Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
This book is brain candy. Rick’s writing style immediately pulled me into the story. First-person is hard to do right without going overboard, but Rick set the perfect balance of action and internal voice. It also helps that the relationship between Percy’s stepfather and mine was as close to identical as a fantasy novel can get.
And while I know it’s not the first to do it, this was the first middle-grade book I read where the main character was neurodivergent and dealing with a lot of the same issues that I did and that many of my students do as well.
The Lightning Thief: the First book in Rick Riordan's Percy Jackson series.
The first bestselling book in Rick Riordan's phenomenally successful Percy Jackson series.
Look, I didn't want to be a half-blood. I never asked to be the son of a Greek God. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends, and generally trying to stay alive.
This was the first middle-grade book to surprise me with its emotional depth. It’s atmospheric, poetic, and dangerous in the best way. I reread it to catch more of the subtle things that Adam was doing with this story that you might not catch the first time.
Michael, the main character, is not called to adventure, which takes him away from his problems. I like that about this story. Instead, the magic is about his relationship with his baby sister. It’s about really loving somebody and feeling helpless when they’re in pain…helpless until Skellig shows up.
David Almond's Printz Honor-winning novel celebrates its 10th anniversary!
Ten-year-old Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage. . . . What is this thing beneath the spiders' webs and dead flies? A human being, or a strange kind of beast never before seen? The only person Michael can confide in is his new friend, Mina. Together, they carry the creature out into the light, and Michael's world changes forever.…
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
This book does African American magic on a scale that I’ve never seen before. It was given to me as a gift. “Cameron, you need to read this.” And they were right. I’ve read plenty of fantasy that makes use of the same African American and Caribbean folklore (my family is from Belize) but never at such depth for middle-grade novels.
I love how we get dropped right into the mix very early without explanation because no explanation is needed. I’m on the inside. I know exactly who and what he’s talking about. And because it’s a full-on fantasy novel, I got to know these staple characters that everybody thinks they know, like Brer Fox, as whole people, not just walking, talking cautionary tales.
Best-selling author Rick Riordan presents Kwame Mbalia's epic fantasy, a middle grade American Gods set in a richly-imagined world populated with African American folk heroes and West African gods.
*"Mbalia expertly weaves a meaningful portrayal of family and community with folklore, myth, and history―including the legacy of the slave trade―creating a fast-paced, heroic series starter."--Publishers Weekly (starred review)
Seventh grader Tristan Strong feels anything but strong ever since he failed to save his best friend when they were in a bus accident together. All he has left of Eddie is the journal his friend wrote stories in. Tristan is dreading…
If you like The Labyrinth, then you will love this book. If you grew up in a household that always felt in some way dangerous, then you will need it. I know Fran Wilde. The author is a friend of mine. I moderated a panel conversation with her and Carlos Hernandez about middle-grade and just how transformative it could be, and we talked extensively about Riverland.
One of the things I liked most about it (besides the gorgeous writing. Seriously, some books I read just for the ways the author puts words together, and this is one of them). Riverland deals with real abuse in a way that is as sensitive as it is powerful. Hope and storytelling are forms of magic that make a difference.
When things go bad at home, sisters Eleanor and Mike hide in a secret place under Eleanor's bed, telling monster stories. Often, it seems those stories and their mother's house magic are all that keep them safe from both busybodies and their dad's temper. But when their father breaks a family heirloom, a glass witch ball, a river suddenly appears beneath the bed, and Eleanor and Mike fall into a world where dreams are born, nightmares struggle to break into the real world, and secrets have big consequences. Full of both adventure and heart, Riverland is a story about the…
The plan was insane. The trap seemed to snap shut on Bruce and Maggie Tate, an isolation forced on them by the pandemic and America's growing political factionalism. Something had to change.
Maggie's surprising answer: buy a boat, learn to pilot it, and embark on the Great Loop. With no…
I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.
Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.
It just made the challenges of being a child more visceral, and looking back at it through The Ocean at the End of the Lane, more beautiful.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
An eleven-year-old boy copes with the challenges of his neurodiversity by weaving his reality into a magical realm of dragons, foxes, and trolls—until he must use the power of his creativity to save both of his worlds from destructive forces.
My book explores imagination, community, and how the stories we tell both comfort us and challenge us to grow.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
