Fans pick 100 books like The Book of Night Women

Set on the beautiful island of Barbados, Edugyan’s take on the slavery/emancipation interface focuses on primary characters that are male. The relationship between two of them, one White and one Black, becomes an exploration of how slavery created a toxic psychological legacy that distorted the nature and possibilities of friendship and trust.  

I’ve loved Barbados since my first visit as a teenager, and I became more attached after some of my siblings called it home. Known as ‘Little England,’ a downside of this sunny paradise, and a relic of slavery, is its unequal economic and social class divisions. The population is over 90% Black but most of the valuable land and resources are owned by non-Blacks. I encourage readers to look beyond its surface beauty and explore its deeper history. 

This recommendation is a work of fiction. Overall, Allende is an incredible storyteller whose characters seem so real that by the end of the book, you feel like you know them in the same way you know family or an old friend. Island Beneath the Sea, set in 18th - 19th century Haiti then in New Orleans, is a story that illustrates the beautiful messes we create in our lives through those that we love and those that we hate. Drawing on the chaos of American slavery and the Haitian Revolution, Allende’s book draws on themes related to slavery, politics, history, and family drama all of which illustrate what can happen when cultural values (i.e. social constructions of race) are attached to specific bodies (i.e. Black and White women).

Who decides how history is written? Andrea Levy raises this question in her epic novel about Jamaican slavery and its aftermath. An older woman named July writes the narrative of her life so that her son and his children will know her story.

She was born enslaved, and she recounts everyday indignities and violence, rivalries among enslaved household workers, and attempts to find love and connection in a society that denies humanity to the enslaved. Writing with humor and generosity, Levy imagines a world that is obscured by official histories written by enslavers.

July’s story and her struggles to narrate her story help readers understand that history is made in small moments and momentous ones and that some stories will always be beyond our grasp.

The story is set in Canada during the 1920s but Baxter, the main character, is an immigrant from the Caribbean and exemplifies a consequence of the region’s slave history. He is part of the diaspora of descendants seeking better lives in other parts of the world. But although in a different country, Baxter does not escape the pressure to accept a position in a subservient class.

Mayr effectively creates the sense of threat that pervades Baxter’s environment, intensified by his sexual orientation. A saving grace is his peer group of fellow porters. Initially they seem cruel and disinterested, but when faced by oppressive authority, they rally around him. This book reminded me that though the physical confinement of slavery has ended, the devaluation of Blackness continues.

Lea VanderVelde’s biography of Mrs. Dred Scott captures the environments in which Harriet Scott lived her life and filed her suit for freedom in 1846 (it took 11 years before the Scotts’ legal case was decided by the U.S. Supreme Court). Harriet Scott filed separately from her husband because she believed she could establish her freedom, thereby ensuring the freedom of her two daughters, whose condition followed that of the mother. An illiterate enslaved woman, Harriet Scott left virtually no documents. VanderVelde provides rich context in which to situate and explain Scott’s life and freedom struggle, vividly recreating her world. This informative book is well worth reading.

I’ve long been fascinated with Walker’s life and work. Ten years ago, I devoted a chapter of my dissertation to Walker and now I’m working with TED-ED on an animated video and related teaching materials about the man whom Frederick Douglass himself cited as the progenitor of the radical abolitionist movement.

When teaching African-American Literature courses, I’ve found Walker’s Appeal to be an especially effective entry point for Black students who are tired of stories of slavery and Black debasement. Walker, as a freeborn Black man from the slaveholding south (and later Boston), offers a different vision: of impressive erudition and entrepreneurship, of Pan-African pride and militant resistance.

The United States today still bears the scars of our long and terrible history of slavery. In this new and wonderfully thoughtful history of ancient Greek slavery, Sarah Forsdyke brings us face-to-face with the lived experience of a very different, but also harrowing, history of human bondage. Forsdyke delves into the question of how slaves lived and worked, how they resisted their oppression, and how the fact of slavery defined Greek society and economy. The intertwined development of a market economy, a citizen-centered democracy, and the systematic extraction of labor from unfree people is a stark reminder that our American story, although in many ways distinctive, was not unique. 

Eugene Genovese was the most brilliant of a talented generation of scholars whose studies of New World slavery have since been largely deposed by a far more simplistic, black-and-white (pun intended) version of the same. 

Genovese’s magnum opus, Roll, Jordan, Roll, offers an unsparing view of a reality in which neither master nor slave “could express the simplest human feelings without reference to the other,” an especially intimate form of class rule which struck a compelling contrast to the anonymity of the wage nexus increasingly prevalent in the Northern states. 

These dialectics played out in a continual, if asymmetric, power struggle at the heart of plantation life, where the economy could not be separated out from racial, sexual, religious, and ideological experience, again, in stark contrast to the liberal division of social life into autonomous spheres of existence.

Voices of the Enslaved is a beautifully written and masterfully researched book (also award-winning) on the French period in colonial Louisiana. White traces the fleeting appearances of enslaved Africans in Louisiana court records to illuminate how they were able to achieve legal recognition where their enslavers tried to give them none. Out of the many fragments of legal documents, White creates a collage of Black lives in French Louisiana that really illuminates the Black contributions to the region.

The stars had to align perfectly for this autobiography to have been written. Born into slavery in the American South, Elizabeth Keckley learned to read and write at a time when laws forbade it. Her skills as a seamstress allowed her to buy her freedom and later become Mary Todd Lincoln’s dressmaker. She also became a close confidant of the First Lady, gaining an unfiltered view of life in the White House during one of the most crucial times in our nation’s history. After Lincoln’s assassination, Keckley published this autobiography and was widely criticized for relaying intimate conversations and private moments she shared with the Lincoln family. In addition, Keckley’s unflinching account of slavery was difficult for many to read. However, this book has endured as one of the best accounts of life as a slave and of the Lincolns’ time in the White House.