About thirty years ago I learned that my great-grandaunt Annie was, arguably, the first woman to circle the world by bicycle (1894-1895) and I spent years rescuing her story from the trash bin of history, for she was virtually forgotten for more than a century. An avid cyclist myself, Annie became both my muse and my inspiration. She was an outlandish character who stepped far outside the bounds of what was expected for women of her time; among other things, she was the married mother of three young children when she took off from Boston for fifteen months on the road, and she pioneered sports-related marketing for women, securing corporate sponsors and adorning her body and her bicycle with advertisements wherever she traveled.
Written for young adults and kids, this book does an excellent job teaching an underappreciated (and relatively unknown) chapter in women’s history. We take the bicycle for granted today, but it was the catalyst for radical changes in the lives of women in the U.S. and Europe in the late 19th and early 20th centuries.
Take a lively look at women's history from aboard a bicycle, which granted females the freedom of mobility and helped empower women's liberation. Through vintage photographs, advertisements, cartoons, and songs,aWheels of Changeatransports young readers to bygone eras to see how women used the bicycle to improve their lives. Witty in tone and scrapbook-like in presentation, the book deftly covers early (and comical) objections, influence on fashion, and impact on social change inspired by the bicycle, which, according to Susan B. Anthony, "has done more to emancipate women than anything else in the world." NCSS-Notable Social Studies Trade Books in the…
When I started college in 1974 as a young radical feminist I had zero interest in history—it was all wars and men. But in a course about the Russian Revolution I learned the most thrilling thing: historians don’t simply relay facts, they argue with one another. I fell in love, and I never looked back. I am especially fascinated by what societies label “unthinkable,” and how that shapes, contains, and controls radical ideas. I've always been intrigued by what is "out of the question" and then poke at it, see what lies underneath, and try to figure out why things remain, or are kept, invisible.
How we shape historical memory is central to how we understand history, and breaking down myths about the past is a crucial step. This book takes on the standard account of the movement for women’s rights—where Elizabeth Cady Stanton and Susan B. Anthony play all the leading roles—and shows how they explicitly went about shaping that legacy. In editing (with Matilda Joslyn Gage) the multi-volumeHistory of Woman Suffrage, they offered access to thousands of documents about that movement, but also, and explicitly, consolidated their own leadership in ways that diminished the work of grassroots activists and movement rivals. This book (like the McGuire, next on my list) is critical for anyone who thinks about, or works in, grassroots movements for social justice.
The story of how the women's rights movement began at the Seneca Falls convention of 1848 is a cherished American myth. The standard account credits founders such as Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott with defining and then leading the campaign for women's suffrage. In her provocative new history, Lisa Tetrault demonstrates that Stanton, Anthony, and their peers gradually created and popularized this origins story during the second half of the nineteenth century in response to internal movement dynamics as well as the racial politics of memory after the Civil War. The founding mythology that coalesced in…
My expertise: I specialize in writing about scrappy women in American history. I started with a trilogy of nonfiction history books about American women in the Philippine Islands who lived through the Japanese occupation during World War II. Then I found a biographical subject that combined the fascinating topics of war and suffrage, so I wrote Dr. Mary Walker’s Civil War: One Woman’s Journey to the Medal of Honor and the Fight for Women’s Rights. The next woman who grabbed my attention was a big name in Hollywood in the 20th century. Queen of the West: The Life and Times of Dale Evans is due out in 2022.
With all the research skills of a historian, McMillen pulled together fascinating information to show that Lucy Stone deserves recognition as a founder of the women’s rights movement right along with Susan B. Anthony and Elizabeth Cady Stanton. Stone risked her reputation to become a public speaker on the topics of slavery and abolition and women’s rights (it wasn’t considered appropriate for a woman to talk in front of audiences). Her dedication to securing rights for the newly freed enslaved people after the Civil War caused a break with Anthony and Stanton, which resulted in her near-erasure from the history of the postwar women’s suffrage movement.
In the rotunda of the nation's Capital a statue pays homage to three famous nineteenth-century American women suffragists: Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott. "Historically," the inscription beneath the marble statue notes, "these three stand unique and peerless." In fact, the statue has a glaring omission: Lucy Stone. A pivotal leader in the fight for both abolition and gender equality, her achievements marked the beginning of the women's rights movement and helped to lay the groundwork for the eventual winning of women's suffrage. Yet, today most Americans have never heard of Lucy Stone. Sally McMillen sets out…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
We tend to think of “creativity” as an individual attribute – some people have lots of it, some not much at all. But this book challenges that entire way of thinking.
Farrell’s fun and fascinating analysis of six case studies (the Impressionists, Sigmund Freud and his friends, J.R.R. Tolkien and C.S. Lewis, and the First Wave feminists, among others) shows the importance of friendships and group dynamics in fostering creativity in much the same way that any type of gang can foster other forms of deviance.
Farrell goes into specifics of the different roles – like “scapegoat” or “lightning rod” – within these collaborative circles and how they function in the group. We see why creative movements flourish in certain circumstances and flounder when circumstances change.
Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone. In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud…
My expertise: I specialize in writing about scrappy women in American history. I started with a trilogy of nonfiction history books about American women in the Philippine Islands who lived through the Japanese occupation during World War II. Then I found a biographical subject that combined the fascinating topics of war and suffrage, so I wrote Dr. Mary Walker’s Civil War: One Woman’s Journey to the Medal of Honor and the Fight for Women’s Rights. The next woman who grabbed my attention was a big name in Hollywood in the 20th century. Queen of the West: The Life and Times of Dale Evans is due out in 2022.
Howe is best known for writing the song that inspired countless Northerners during the Civil War, “The Battle Hymn of the Republic.” Showalter pulls back the curtain on Howe’s life to reveal a woman stuck in a bad marriage with a stifling husband, overwhelmed by childbearing and rearing. Howe took up writing, first completing a novel before turning to poetry. She embraced the abolitionist movement and after the Civil War--after writing her most famous work--focused her energy on women’s rights, serving as president of the American Woman Suffrage Association.
A “lively biography” (The New Yorker) of Julia Ward Howe, the powerful feminist pioneer and author of the Civil War anthem, “Battle Hymn of the Republic.”
Julia Ward (1819–1910) was an heiress who married a handsome accomplished doctor who worked with the blind and deaf. But Samuel Howe wasted her inheritance, mistreated and belittled her, and tried to stifle her intellect and freedom. Nevertheless Julia persisted and wrote poetry and a mildly shocking sexual novel that was published to good reviews. She also wrote the words to probably the most famous anthem in the country’s history—the Civil War anthem, “Battle…
