Here are 100 books that Riverland fans have personally recommended if you like
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Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.
Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
This book does African American magic on a scale that I’ve never seen before. It was given to me as a gift. “Cameron, you need to read this.” And they were right. I’ve read plenty of fantasy that makes use of the same African American and Caribbean folklore (my family is from Belize) but never at such depth for middle-grade novels.
I love how we get dropped right into the mix very early without explanation because no explanation is needed. I’m on the inside. I know exactly who and what he’s talking about. And because it’s a full-on fantasy novel, I got to know these staple characters that everybody thinks they know, like Brer Fox, as whole people, not just walking, talking cautionary tales.
Best-selling author Rick Riordan presents Kwame Mbalia's epic fantasy, a middle grade American Gods set in a richly-imagined world populated with African American folk heroes and West African gods.
*"Mbalia expertly weaves a meaningful portrayal of family and community with folklore, myth, and history―including the legacy of the slave trade―creating a fast-paced, heroic series starter."--Publishers Weekly (starred review)
Seventh grader Tristan Strong feels anything but strong ever since he failed to save his best friend when they were in a bus accident together. All he has left of Eddie is the journal his friend wrote stories in. Tristan is dreading…
Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
This book is brain candy. Rick’s writing style immediately pulled me into the story. First-person is hard to do right without going overboard, but Rick set the perfect balance of action and internal voice. It also helps that the relationship between Percy’s stepfather and mine was as close to identical as a fantasy novel can get.
And while I know it’s not the first to do it, this was the first middle-grade book I read where the main character was neurodivergent and dealing with a lot of the same issues that I did and that many of my students do as well.
The Lightning Thief: the First book in Rick Riordan's Percy Jackson series.
The first bestselling book in Rick Riordan's phenomenally successful Percy Jackson series.
Look, I didn't want to be a half-blood. I never asked to be the son of a Greek God. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends, and generally trying to stay alive.
Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
This was the first middle-grade book to surprise me with its emotional depth. It’s atmospheric, poetic, and dangerous in the best way. I reread it to catch more of the subtle things that Adam was doing with this story that you might not catch the first time.
Michael, the main character, is not called to adventure, which takes him away from his problems. I like that about this story. Instead, the magic is about his relationship with his baby sister. It’s about really loving somebody and feeling helpless when they’re in pain…helpless until Skellig shows up.
David Almond's Printz Honor-winning novel celebrates its 10th anniversary!
Ten-year-old Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage. . . . What is this thing beneath the spiders' webs and dead flies? A human being, or a strange kind of beast never before seen? The only person Michael can confide in is his new friend, Mina. Together, they carry the creature out into the light, and Michael's world changes forever.…
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
This has often been recommended for boys (including by me) but, since there is no such thing as exclusivelyboy books and girl books, I’m calling this a good book period – with a highly entertaining and deeply endearing adolescent-ish boy, surrounded by a robust cast of supporting characters, at its center. More vignettes than plot, it is rooted in character and voice – in this case, the rare and highly effective use of the second voice. Tonally, it’s a callback to the adventures of boyhood captured in Mark Twain’s Tom Sawyer and the mostly harmless incorrigibility of the boy protagonist as he moves between home, school, and community (the community, in this case, being rural Jamaica), getting into trouble and growing up. It’s the heart and humour for me!
All Over Again is a hilarious and enchanting coming of age story as a young boy goes through the trials and joys and puberty, battles with his 6-year-old sister who is the bane of his existences, worries about disappointing his mother and understanding his father. He has to learn to get around the town's bully while moving beyond know-it-all Kenny. The story is energetically told and has an enchanting narrative style that pulls you into it immediately. Growing up is hard. You know this. And when your mother has X-ray eyes and dances like a wobbling bag of water? When…
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I couldn’t leave out one of my favorite monsters of all time: dragons. Also, I just love secondary-world fantasy, especially the kind that has important themes like the effects of imperialism and that are set in a shifting palace full of magical rooms.
This book beautifully executes one of my favorite relationship dynamics in fiction: the dragon love interest starts out ice cold and very gradually warms up to the main character as they get closer, and they both overcome their past traumas as their romance grows deeper. That’s the good stuff!
I am an author and former environmental activist who dropped out of the ‘conflict industry’ in 1997 to start the Quivira Coalition, a nonprofit organization dedicated to building a radical center among ranchers, environmentalists, scientists, and others around practices that improve resilience in working landscapes. For two decades, I worked on the front lines of collaborative conservation and regenerative agriculture, sharing innovative, land-based solutions to food, water, and climate challenges. I live in Santa Fe, New Mexico.
