Here are 100 books that Experimental Film fans have personally recommended if you like
Experimental Film.
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The uncanny slips into the gaps between the objective world and the
world of human experience with all its dreams, apprehensions, and
intuitions. This intermediate space is the habitat of ghosts and also
the zone where my mind does its wanderings. It's where my books come, and
explorations of that space in other peoples' books draw me in, deeply
and inescapably.
I adored this fascinating twist on poltergeists! In writing about ghosts, what’s important isn’t only the stories of the dead but their relationship with the living.
The Ayres family—failing aristocrats in a decrepit mansion—might be haunted by the ghost of a dead Ayres child or else by an imposter. What fascinated me was the way their love and loss make them vulnerable to predation. It’s a quietly disturbing story with a very unquiet payoff.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
The story of two mystical creatures stuck in 1899 New York who have to make their own way in the world. Despite their different natures, they become unlikely friends and have to work together to survive.
While I enjoyed the perspective of both supernatural beings in this book, I found the golem especially engaging. Through her eyes, the reader gets an amazingly detailed view of turn-of-the-century New York as well as the intricacies of human behavior.
The jinni faces different challenges—he’s lost a chunk of his memory—but he also has to adapt to life among people. Wrapped in a rich tapestry of historical details, the story walks us through their processes of acclimating to human society and facing the dangers of their pasts.
'One of only two novels I've ever loved whose main characters are not human' BARBARA KINGSOLVER
For fans of The Essex Serpent and The Mermaid and Mrs Hancock.
'By far my favourite book of of the year' Guardian
Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic. When her master, the husband who commissioned her, dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York in 1899.
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
Through both a former career as an engineer and my writing, I have developed a craving (bordering on obsession) for all things scientific, historical, archaeological, metaphysical, and a more than avid interest in quantum physics which I like to introduce into my books and stories. I also have a fondness for the dark and macabre, for the bizarre, the wondrous, and the plain out there. The weirder the concept – the more I like it… get consumed by it.
I have read Foucault’s Pendulum several times and never tire of reading it again. The book takes me – through the main character, Casaubon – on a quest, delving into a place where the maybe possible, even probable, becomes reality and into that mysterious world where conspiracy theory laps around the edges of the real world.
It is a thought experiment, of sorts, and the perfect example of being careful what you wish for… or expect… or deem to be true. It’s also a fantastic read – as you might expect from Umberto Eco.
Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
Neil Gaiman has probably had more of an impact on my brain and my writing than any other author. Selecting just one of his many incredible "dark and sad" books was a real challenge for me.
I settled on this one, in part because it is the perfect bookend to my previous recommendation, Doll Bones, in that it eloquently expresses the quiet joys, fears, and sorrows of childhood, as seen through the eyes of an adult who knows full well the meaning of loss, and the cost of things we can barely recognize, much less understand, when we are young.
Like the narrator of the book, I feel the ever-widening gulf between myself and my own memories. I also see it beginning for my offspring, who have both recently entered adulthood, and my heart breaks for all three of us.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
---
'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
I am a writer whose passion for Dark Academia developed in the academic world, teaching and studying at universities, as well as working in libraries and archives across the U.S. and Europe. I hold a master’s degree and Ph.D. in History from the University of St Andrews, Scotland, and an MFA in Creative Writing from New York University. The hallowed halls of historic universities provide an ideal backdrop to explore ruthless competition and the relentless drive for intellectual supremacy, which is integral to the Academy. It’s a happy coincidence to me that Dark Academia books have become so popular recently. Fun fact: The Bequest was written before I had ever heard the term!
No Dark Academia list would be complete without The Secret History—Donna Tartt’s 1992-debut (!) has come to define the genre.
Among the many things I love about this novel are that it’s a mystery told in reverse, and a meditation on toxic friendships between students at a top-tier institution, which explores the darker corners of the human psyche contained within classical texts.
It’s a book I come back to again and again, and Tartt’s effortless style has influenced my own writing. There’s an intimacy here, and readers will feel as if they, too, are starting their campus journey together with newcomer Richard Papen, at a college based on Tartt’s own alma mater, Bennington.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
I’ve loved weird horror from a young age, and that passion only grew as the years went on. It all started when I was ten, and I got an anthology of classic horror for my birthday. Inside I read The White People by Machen, Cast the Runes by MR James, and The Colour Out of Space by Lovecraft, and I was hooked. Ever since then I chased that same thrill of the horror that is so out there and strange it just breaks your brain and changes you inside out. I have a feeling I’ll be chasing that obsession until the end of my days.
