My expertise: I specialize in writing about scrappy women in American history. I started with a trilogy of nonfiction history books about American women in the Philippine Islands who lived through the Japanese occupation during World War II. Then I found a biographical subject that combined the fascinating topics of war and suffrage, so I wrote Dr. Mary Walker’s Civil War: One Woman’s Journey to the Medal of Honor and the Fight for Women’s Rights. The next woman who grabbed my attention was a big name in Hollywood in the 20th century. Queen of the West: The Life and Times of Dale Evans is due out in 2022.
With all the research skills of a historian, McMillen pulled together fascinating information to show that Lucy Stone deserves recognition as a founder of the women’s rights movement right along with Susan B. Anthony and Elizabeth Cady Stanton. Stone risked her reputation to become a public speaker on the topics of slavery and abolition and women’s rights (it wasn’t considered appropriate for a woman to talk in front of audiences). Her dedication to securing rights for the newly freed enslaved people after the Civil War caused a break with Anthony and Stanton, which resulted in her near-erasure from the history of the postwar women’s suffrage movement.
In the rotunda of the nation's Capital a statue pays homage to three famous nineteenth-century American women suffragists: Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott. "Historically," the inscription beneath the marble statue notes, "these three stand unique and peerless." In fact, the statue has a glaring omission: Lucy Stone. A pivotal leader in the fight for both abolition and gender equality, her achievements marked the beginning of the women's rights movement and helped to lay the groundwork for the eventual winning of women's suffrage. Yet, today most Americans have never heard of Lucy Stone. Sally McMillen sets out…
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
Ernestine Rose, a Polish-Jewish immigrant who was one of the first women to speak out for women’s rights in the United States, was well-known in her time but is little remembered today.
This book, which includes most of her published speeches and some of her letters, made her come alive for me. With lines like “It is time to consider whether what is wrong in one sex, can be right in the other” (referring to the double standard of sexual morality for men and women), it still holds relevance for us today. I’ll never get to hear Ernestine Rose speak in person, so this is the next best thing.
Susan B. Anthony hung a picture of Rose on her wall. Elizabeth Cady Stanton publicly eulogized her as indispensable. Unique among the founders of the women’s rights movement because she was a Polish immigrant of Jewish background, celebrated orator Ernestine Rose (1810-1882) won the title "Queen of the Platform" for her brilliant speeches, advocating and linking women's rights, religious freedom, and the abolition of slavery.
When I started college in 1974 as a young radical feminist I had zero interest in history—it was all wars and men. But in a course about the Russian Revolution I learned the most thrilling thing: historians don’t simply relay facts, they argue with one another. I fell in love, and I never looked back. I am especially fascinated by what societies label “unthinkable,” and how that shapes, contains, and controls radical ideas. I've always been intrigued by what is "out of the question" and then poke at it, see what lies underneath, and try to figure out why things remain, or are kept, invisible.
How we shape historical memory is central to how we understand history, and breaking down myths about the past is a crucial step. This book takes on the standard account of the movement for women’s rights—where Elizabeth Cady Stanton and Susan B. Anthony play all the leading roles—and shows how they explicitly went about shaping that legacy. In editing (with Matilda Joslyn Gage) the multi-volumeHistory of Woman Suffrage, they offered access to thousands of documents about that movement, but also, and explicitly, consolidated their own leadership in ways that diminished the work of grassroots activists and movement rivals. This book (like the McGuire, next on my list) is critical for anyone who thinks about, or works in, grassroots movements for social justice.
