Here are 100 books that Experimental Film fans have personally recommended if you like
Experimental Film.
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.
Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
The story of two mystical creatures stuck in 1899 New York who have to make their own way in the world. Despite their different natures, they become unlikely friends and have to work together to survive.
While I enjoyed the perspective of both supernatural beings in this book, I found the golem especially engaging. Through her eyes, the reader gets an amazingly detailed view of turn-of-the-century New York as well as the intricacies of human behavior.
The jinni faces different challenges—he’s lost a chunk of his memory—but he also has to adapt to life among people. Wrapped in a rich tapestry of historical details, the story walks us through their processes of acclimating to human society and facing the dangers of their pasts.
'One of only two novels I've ever loved whose main characters are not human' BARBARA KINGSOLVER
For fans of The Essex Serpent and The Mermaid and Mrs Hancock.
'By far my favourite book of of the year' Guardian
Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic. When her master, the husband who commissioned her, dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York in 1899.
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
On Draakensky Windmill Estate, magick and mystery rule. Sketch artist Charlotte Knight is hired to live on the estate while illustrating poetry under the direction of the reclusive spinster, and wind witch, Jaa Morland—who believes in ghosts. Charlotte quickly encounters the voice of a ghost and a sinister figure lurking in the shadows.
Charlotte takes refuge in Marc Sexton, a charismatic local with knowledge of Celtic magick—who wears a silver wolf amulet around his neck. With his dark secrets of the Otherworld and his magickal powers, they delve into a world of…
Draakensky: A Supernatural Tale of Magick and Romance
A murder. A wind sorcerer. A dark spirit. On Draakensky, magick dictates destiny.
The Chief of Police discovers an elderly woman dead in the Mianus River. There is a ghost who resides here and flings its words through the spinning air. River magic too, streams across Draakensky Windmill estate, conjuring a secret in Bedford, New York.
Sketch artist Charlotte Knight arrives on Draakensky to a bright opportunity. She is hired to illustrate the poetry of Rainer Maria Rilke under the direction of Jaa Morland, the recluse spinster of Draakensky. Jaa, a believer in ghosts, instructs Charlotte to ‘draw the ghosts.’…
Life is taking a bite of the comedy/tragedy sandwich, savoring the mix of flavors, deciding how you feel about the taste, and taking another bite. I love writing that can gather experiences from across the emotional spectrum and incorporate them into a narrative that is absurd and all the more true because of it. These five books do it better than the rest.
Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.
I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.
Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth
Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.
Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
I’ve loved learning about history since childhood, as attested by my bookshelves full of American Girl series, Laura Ingalls Wilder, and The Royal Diaries (Cleopatra was my favorite). After writing my first book about reenactors pretending to be French explorers, I worked as a history writer for Smithsonian Magazine. I especially love the philosophical and political questions of how we still interact with the past and how history is presented. I hope you’ll enjoy thinking about that and learning some history from these books!
This is the only fiction on a list otherwise full of nonfiction, but it more than deserves a place on this list. There are so many things to love about this book—its audacious opening line, the lush writing, the twisted relationships—but what I think history lovers might appreciate most is how deeply entwined the characters get with the history of Antiquities.
After all, the main group of characters in this dark academia only come together because they’re all studying Greek and Latin. In fact, the plot hinges on their obsession with Antiquity—but I won’t get too much more into that. I just recommend picking the book up and going along for the ride.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
I’ve loved weird horror from a young age, and that passion only grew as the years went on. It all started when I was ten, and I got an anthology of classic horror for my birthday. Inside I read The White People by Machen, Cast the Runes by MR James, and The Colour Out of Space by Lovecraft, and I was hooked. Ever since then I chased that same thrill of the horror that is so out there and strange it just breaks your brain and changes you inside out. I have a feeling I’ll be chasing that obsession until the end of my days.
A very dark turn in my list, indeed. A hole opens up in their apartment, who knows who or why? It doesn’t matter. They dub it the funhole, and would do what any of us would do, and start sticking things inside of it. Things get dark, fast.
If you want to be up all night, unable to sleep, give this book a whirl.
