest, most pugnacious stage director of the mid-20th century (Streetcar Named Desire, Death of a Salesman, Cat on a Hot Tin Roof), to his Oscar-winning films (Streetcar, Gentleman’s Agreement, On the Waterfront), Kazan vividly recounts his triumphs, missteps and misdeeds, his mistreatment of his wife and many lovers, and his betrayal of former friends and comrades, in a voice overflowing with self-laceration and self-justification. With a supporting cast that includes Tennessee Williams, Vivien Leigh, Arthur Miller, Marilyn Monroe, Marlon Brando, and James Dean.

Recently, during a visit to Filmstaden studios near Stockholm (yes, where Ingrid and Ingmar Bergman worked) I was given a copy of this book. It is, without a doubt, the definitive biography of Hitchcock, with a thrilling opening on his life in Britain and formative years. 

While this book is a bio-memoir, I included it on my list as a correspondent homage to the cinematic shaman of twisted mysteries, David Lynch. For the past forty plus years, Lynch has dreamscaped a long day’s journey into night, taking audiences on a hallucinated tour through the underworld of their own splintered psyche. Lynch’s oeuvre, a steam-punk Frankenstein of interchangeable parts, speaks to the savvy and glee of a mad scientist at play, while his blending of the eternal with American pop has given us a surrealistic soap opera with an eye toward the numinous. Written in alternating chapters, between Lynch and McKenna, this book is a must-read for fans of Lynch, but beyond that, if you are a fan and lover of cinema, creative process, and following your bliss, Room to Dream strikes those chords with a down-to-earth immediacy. It is, in essence, one man’s multi-layered valentine… show more.

I love showbiz biographies full of the inside dope on glamorous, brilliant people, because I’ve always wanted to be one of those glamorous, brilliant people. 

Mike Nichols knew everyone important in the arts, ate at the most fabulous restaurants, traveled to the most luxurious locations, and owned several grand homes. And I am pleased to report that he was frequently anxious and depressed. 

I find it very reassuring to learn that someone who has everything I’ve ever dreamed of is no happier than I am. I know that sounds a little mean, but I never claimed to be perfect.

Until David wrote his book, there hadn’t been a biography of Kubrick in over twenty years. While his book is short, it is very readable, and I found it the most intriguing of the short biographies.

Mikics conducted new interviews and visited Kubrick’s archive in London. His readings of Kubrick’s films are precise and elegant.