I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
Claudia Jones was a Black Trinidadian woman who moved with her family to Harlem during its Renaissance. Her experiences seeking work radicalized her, and she joined the Communist Party. In 1952, the United States government deported her, and because the colonial government of Trinidad wouldn’t accept her due to her political commitments, they sent her to Britain.
There, she became the editor of the West Indian Gazette, which brought together global and local news. Jones was one of the first people I chose for my book because her life experience and writing show us that solidarity is never a flattening of identity. Instead, it is reaching beyond ourselves to find a connection in shared struggle.
Claudia Jones, intellectual genius and staunch activist against racist and gender oppression founded two of Black Briton’s most important institutions; the first black newspaper, the West Indian Gazette and Afro-Asian Times and was a founding member of the Notting Hill Carnival. This book makes accessible and brings to wider attention the words of an often overlooked 20th century political and cultural activist who tirelessly campaigned, wrote, spoke out, organized, edited and published autobiographical writings on human rights and peace struggles related to gender, race and class. “Claudia Jones was an iconic figure who inspired a generation of black activists and…
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
What bell hooks has shown me about the possibility of personal narrative and memoir writing is endless because she consistently shows that your story is never-ending. But mostly bell hooks likes to hurt me on purpose. This is my favorite memoir by her because it centers on two of my favorite topics: words and whirlwind romance that refuses to interfere with the words at stake, and I knew this book would be one I would return to in order to figure out my own priorities once I read, “I’m willing to give up everything I love if it means I won’t be crazy.”
“bell hooks’s brave memoir of struggling to find her own work, love, and independence.” ―Gloria Steinem With her customary boldness and insight, brilliant social critic and public intellectual bell hooks traces her writer’s journey in Wounds of Passion. She shares the difficulties and triumphs, the pleasures and the dangers, of a life devoted to writing. hooks lets readers see the ways one woman writer can find her own voice while forging relationships of love in keeping with her feminist thinking. With unflinching courage and hard-won wisdom, hooks reveals the intimate details and provocative ideas of the life path she carved…
I’m currently writing about the
reasons young women today choose a sexualized aesthetic (crop tops with tight
leggings, sexy selfies on Snapchat and Instagram) and the backlash they face
from parents and others. Dressed For Freedom showed me that women have
long been criticized for wearing clothes that make them feel independent—and
that clothes are a way for women to assert their autonomy.
Who knew that
flapper fashion a century ago was so scandalous? Anyone criticized for wearing
tight leggings in public should read this fascinating and entertaining history book
because it will help them understand that today’s battle over women’s
clothes—and bodies—is just a continuation of longstanding attempts to curb
women’s political rights.
Often condemned as a form of oppression, fashion could and did allow women to express modern gender identities and promote feminist ideas. Einav Rabinovitch-Fox examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She also highlights how trends in women's sartorial practices expressed ideas of independence and equality. As women employed new clothing…
I’m fascinated by angry, feral, primal women. In my book, ten stories feature these women, the ones doing the things we’re not supposed to do, thinking and feeling and saying the things we’re not supposed to. I think we’re beyond powerful when we embrace our anger, nourish and cultivate it, channel it. So I write about these women in the hopes that I’ll get a bit of their strength. The books in this list have inspired me as a writer and thrilled me as a reader.
This book is a knockout, one that pushed me to see through our dangerous diet culture (and got me all fired up). After years of being judged and mocked as a fat woman, Plum is fixated on weight-loss surgeryas the way to live a better life. But when she catches a young woman following her, Plum discovers an entire underground community of women living lives out of bounds, and a guerrilla group terrorizing predatory men. The story is propulsive and exciting, and it’s all fueled by righteous anger. The women Plum meet are full of rage at our broken world but also infused with beautiful compassion. Both can be true; both are often true. The book has stuck with me for years, and I often return to it as a template for writing a killer story that centers and celebrates angry women.
Dietland will be adapted into AMC's 10-episode straight-to-series starring multiple-Emmy winner Julianna Margulies and Joy Nash.
Plum Kettle does her best not to be noticed, because when you're fat, to be noticed is to be judged. Or mocked. Or worse.
But when a mysterious woman starts following her, Plum finds herself involved with an underground community of women who live life on their own terms. At the same time, a dangerous guerrilla group called "Jennifer" begins to terrorize a world that mistreats women. As Plum grapples with her personal struggles, she becomes entangled in a sinister plot, the consequences of…
My expertise: I specialize in writing about scrappy women in American history. I started with a trilogy of nonfiction history books about American women in the Philippine Islands who lived through the Japanese occupation during World War II. Then I found a biographical subject that combined the fascinating topics of war and suffrage, so I wrote Dr. Mary Walker’s Civil War: One Woman’s Journey to the Medal of Honor and the Fight for Women’s Rights. The next woman who grabbed my attention was a big name in Hollywood in the 20th century. Queen of the West: The Life and Times of Dale Evans is due out in 2022.
Howe is best known for writing the song that inspired countless Northerners during the Civil War, “The Battle Hymn of the Republic.” Showalter pulls back the curtain on Howe’s life to reveal a woman stuck in a bad marriage with a stifling husband, overwhelmed by childbearing and rearing. Howe took up writing, first completing a novel before turning to poetry. She embraced the abolitionist movement and after the Civil War--after writing her most famous work--focused her energy on women’s rights, serving as president of the American Woman Suffrage Association.
A “lively biography” (The New Yorker) of Julia Ward Howe, the powerful feminist pioneer and author of the Civil War anthem, “Battle Hymn of the Republic.”
