100 books like All Over Again

Each book listed – including mine – was a top-three finalist for the Burt Award for teen/young adult Caribbean fiction. Children of the Spider stands apart as a blend of fantasy adventure and Caribbean folklore, its teen protagonists on their world-saving mission. It moves from the jungles of Guyana to the city, which is another kind of jungle, and has a fresh take on the legendary West African demi-god Anansi. These kids (a girl who makes a desperate leap between worlds, a boy not slowed by his handicap, and a boy from the streets) have nothing but each other and a trickster spider, maybe, as they face down monsters which seem to be everywhere. It’s an adrenaline rush across a magical landscape. It’s the Anansi reboot for me!

I actually have two books by this Jamaican author and environmental activist to recommend but this one feels more urgent. It is a climate change future dystopia set in the Caribbean, which in reality is among the most vulnerable to climate change notwithstanding its comparably small carbon footprint and often muted voice. In this story, youth is an asset and the sun has become deadly; it is survival of the fittest, and the fittest are whoever can survive the rough terrain, the angry packs, the totalitarian state, and the night. It is also a story built on love and alliances and adaptation; the things that could potentially save us in this reality. It’s the climate change messaging for me!

The interiority of a depressed, perpetually anxious, and possibly suicidal teen girl recently relocated from Trinidad to Canada is captured with detail and sensitivity. Her trusted circle consists of a single friend from home, her aunt and aunt’s partner with whom she lives in Edmonton, and a new boy, who stirs other complicated feelings in her. The fractures in her relationship with her mother, back home, remain unhealed. It is a deeply melancholic book but it can also potentially make any young person struggling with the same issues feel a little less alone. All of Burt's books are published by Caribbean publishers; to Home Home’s credit, it is one of a handful to have also been released with the US publisher. It’s the realness and insight for me!

The Puerto Rican author draws on her grandmother’s experience to tell the story of a girl in Cuba on the cusp of revolution. While the historical fiction follows the day-to-day of the girl emerging to teen-hood and her family – brother, mother, father, and abuelo – it also feels dangerous as bombs go off, people are disappeared, and shadows of a more personal kind encroach on her familial bliss. Through this prism, the reader gets a sense of the class and power dynamics at play, from school where sadistic nuns are the law to the Law which acts with cruel impunity, and the resentment, heartache, and violence simmering underneath the alluring resort island. It’s the pressure cooker on the verge of blowing its lid for me!

Eliot Bliss was a Jamaican born Anglo-Irish woman; she was also gay. Her stance as a Creole gay writer interests me. I also think she’s largely forgotten and should be read more. I related to her return to Jamaica (depicted in this novel) and her search for her sort of childhood home—that brings the realization that she both does and doesn’t fit in. She is white, she is gay so she doesn’t fit in British society where she feels out of place because of her Creole childhood and her sexuality, and she can’t fit in Jamaica because she is white and gay. And she sees clearly now the white oppressive colonials who were her family. It is a deeply felt search for home, both geographically but also in her body.

Who thought the devastation of the environment in the interest of mining and development would be a funny, lyrical love story? For Flora Smith, scientist and head of a small environmental NGO, her native Jamaica is filled with family, lovers, friends, and enemies. She is deeply connected to her surroundings and finds ways to immerse herself in the landscape, wildlife, human relationships, and embodied pleasure when all else fails. 

Levy takes us to the transition between slavery and emancipation, if not true freedom. The focus is again on the female experience and the main character is herself the outcome of a sexual assault by a White plantation overseer. 

I truly loved this book. Although there is plenty of pain and suffering here, Levy skillfully injects humour into the character’s outlook and gives us glimpses of the nascent strength and richness that became Jamaican culture. Some of my closest female friends come from this stock of talented people. I see and feel their joy and success as it triumphs over the grim chapters of their ancestral history.

Who doesn’t love a good old-fashioned pirate romance? I read all of Linda Chaikin’s pirate books long before I even started writing. She is an excellent novelist who does impeccable research. Her characters are lovable, the ship scenes exciting, the romance invigorating, and well, the stories are just plain fun!  

This novel, told from a slave woman’s perspective, illuminates the time of maximal oppression in the slave colony of Jamaica, where White men sexually and physically abused enslaved Black women at whim. Lilith, the main character, came alive to me as her rage and despair grew with the multiple attacks on her body and spirit. 

It took me back to the anguish I felt discovering the journals of Thomas Thistlewood and his chronicling of close to 4,000 acts of rape carried out on his female Black slaves. When I visited Jamaica for the first time, I included Westmorland Parish as a stop. It was there that Thistlewood perpetrated his atrocities – an appalling example of the conditions under which enslaved women and girls lived during this period. 

This captivating novel draws its imagery and themes from Afro-Caribbean folklore, a refreshing change from the surfeit of Greek/Roman mythology-based stories. The MC, Tan-tan, is ripped from her comfortable life when her father forces her to join him in exile on a prison planet. In her struggle for survival on a brutal and lawless world, Tan-Tan’s greatest enemy proves to be her own father, an abusive monster. After she kills him in self-defense, Tan-tan finds refuge among the douen, an alien race drawn from Caribbean mythology. Here she evolves into a semblance of the Robber Queen of legend, and finds she can be free when she gives back two lives for the one that she took. Following Tan-tan as she makes an amazing journey from victim to hero makes this poetic novel an unforgettable read.