Fans pick 100 books like Limbo

Her withering critiques of tourists might make you mad if you’ve ever been one, but read until the end. While the book spares no one in its scathing view of Antigua’s colonial past and corrupt present, it is the evocative, precise prose and the insistence on a shared humanity that will remain with you long after the sting fades.

This is a book about cricket, one of the enduring passions of my life.

Specifically it is about West Indian cricket and life in the author’s home of Trinidad. James was a Marxist intellectual, which is unusual for a cricketer. He writes eloquently and insightfully about cricket and some of its leading characters of 80 years ago. He writes about class and colour in both the Caribbean and England, where he played and reported on cricket for newspapers.

My interest has also been in the British Empire and its impact. The overriding impression this book left with me was the “Britishness” of the people of Trinidad; how much the people had imbibed it. So when many immigrated to Britain in the 1950s it felt like they were going ‘home’, only for many to be ostracised.

What happens when you shift your gaze to the sky? This ethnography of the Cuban sky finds surprising things there: cacti, pigeons, and the internet. The author of this beautifully illustrated ethno-fiction tells stories that make Cubans of today come alive in defiance of the usual clichés and stereotypes. 

Danticat offers a gorgeously written memoir tracing her father’s life as US migrant, her uncle’s life as community leader who stayed in Haiti, and her relationship to both across both countries. The book was motivated by her Uncle Joseph’s horrifying, tragic death in the Krome Detention Center (originally built to detain Haitian refugees and notorious for abuses) after he fled home to claim asylum. But it is much more than a recounting of his death. It is a chronicle of a deeply connected family whose love exceeded borders. I cannot get this book out of my head. It helps my students understand that the violence of US borders is not abstract and cannot be captured in statistics or political rhetoric. It is about real people who navigate seemingly overwhelming obstacles put before them—sometimes building new lives from nothing, sometimes succumbing to the violence of US regimes. 

Eliot Bliss was a Jamaican born Anglo-Irish woman; she was also gay. Her stance as a Creole gay writer interests me. I also think she’s largely forgotten and should be read more. I related to her return to Jamaica (depicted in this novel) and her search for her sort of childhood home—that brings the realization that she both does and doesn’t fit in. She is white, she is gay so she doesn’t fit in British society where she feels out of place because of her Creole childhood and her sexuality, and she can’t fit in Jamaica because she is white and gay. And she sees clearly now the white oppressive colonials who were her family. It is a deeply felt search for home, both geographically but also in her body.

This has often been recommended for boys (including by me) but, since there is no such thing as exclusively boy books and girl books, I’m calling this a good book period – with a highly entertaining and deeply endearing adolescent-ish boy, surrounded by a robust cast of supporting characters, at its center. More vignettes than plot, it is rooted in character and voice – in this case, the rare and highly effective use of the second voice. Tonally, it’s a callback to the adventures of boyhood captured in Mark Twain’s Tom Sawyer and the mostly harmless incorrigibility of the boy protagonist as he moves between home, school, and community (the community, in this case, being rural Jamaica), getting into trouble and growing up. It’s the heart and humour for me!

Who doesn’t love a good old-fashioned pirate romance? I read all of Linda Chaikin’s pirate books long before I even started writing. She is an excellent novelist who does impeccable research. Her characters are lovable, the ship scenes exciting, the romance invigorating, and well, the stories are just plain fun!  

This novel, told from a slave woman’s perspective, illuminates the time of maximal oppression in the slave colony of Jamaica, where White men sexually and physically abused enslaved Black women at whim. Lilith, the main character, came alive to me as her rage and despair grew with the multiple attacks on her body and spirit. 

It took me back to the anguish I felt discovering the journals of Thomas Thistlewood and his chronicling of close to 4,000 acts of rape carried out on his female Black slaves. When I visited Jamaica for the first time, I included Westmorland Parish as a stop. It was there that Thistlewood perpetrated his atrocities – an appalling example of the conditions under which enslaved women and girls lived during this period. 

This captivating novel draws its imagery and themes from Afro-Caribbean folklore, a refreshing change from the surfeit of Greek/Roman mythology-based stories. The MC, Tan-tan, is ripped from her comfortable life when her father forces her to join him in exile on a prison planet. In her struggle for survival on a brutal and lawless world, Tan-Tan’s greatest enemy proves to be her own father, an abusive monster. After she kills him in self-defense, Tan-tan finds refuge among the douen, an alien race drawn from Caribbean mythology. Here she evolves into a semblance of the Robber Queen of legend, and finds she can be free when she gives back two lives for the one that she took. Following Tan-tan as she makes an amazing journey from victim to hero makes this poetic novel an unforgettable read.

Kincaid’s voice and style, bracing and autobiographical, almost obsessive, rocked my world.

Hearing the insistence of her voice helped me discover my own voice and to embrace it. I love the compulsive presence in her work and the "I," whose power of personality, sensibility, and voice rushes through me.