Julia Ward (1819–1910) was an heiress who married a handsome accomplished doctor who worked with the blind and deaf. But Samuel Howe wasted her inheritance, mistreated and belittled her, and tried to stifle her intellect and freedom. Nevertheless Julia persisted and wrote poetry and a mildly shocking sexual novel that was published to good reviews. She also wrote the words to probably the most famous anthem in the country’s history—the Civil War anthem, “Battle…
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
How did Lucretia Mott—the courageous Quaker who was active in so many good causes—find the time to write so many long, intimate letters? I like to dip into this collection; there’s always something of historical or simply human interest.
And given Mott’s small handwriting and her thrifty but maddening habit of “crossing”—saving paper by turning a letter sideways and writing across the existing handwriting on the page—I’m eternally grateful that someone else did the transcription of these letters so we don’t have to struggle with the originals.
This landmark volume collects Lucretia Mott's correspondence for the first time, highlighting the length and breadth of her work as an activist dedicated to reform of almost every kind and providing an intimate glimpse of her family life.
Mott's achievements left a mark on reform movements from abolition to women's rights. The letters cover her work in these causes as well as her founding of key antislavery organizations; her friendships with Harriet Tubman and Sojourner Truth; her efforts to bring Quakers into the abolitionist movement; and her part in organizing the 1848 Seneca Falls Woman's Rights Convention. Other correspondence cover…
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
Ernestine Rose, a Polish-Jewish immigrant who was one of the first women to speak out for women’s rights in the United States, was well-known in her time but is little remembered today.
This book, which includes most of her published speeches and some of her letters, made her come alive for me. With lines like “It is time to consider whether what is wrong in one sex, can be right in the other” (referring to the double standard of sexual morality for men and women), it still holds relevance for us today. I’ll never get to hear Ernestine Rose speak in person, so this is the next best thing.
Susan B. Anthony hung a picture of Rose on her wall. Elizabeth Cady Stanton publicly eulogized her as indispensable. Unique among the founders of the women’s rights movement because she was a Polish immigrant of Jewish background, celebrated orator Ernestine Rose (1810-1882) won the title "Queen of the Platform" for her brilliant speeches, advocating and linking women's rights, religious freedom, and the abolition of slavery.
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
I read The Golden Notebook when I was in my early twenties, facing the elation and terror of life as an adult. I remember vividly the state of excitement and awe in which I read it. Here was a writer who thought the unthinkable about the experience of being a woman in a man’s world, and fearlessly wrote it down in all its raw beauty.
To this day, if a friend of mine is in trouble, The Golden Notebook is the gift I give them, saying, “This book changed my life. “
One of the most important books of the growing feminist movement of the 1950s, The Golden Notebook was brought to the attention of a wider public by the Nobel Prize award to Doris Lessing in 2007.
Author Anna Wulf attempts to overcome writer’s block by writing a comprehensive "golden notebook" that draws together the preoccupations of her life, each of which is examined in a different notebook: sources of her creative inspiration in a black book, communism in a red book, the breakdown of her marriage in a yellow book, and day-to-day emotions and dreams in a blue book. Anna’s…
In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.
I read this book over thirty years ago and despite not returning to it, count it as having a significant impact on my work. It is an emotionally charged and powerful book, and I remember being incredibly angry, and sad, and passionate for change. It introduced me to feminism and feminist literature. It shone the light on the need to hear women’s voices in the public realm.
A landmark in feminist literature, THE WOMEN'S ROOM is a biting social commentary of a world gone silently haywire. Written in the 1970s but with profound resonance today, this is a modern allegory that offers piercing insight into the social norms accepted blindly and revered so completely.
'Today's "desperate housewives" eat your heart out! This is the original and still the best, a page-turner that makes you think. Essential reading' Kate Mosse 'They said this book would change lives - and it certainly changed mine' Jenni Murray 'Reading THE WOMEN'S ROOM was an intense and wonderful experience. It is in…
I’ve been writing crime stories since I was a child. They entertained me and helped me cope with a lot of family strife. My first novel was published in college and sold to the movies, which got me into screenwriting, leading to writing hundreds of hours of TV and fifty novels to date. The one thing all of my stories share is humor because I believe it’s an essential part of life–and of memorable story-telling. Humor makes characters come alive, revealing shades of personality and depths of emotion you wouldn’t otherwise see. Here are five books that taught me that it’s true and that continue to influence me as a writer.
If you have a lot of things you want to say about war, sexism, rape, homosexuality, feminism, bears, hookers, literature, marriage, Vienna, politics and wrestling…or anything else in your fiction, you’d better do it with humor.
Irving had a LOT he wanted to say, but he made it entertaining and unforgettable with his shrewd humor. I was so busy laughing and crying that I didn’t realize how much I was absorbing thematically and politically from the wonderful, epic story…or how memorable it would be for me, even decades after I read it.
This was brilliant alchemy I could use myself…if I could figure out out how it worked. Irving taught me that if I wanted to communicate ideas and get someone to sit through a book that weighs ten pounds, then humor is the way to do it because the message gets through even deeper, perhaps even insidiously.
A masterpiece from one of the great contemporary American writers.
'A wonderful novel, full of energy and art, at once funny and heartbreaking...terrific' WASHINGTON POST
Anniversary edition with a new afterword from the author.
A worldwide bestseller since its publication, Irving's classic is filled with stories inside stories about the life and times of T. S. Garp, struggling writer and illegitimate son of Jenny Fields - an unlikely feminist heroine ahead of her time.
Beautifully written, THE WORLD ACCORDING TO GARP is a powerfully compelling and compassionate coming-of-age novel that established John Irving as one of the most imaginative writers…