Kathe Koja's classic, award-winning horror novel is finally available as an ebook.
Nicholas, a would-be poet, and Nakota, his feral lover, discover a strange hole in the storage room floor down the hall - "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." It begins with curiosity, a joke - the Funhole down the hall. But then the experiments begin. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says "We're not." But they're not in control, not from the first moment, as…
In 1998, I met H.P. Lovecraft's corpse-reanimating doctor, Herbert West. I found him intriguing, but HPL's story didn't tell me enough about what lay behind his bizarre interests. Why did his friend help and support him? To answer those questions, I wrote four genre-blending novels, of whichThe Friendship of Mortals is the first. Through West's librarian friend, Charles Milburn, I explore their friendship, the choices they make, and how they deal with the consequences of those choices. The setting is a college town in early 20th century New England, but with a supernatural twist.
At first, I thought this was a historical mystery similar to the Sherlock Holmes stories. Nineteenth-century city, maybe in Russia? But what about the weird Bone Forest and the house on stilts? The detective, Konrad Savast, carries out his investigations in distinctly unorthodox ways. Then there are his spirit-serpent helpers, Eetapi and Ootapi. Sherlock never had anything like them! And in addition to the four mysteries to be solved in this book, there's the question of Konrad's relationship with apothecary Irinanda Falenia. Will it ever develop into something more than friendship?
There's a realm. Wreathed in ice and snow, drowning in the dark, Assevan needs a different kind of hero.
There's a god. Merciless and cold, and quick to anger, the Lord of the Dead insists upon one thing only: vengeance for a murdered soul.
And there's a man. A ruthless killer, Konrad is detective, judge and executioner in one. Dauntless, relentless, monstrous, he stands alone against the dark.
Meet the Malykant. Justice will be served.
Four cases. Four killers. Four executions. Dark fantasy and murder mystery collide in this first collection of the…
With a professional background in medicine and psychiatry, I enjoy the kind of mystery novels that involve personal relationships and family secrets, such as unexplained deaths, disputed parentage, and concealed crimes. They may deal with some dark material, but I like it to be explored subtly, without explicit descriptions of violence towards people or animals. I have lived in New Zealand for many years but grew up in the south of England, so books set in places that I remember from my early life have an added appeal.
A haunting, erotic, somewhat mystical story of sexual obsession. Set near Newbury sometime during the last century, it has an old-fashioned air, portraying English provincial life as it used to be.
The narrator is a sensitive, naive young man who deals in fine ceramics. He falls passionately in love with a Danish woman, and they marry, but she has a dreadful secret that leads to tragedy. The book's title refers to an antique figurine that plays a part in the plot.
Alan Desland, who feels himself to be an ordinary and unremarkable man, falls passionately in love with the beautiful but mysterious German stenographer, Karin, who is sent to assist him during a business trip to Denmark. To his astounded joy, she returns his love - but their courtship and marriage will shake his life to its very foundations and test him to the limits of sanity.
About the Author Richard George Adams (born 9 May, 1920) is an English novelist, author of Watership Down, Shardik, Maia, The Plague Dogs, Traveller, Tales from Watership Down and many other books.
I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
The pretense for modern fantasy and supernatural suspense is rooted in the concept of folklore and fairytale. Harkening back to those days, Byatt weaves an intricate world of wonder and spirits the reader away to become enveloped within it. Byatt stands on the shoulder of the giants who came before to tell these five songs and expertly uses imagery and allegory to make the reader think about the deeper meaning of these stories.
A stunning collection of fairy tales for grown-ups from the Booker Prize-winning author of Possession, a "storyteller who could keep a sultan on the edge of his throne for a thousand and one nights" (The New York Times Book Review).
Includes the story “The Djinn in the Nightingale's Eye”—the basis for the George Miller film Three Thousand Years of Longing starring Idris Elba and Tilda Swinton
A.S. Byatt portrays the strange relationship between an intelligent heroine—a world-renowned scholar of the art of storytelling—and the marvelous being that lives in a bottle, found in a dusty shop in an Istanbul bazaar.…
