100 books like Show Trial

When I was growing up there was, amongst enthusiasts of American film, much excited if not always well-informed discussion of the Hollywood Blacklist. This was the book that first provided chapter and verse, documenting the phenomenon and placing it in the context of American history, the politics of Hollywood, the industry unions, and the role of the studios from the 1930s onward. There is important research on key organizations such as the Motion Picture Alliance for the Preservation of American Ideals, and the Committee for the First Amendment. This is still the best, most empirically grounded, and most comprehensive treatment – the classic history.

In Tender Comrades, those with experience of the Blacklist tell their stories, prompted expertly by the editors. The book explores the experiences of around forty individuals who were part of the left-wing and liberal community that thrived in Hollywood from the 1930s and 1940s. They involved themselves in political causes and issues, while contributing to some of the key films of that era. The book also captures first-hand accounts of the dynamics of the ‘naming’ process, and how people responded to it – some of them by leaving the country. It is a fascinating story of the impact of these events on private lives and political choices.

I was in New York waiting to interview Elia Kazan, a somewhat notorious figure in the history of the blacklist, when I first spotted a newly published book that sought to explore events from the perspective of those involved, both those who cooperated with the Committee and those who refused to do so. Drawing on oral histories and interviews, Navasky’s book focused on the motives and rationales of those (like Kazan) who ‘named names’ and those who pleaded the fifth amendment or took other routes to avoid becoming, in the author’s nuanced but ultimately uncompromising judgment, an informer. This book prompted later writing and debate; it is full of raw detail about the painful decisions that filmmakers of this era were forced to make. 

While several books have offered accounts of the House Committee on Un-American Activities (HUAC) hearings and the blacklist in the entertainment industry, Alan Casty questions liberal perspectives on the subject, and develops a distinctive perspective. In particular he challenges what he sees as an overly simple moral take on the actions of those who cooperated with HUAC and those who did not. He discusses the role of the Communist Party in Hollywood and the impact of Cold War politics— and the politics of Stalin and the Soviet Union—on the decisions that politicians and witnesses took. There is particularly interesting material here on Robert Rossen’s experience, as someone who ‘resisted’ the Committee but later cooperated with it. This Is the best account of those that challenge the dominant perspectives in the literature. 

The New York Times called this memoir “The Hollywood Chainsaw Massacre!” and it still stands as one of the best. Phillips, who died New Year’s Day 2002, was a self-described “nice Jewish girl from Great Neck,” Long Island who loved the movies, movie stars — and books. She was sharp, unsparing, and became the first female producer to win an Oscar for Best Picture. The closest comp title, I think, is The Kid Stays In The Picture by the late Robert Evans, but Phillips does him better in eviscerating no one so much as herself. And this is someone who describes Rolling Stone Ronnie Wood as “very sweet, but . . . smells terrible,” before asking, “Why don’t the English like to bathe?” An observation that could get one canceled today.

As Hollywood’s Golden Age sputtered to a close and the old studio behemoths collapsed, United Artists became the Little Studio That Still Could, thanks largely to the discerning eye and risk-taking appetite of David Picker, its young head of marketing and production. Under his leadership, UA made deals that snagged the James Bond series, the Beatles’ two feature films, and Woody Allen’s best movies. Picker’s formula was simple—sign the most intriguing filmmakers in America and Europe to low-budget, one-movie contracts and then leave them alone to do their finest work. Picker praises his pals and lacerates his foes, including Robert Altman, Otto Preminger, and most especially Bill Cosby, whom he despised long before the sexual assault allegations. Anyone recall Cosby’s woeful Leonard Part 6?

Any book that starts with the line, “Who do you have to fuck to get off this movie,” has to be terrific, right? Terry Southern, the iconic writer of Candy, writes about a bunch of Hollywood characters who decide to make the perfect X-rated movie and sell it to a mainstream studio. The book is completely outrageous, in the same vein as Southern’s black humor film Dr. Strangelove.

Another fun bit of psychedelic folk horror, combined with a really cool history of the experimental films of Canada.

The narrator is compelling, and the whole time you feel the pull of her obsession to the film she’s looking into, even if it unsettles her and terrifies her at the same time. Love that pull of danger, wanting to look, to see, but knowing that doing so will probably kill you…

It's like horror novel catnip.

Wasson and Basinger are two other authors where you simply want to read everything they’ve written.

The reason I picked Hollywood: The Oral History for this list is that you have several hundred pages of Hollywood players telling their own stories. What could be better?? We get the scoop from stars, grips, screenwriters, carpenters, producers, directors, publicists, and everything in between.

What was it like to work in Hollywood in 1949? This book has your answer. What was the transition from Old Hollywood to New Hollywood like, this book has the goods. 

This book terrified me, mainly because I happened to read it just after getting out of a long-term relationship. The premise itself is pretty perverse, or maybe sad depending on your viewpoint – a widow who hasn’t moved on since the death of his wife holds auditions for a fake movie so that he can find his perfect mate. As you’ll see in my own novel, auditions can often be the perfect cover for something more sinister. In this case though, it’s the auditionee who gets the upper hand. Very creepy and with a great twist, Audition is definitely one to read.