Fans pick 100 books like Essential Essays, Volume 2

Reading Edward Said’s book as an undergraduate expanded my intellectual horizons and made me want to be a historian. Said showed that empire not only included the events—war, exploitation, extraction—that happened “out there” but also shaped metropolitan ways of knowing about and relating to areas of the world under colonial domination.

Said shows us that the power to know about a place and its people and to shape how that place and its people are known was central to the consolidation of imperial rule in the nineteenth century and its continuance in the twentieth.

More than that, however, Said showed the fundamental continuity between forms of knowledge in the past and structures of imperial power in the present. Imperialism is an unfinished history.

Who decides how history is written? Andrea Levy raises this question in her epic novel about Jamaican slavery and its aftermath. An older woman named July writes the narrative of her life so that her son and his children will know her story.

She was born enslaved, and she recounts everyday indignities and violence, rivalries among enslaved household workers, and attempts to find love and connection in a society that denies humanity to the enslaved. Writing with humor and generosity, Levy imagines a world that is obscured by official histories written by enslavers.

July’s story and her struggles to narrate her story help readers understand that history is made in small moments and momentous ones and that some stories will always be beyond our grasp.

Claudia Jones was a Black Trinidadian woman who moved with her family to Harlem during its Renaissance. Her experiences seeking work radicalized her, and she joined the Communist Party. In 1952, the United States government deported her, and because the colonial government of Trinidad wouldn’t accept her due to her political commitments, they sent her to Britain.

There, she became the editor of the West Indian Gazette, which brought together global and local news. Jones was one of the first people I chose for my book because her life experience and writing show us that solidarity is never a flattening of identity. Instead, it is reaching beyond ourselves to find a connection in shared struggle.

George Manuel was once asked by a white coworker, “Does Indians have feelings?” Refusing dehumanization, Manuel reveals the ongoing colonial relations between First Nations and the Canadian settler state. He charts his political journey from Secwepemcúl̓ecw to the National Indian Brotherhood to the World Council of Indigenous Peoples.

Manuel argues that the victories of the anti-colonial independence movements of the twentieth century did not end colonial domination of Indigenous Peoples—what he calls the Fourth World. The Fourth World is not a destination but the right to travel on your own road in your own way.

With a new insightful introduction, foreword, and afterword, the book's latest edition shows how Manuel’s analysis of colonialism and vision for solidarity continue to be relevant to contemporary struggles for decolonization. 

Mainstream economic accounts of culture are prone to treat culture as a set of norms or informal institutions which constrain economic behavior: ‘don’t charge interest,’ ‘don’t sell kidneys,’ or ‘always tip at a bar’. Storr presents an alternative account of culture as the animating spirit of an economy, which he illustrates through various entrepreneurial spirits which shape the direction of an economy. This book is the perfect combination of serious anthropological theory (Geertz) and an appreciation of the market process. Culture is not that which obstructs market, but that what brings economies to life. 

What is public relations actually all about: the good, the bad, and the ugly? I found this book by Lee Edwards to be one of the most thoughtful texts ever written about an increasingly important profession. Taking the stance that public relations is not only used by organisations, but is deeply embedded in our society and culture, this book provides a comprehensive overview of how it shapes our lives and societies in all kinds of ways. It’s a powerful and challenging read.

Drawing on contemporary cultural politics from Western Europe, Canada, and the United States, Benhabib understands cultures as continually creating, re-creating, and renegotiating the imagined boundaries between "us" and "them." She defends the creation and expansion of deliberative discursive multicultural spaces in liberal democracies, arguing that a legal pluralist model can be a good complement to deliberative and discursive democratic multiculturalism. In her insightful study, Benhabib contends that the Rawlsian model of public reason and the deliberative model of democracy share certain fundamental premises. Both view the legitimation of political power in the examination of the justice of institutions to be a public process, open to all citizens. The idea that justice should be in the public eye, open to scrutiny, examination, and reflection is fundamental.

Studying at Oxford, I was surprised that quite a few of my lecturers, including Ronald Dworkin and Jerry Cohen, hardly ever discussed the importance of culture in our lives. As someone who believes in the motto Know from where you are coming in order to know where you are going, I do not underestimate the power of culture, religion, and tradition in shaping communities. My library research discovered the excellent DPhil dissertation that Kymlicka wrote while he was in Oxford. This dissertation was a fresh air for me, accentuating the need to take culture seriously. Kymlicka reshaped his dissertation into this book which I regard as one of his very best books. Kymlicka presents the liberal view about the nature and value of community culture and bridges between liberalism and multiculturalism. I share this view and promote it in my own studies.

Kymlicka and I later cooperated in writing together… show more.

Diversity takes many forms, including diversity of learning styles.

I appreciate the topics tackled in this book. It’s the first in a series that I share with others often as it focuses on things not often seen in children’s books.

I love the illustration style and the glossary provided about terms that many children won’t inherently understand. I gladly welcome the ways this book helped me gain a deeper understanding of individuality while discovering connectivity. 

The Spoon Knife anthology series is the seminal place to find short neuroqueer fiction: fiction that explores what neurodivergent minds have to offer, how we see the world, and what our lives can be like, usually via speculative or sci-fi elements.

Spoon Knife 2: Test Chamber is loosely themed on the idea of the “test chamber,” a space in which one’s every move, choice, and outcome is scrutinized, and its 36 essays, poems, and short stories all approach this idea from different directions.

Several of its essays deal directly with neurodivergent and queer experience without the interpretive lens of science fiction and can help readers understand people like us and people like us to feel seen and comprehended.