A very dark turn in my list, indeed. A hole opens up in their apartment, who knows who or why? It doesn’t matter. They dub it the funhole, and would do what any of us would do, and start sticking things inside of it. Things get dark, fast.
If you want to be up all night, unable to sleep, give this book a whirl.
Kathe Koja's classic, award-winning horror novel is finally available as an ebook.
Nicholas, a would-be poet, and Nakota, his feral lover, discover a strange hole in the storage room floor down the hall - "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." It begins with curiosity, a joke - the Funhole down the hall. But then the experiments begin. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says "We're not." But they're not in control, not from the first moment, as…
In 1998, I met H.P. Lovecraft's corpse-reanimating doctor, Herbert West. I found him intriguing, but HPL's story didn't tell me enough about what lay behind his bizarre interests. Why did his friend help and support him? To answer those questions, I wrote four genre-blending novels, of whichThe Friendship of Mortals is the first. Through West's librarian friend, Charles Milburn, I explore their friendship, the choices they make, and how they deal with the consequences of those choices. The setting is a college town in early 20th century New England, but with a supernatural twist.
At first, I thought this was a historical mystery similar to the Sherlock Holmes stories. Nineteenth-century city, maybe in Russia? But what about the weird Bone Forest and the house on stilts? The detective, Konrad Savast, carries out his investigations in distinctly unorthodox ways. Then there are his spirit-serpent helpers, Eetapi and Ootapi. Sherlock never had anything like them! And in addition to the four mysteries to be solved in this book, there's the question of Konrad's relationship with apothecary Irinanda Falenia. Will it ever develop into something more than friendship?
There's a realm. Wreathed in ice and snow, drowning in the dark, Assevan needs a different kind of hero.
There's a god. Merciless and cold, and quick to anger, the Lord of the Dead insists upon one thing only: vengeance for a murdered soul.
And there's a man. A ruthless killer, Konrad is detective, judge and executioner in one. Dauntless, relentless, monstrous, he stands alone against the dark.
Meet the Malykant. Justice will be served.
Four cases. Four killers. Four executions. Dark fantasy and murder mystery collide in this first collection of the…
In 1998, I met H.P. Lovecraft's corpse-reanimating doctor, Herbert West. I found him intriguing, but HPL's story didn't tell me enough about what lay behind his bizarre interests. Why did his friend help and support him? To answer those questions, I wrote four genre-blending novels, of whichThe Friendship of Mortals is the first. Through West's librarian friend, Charles Milburn, I explore their friendship, the choices they make, and how they deal with the consequences of those choices. The setting is a college town in early 20th century New England, but with a supernatural twist.
I've re-read this book several times, trying to figure out if there was something I missed that would answer the questions raised in the final chapters. An English ceramics expert who values his orderly life meets a woman while on a business trip. He falls in love and marries her. Suddenly his life is delightfully disorderly, except for small, disturbing details. Strange things appear in or near the pleasant country home he's known all his life—a black dog, a child's toy, a voice on the telephone. All this builds up to a terrible revelation. I loved this book for its vivid evocation of atmosphere and emotion, from the idyllic to the erotic to terrifying.
Alan Desland, who feels himself to be an ordinary and unremarkable man, falls passionately in love with the beautiful but mysterious German stenographer, Karin, who is sent to assist him during a business trip to Denmark. To his astounded joy, she returns his love - but their courtship and marriage will shake his life to its very foundations and test him to the limits of sanity.
About the Author Richard George Adams (born 9 May, 1920) is an English novelist, author of Watership Down, Shardik, Maia, The Plague Dogs, Traveller, Tales from Watership Down and many other books.
I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
The pretense for modern fantasy and supernatural suspense is rooted in the concept of folklore and fairytale. Harkening back to those days, Byatt weaves an intricate world of wonder and spirits the reader away to become enveloped within it. Byatt stands on the shoulder of the giants who came before to tell these five songs and expertly uses imagery and allegory to make the reader think about the deeper meaning of these stories.
A stunning collection of fairy tales for grown-ups from the Booker Prize-winning author of Possession, a "storyteller who could keep a sultan on the edge of his throne for a thousand and one nights" (The New York Times Book Review).
Includes the story “The Djinn in the Nightingale's Eye”—the basis for the George Miller film Three Thousand Years of Longing starring Idris Elba and Tilda Swinton
A.S. Byatt portrays the strange relationship between an intelligent heroine—a world-renowned scholar of the art of storytelling—and the marvelous being that lives in a bottle, found in a dusty shop in an Istanbul bazaar.…
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