The story of how the women's rights movement began at the Seneca Falls convention of 1848 is a cherished American myth. The standard account credits founders such as Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott with defining and then leading the campaign for women's suffrage. In her provocative new history, Lisa Tetrault demonstrates that Stanton, Anthony, and their peers gradually created and popularized this origins story during the second half of the nineteenth century in response to internal movement dynamics as well as the racial politics of memory after the Civil War. The founding mythology that coalesced in…
About thirty years ago I learned that my great-grandaunt Annie was, arguably, the first woman to circle the world by bicycle (1894-1895) and I spent years rescuing her story from the trash bin of history, for she was virtually forgotten for more than a century. An avid cyclist myself, Annie became both my muse and my inspiration. She was an outlandish character who stepped far outside the bounds of what was expected for women of her time; among other things, she was the married mother of three young children when she took off from Boston for fifteen months on the road, and she pioneered sports-related marketing for women, securing corporate sponsors and adorning her body and her bicycle with advertisements wherever she traveled.
Written for young adults and kids, this book does an excellent job teaching an underappreciated (and relatively unknown) chapter in women’s history. We take the bicycle for granted today, but it was the catalyst for radical changes in the lives of women in the U.S. and Europe in the late 19th and early 20th centuries.
Take a lively look at women's history from aboard a bicycle, which granted females the freedom of mobility and helped empower women's liberation. Through vintage photographs, advertisements, cartoons, and songs,aWheels of Changeatransports young readers to bygone eras to see how women used the bicycle to improve their lives. Witty in tone and scrapbook-like in presentation, the book deftly covers early (and comical) objections, influence on fashion, and impact on social change inspired by the bicycle, which, according to Susan B. Anthony, "has done more to emancipate women than anything else in the world." NCSS-Notable Social Studies Trade Books in the…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
We tend to think of “creativity” as an individual attribute – some people have lots of it, some not much at all. But this book challenges that entire way of thinking.
Farrell’s fun and fascinating analysis of six case studies (the Impressionists, Sigmund Freud and his friends, J.R.R. Tolkien and C.S. Lewis, and the First Wave feminists, among others) shows the importance of friendships and group dynamics in fostering creativity in much the same way that any type of gang can foster other forms of deviance.
Farrell goes into specifics of the different roles – like “scapegoat” or “lightning rod” – within these collaborative circles and how they function in the group. We see why creative movements flourish in certain circumstances and flounder when circumstances change.
Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone. In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud…
My expertise: I specialize in writing about scrappy women in American history. I started with a trilogy of nonfiction history books about American women in the Philippine Islands who lived through the Japanese occupation during World War II. Then I found a biographical subject that combined the fascinating topics of war and suffrage, so I wrote Dr. Mary Walker’s Civil War: One Woman’s Journey to the Medal of Honor and the Fight for Women’s Rights. The next woman who grabbed my attention was a big name in Hollywood in the 20th century. Queen of the West: The Life and Times of Dale Evans is due out in 2022.
Howe is best known for writing the song that inspired countless Northerners during the Civil War, “The Battle Hymn of the Republic.” Showalter pulls back the curtain on Howe’s life to reveal a woman stuck in a bad marriage with a stifling husband, overwhelmed by childbearing and rearing. Howe took up writing, first completing a novel before turning to poetry. She embraced the abolitionist movement and after the Civil War--after writing her most famous work--focused her energy on women’s rights, serving as president of the American Woman Suffrage Association.
A “lively biography” (The New Yorker) of Julia Ward Howe, the powerful feminist pioneer and author of the Civil War anthem, “Battle Hymn of the Republic.”
Julia Ward (1819–1910) was an heiress who married a handsome accomplished doctor who worked with the blind and deaf. But Samuel Howe wasted her inheritance, mistreated and belittled her, and tried to stifle her intellect and freedom. Nevertheless Julia persisted and wrote poetry and a mildly shocking sexual novel that was published to good reviews. She also wrote the words to probably the most famous anthem in the country’s history—the Civil War anthem, “Battle…
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
What list of nineteenth-century feminists would be complete without the movement’s grand dames, Susan B. Anthony and Elizabeth Cady Stanton? This book, the first of a six-volume series, takes us to the early days of their friendship and alliance. Not only is this collection a testimony to the enormous amount of energy and organization expended by these two reformers, but it also reminds us of their human side.
