I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
I wrote
Hear Our Voices: A Powerful Retelling of the British Empire Through 20 True Stories
Reading Edward Said’s book as an undergraduate expanded my intellectual horizons and made me want to be a historian. Said showed that empire not only included the events—war, exploitation, extraction—that happened “out there” but also shaped metropolitan ways of knowing about and relating to areas of the world under colonial domination.
Said shows us that the power to know about a place and its people and to shape how that place and its people are known was central to the consolidation of imperial rule in the nineteenth century and its continuance in the twentieth.
More than that, however, Said showed the fundamental continuity between forms of knowledge in the past and structures of imperial power in the present. Imperialism is an unfinished history.
The seminal work that has redefined our understanding of colonialism and empire, with a preface by the author
'Stimulating, elegant and pugnacious' Observer 'Magisterial' Terry Eagleton
In this highly-acclaimed work, Edward Said surveys the history and nature of Western attitudes towards the East, considering orientalism as a powerful European ideological creation - a way for writers, philosophers and colonial administrators to deal with the 'otherness' of eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West's romantic and exotic picture of…
My parents were born in India and migrated to the US. Postcolonial thinkers have helped me understand how imperial history continues to shape contemporary identities, not only in Britain but for those of us located all over the world whose family histories are intertwined with it.
More than anyone else, Stuart Hall has made the relationship between the imperial past and the present visible. In this collection of essays, Hall examines identity, showing how our understandings of ourselves are not absolute and intrinsic but shaped by history and politics.
Hall gives us the tools to locate ourselves in history, rethink our identity and relation to community, and contest dominant structures of race and power.
From his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays-a landmark two-volume set-brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.
Volume 2: Identity and Diaspora draws from Hall's later essays, in which…
Claudia Jones was a Black Trinidadian woman who moved with her family to Harlem during its Renaissance. Her experiences seeking work radicalized her, and she joined the Communist Party. In 1952, the United States government deported her, and because the colonial government of Trinidad wouldn’t accept her due to her political commitments, they sent her to Britain.
There, she became the editor of the West Indian Gazette, which brought together global and local news. Jones was one of the first people I chose for my book because her life experience and writing show us that solidarity is never a flattening of identity. Instead, it is reaching beyond ourselves to find a connection in shared struggle.
Claudia Jones, intellectual genius and staunch activist against racist and gender oppression founded two of Black Briton’s most important institutions; the first black newspaper, the West Indian Gazette and Afro-Asian Times and was a founding member of the Notting Hill Carnival. This book makes accessible and brings to wider attention the words of an often overlooked 20th century political and cultural activist who tirelessly campaigned, wrote, spoke out, organized, edited and published autobiographical writings on human rights and peace struggles related to gender, race and class. “Claudia Jones was an iconic figure who inspired a generation of black activists and…
George Manuel was once asked by a white coworker, “Does Indians have feelings?” Refusing dehumanization, Manuel reveals the ongoing colonial relations between First Nations and the Canadian settler state. He charts his political journey from Secwepemcúl̓ecw to the National Indian Brotherhood to the World Council of Indigenous Peoples.
Manuel argues that the victories of the anti-colonial independence movements of the twentieth century did not end colonial domination of Indigenous Peoples—what he calls the Fourth World. The Fourth World is not a destination but the right to travel on your own road in your own way.
With a new insightful introduction, foreword, and afterword, the book's latest edition shows how Manuel’s analysis of colonialism and vision for solidarity continue to be relevant to contemporary struggles for decolonization.
A foundational work of radical anticolonialism, back in print
Originally published in 1974, The Fourth World is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The authors shed light on alternatives for coexistence that would take place in the Fourth World-an alternative to the new world, the old world, and the Third World. Manuel was the…
Who decides how history is written? Andrea Levy raises this question in her epic novel about Jamaican slavery and its aftermath. An older woman named July writes the narrative of her life so that her son and his children will know her story.
She was born enslaved, and she recounts everyday indignities and violence, rivalries among enslaved household workers, and attempts to find love and connection in a society that denies humanity to the enslaved. Writing with humor and generosity, Levy imagines a world that is obscured by official histories written by enslavers.
July’s story and her struggles to narrate her story help readers understand that history is made in small moments and momentous ones and that some stories will always be beyond our grasp.
Finalist for the 2010 Man Booker Prize The New York Times Book Review Notable Book of the Year
In her follow-up to Small Island, winner of the Whitbread Book of the Year Award and the Orange Prize for Fiction, Andrea Levy once again reinvents the historical novel.
Told in the irresistibly willful and intimate voice of Miss July, with some editorial assistance from her son, Thomas, The Long Song is at once defiant, funny, and shocking. The child of a field slave on the Amity sugar plantation in Jamaica, July lives with her mother until Mrs. Caroline Mortimer, a recently…
This is a children’s history of the British Empire told through the life stories of 20 people who lived through, challenged, and changed it. Beautifully illustrated, the book includes explanatory spreads, a map, and a glossary focusing on the featured individuals.
The first-person biographies span 300 years and five continents. What they share is the common experience of confronting the British Empire. Connective threads weave through the biographies, providing young readers with ways of understanding the specific experiences of these individuals and their communities and illustrating broader themes.
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing properties–Julia unearths a story rife with hidden agendas and a missionary community unwilling to share the truth. As she confronts the eerie legends and a fellow traveler with his own motives, Julia finds that the longer she stays, the thinner the line between reality and the fantastical becomes until she…
From the award-winning author of Dead Souls and Poe comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman's past and future.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers-ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?