In this book, Australian farmer Charles Massey takes a ‘big picture’ view of regenerative agriculture. It’s full of personal stories but it also goes deep into the history of industrial agriculture, the damage it continues to do, and how we can heal the planet. Massey lays out an inspiring vision for a new agriculture and the vital connections between our soil and our health. It’s a story of how a grassroots revolution can help turn climate change around and build healthy communities, pivoting on our relationship with growing and consuming food.
Part lyrical nature writing, part storytelling, part solid scientific evidence, part scholarly research, part memoir, the book is an elegant manifesto, an urgent call to stop trashing the Earth and start healing it. the Guardian
Perfect for readers of Wilding, Dirt to Soil and English Pastoral!
Call of the Reed Warbler is a clarion call for the global transformation of agriculture, and an in-depth look at the visionary farmers who are revolutionising the way we grow, eat, and think about food.
Using his personal experience as a touchstone, starting as a chemical-dependent farmer with dead soils, he recounts his journey…
I grew up in London, and while I was born sometime after WWII, its devastation was still clear in my bombed suburb and in the stories from my family. My father and his brother served in the Royal Air Force, and an Austrian aunt had managed to escape the rest of her family's fate in Auschwitz. I've had five nonfiction books published when I decided to write a biography of my uncle David Lloyd, an RAF Spitfire pilot killed in 1942. Sadly, little information was available from his military records. All I had was a photograph of him in his plane, looking young and confident. I went on to write nine books set during WWII, and five during WWI.
This is the true story of a little-known operation late in WWII. In 1945, 3.4 million civilians in German-occupied Holland were starving, but the war still continued. Organized by the Allies, Operation Chowhound was to use bombers to drop food to help, but how were they to avoid being shot down by Nazi antiaircraft batteries? With the agreement of the German troops not to fire on them. Flying at treetop level, the American aircrews would have had no chance if their B-17s were hit. Yet, over Chowhound's eight days, 120,000 German troops never fired on the American bombers. Grateful Dutch civilians spelled out "Thanks Boys" in the tulip fields below.
Beginning with a crazy plan hatched by a suspect prince, and an even crazier reliance on the word of the Nazis, Operation Chowhound was devised. Between May 1 and May 8, 1945, 2,268 military units flown by the USAAF, dropped food to 3.5 million starving Dutch civilians in German-occupied Holland.
It took raw courage to fly on Operation Chowhound, as American aircrews never knew when the German AAA might open fire on them or if Luftwaffe fighters might jump them. Flying at 400 feet, barely above the tree tops, with guns pointed directly at them, they would have no chance…
I am an author and former environmental activist who dropped out of the ‘conflict industry’ in 1997 to start the Quivira Coalition, a nonprofit organization dedicated to building a radical center among ranchers, environmentalists, scientists, and others around practices that improve resilience in working landscapes. For two decades, I worked on the front lines of collaborative conservation and regenerative agriculture, sharing innovative, land-based solutions to food, water, and climate challenges. I live in Santa Fe, New Mexico.
Farmer and author Wendell Berry is a personal hero of mine. From his home in Kentucky, Berry has been writing about regenerative agriculture for decades. The Art of the Commonplace gathers together twenty of his best essays. They articulate a compelling vision for people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary life. Berry is also the author of numerous works of poetry and fiction.
"Here is a human being speaking with calm and sanity out of the wilderness. We would do well to hear him." ―The Washington Post Book World
The Art of the Commonplace gathers twenty essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. Grouped around five themes―an agrarian critique of culture, agrarian fundamentals, agrarian economics, agrarian religion, and geobiography―these essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture.
Why is agriculture becoming culturally irrelevant, and at what cost? What are the…
I am a plant and soil ecologist, and have spent my working life researching and teaching within the university system. I am also a reader of poetry and literature, and particularly drawn to authors who write so well that you are pulled into a topic that you didn’t know was of interest. I wrote a biography of wheat because I really like plants, and I thought that writing about one of our crop plants could attract readers who like to eat. Along the way, I got fascinated by the layered complexities of our food system. Reading about it is another way to reflect on our relationship with the planet.
Jackson has devoted his career to reforming agriculture by applying ecological principles garnered from prairie lands of the Bread Basket of North America. Based in Kansas, Jackson has worked toward generating perennial crops that don’t need to be seeded annually, and could be grown in mixtures (a grain, an oil seed, and a legume), to support healthy soils that will sustain food production for many generations. This book lays out the arguments for his approach and challenges the basis of our agricultural systems.
Locavore leaders such as Alice Waters, Michael Pollan, and Barbara Kingsolver all speak of the need for sweeping changes in how we get our food. A longtime leader of this movement is Wes Jackson, who for decades has taken it upon himself to speak for the land, to speak for the soil itself. Here, he offers a manifesto toward a conceptual revolution: Jackson asks us to look to natural ecosystems—or, if one prefers, nature in general—as the measure against which we judge all of our agricultural practices.
Jackson believes the time is right to do away with annual monoculture grains,…