Some of my favorite moments include Stanton bragging about the birth of her first daughter (and fifth child): “I laid on a lounge about 15 minutes, and alone with my nurse & one female friend, brought forth this noble girl,” and Anthony grumbling about her decision to give up the “Bloomer” outfit adopted by a number of women reformers, “I have let down some of my dresses and am dragging around with long skirts.”
In the School of Anti-Slavery, 1840-1866 is the first of six volumes of The Selected Papers of Elizabeth Cady Stanton and Susan B. Anthony. The collection documents the lives and accomplishments of two of America's most important social and political reformers. Though neither Stanton nor Anthony lived to see the passage of the Nineteenth Amendment in 1920, each of them devoted fifty-five years to the cause. Their names were synonymous with woman suffrage in the United States and around the world as they mobilized thousands of women to fight for the right to a political voice.
I have always been passionate and outspoken about fairness. This passion evolved into my attention to words and laws and a belief that they could affect behavior. This passion evolved into my passion for social change. Finally, it evolved into a passion for public service, where I could make things happen that I believed would help people. My first action as Chief Ranger for Legislation in the Boston office of the National Park Service was proposing a new park for women’s history, which eventually became the Women’s Rights National Historical Park.
I found a quote from my father written in 1982 in my tattered copy of Stanton’s biography when I was appointed the first superintendent of the new park. He asked, “How do you know all this?” A perfect question from a well-educated and well-read father who was then 70. He surely never studied women’s history.
I, a graduate of the Arts College at Cornell University just 40 miles away from Seneca Falls, had never heard of Stanton or Seneca Falls until 20 years after my graduation. It’s remarkable how little awareness there was, even in such close proximity, about these historical figures and events that would become so central to my work. My personal knowledge of women’s history was practically non-existent at the time.
I began as superintendent in 1982, and of the very fine books here recommended, only one had been published in 1982: Stanton’s autobiography. Stanton’s descriptions, supplemented…
The autobiography of women's rights pioneer Elizabeth Cady Stanton-published for the 100th anniversary of women's suffrage-including an updated introduction and afterword from noted scholars of women's history Ellen Carol DuBois and Ann D. Gordon.
Eighty Years and More: Reminiscences 1815-1897, is one of the great American autobiographies. There is really no other American woman's autobiography in the nineteenth century that comes near it in relevance, excellence, and historical significance.
In 1848, thirty-three-year-old Stanton and four others organized the first major women's rights meeting in American history. Together with Susan B. Anthony, her partner in the cause, she led the campaign…
For a long time, I’ve been intrigued by the different ways that people reason about moral issues. Add to that a mystification about why smart people do unethical things and you have the basis for our book on ethical leadership. I’ve spent the better part of my career evaluating and coaching potential leaders and realized relatively recently that I wanted to work with people who did the “right thing.” Demonstrating the moral courage to speak up in the face of opposition has become increasingly difficult—hence my list of books on moral courage. I hope you enjoy it.
I have ancestors who were involved in the early Women’s Rights Movement as part of the Seneca Falls Convention of 1848, so I know that history. But I did not know that others, such as Elizabeth Cady Stanton, saw her as a competitor.
Stone has been largely forgotten—except by women who do not take their husband’s last name. She was an early voice crying out against male oppression.
Recounting the story of America's antebellum woman's rights movement through the efforts of Lucy Stone (1818-1893), this important account differs dramatically from those that focus almost exclusively on Susan B. Anthony or Elizabeth Cady Stanton. Million examines the social forces of the 1830s and 1840s that led Stone to become a woman's reformer and her early agitation as a student at Oberlin College, including what may well be the nation's first strike for equal pay for women. Million chronicles not only the public side of Stone, but her personal battles as well.
Considering a woman's right to self-sovereignty as the…
I have always been passionate and outspoken about fairness. This passion evolved into my attention to words and laws and a belief that they could affect behavior. This passion evolved into my passion for social change. Finally, it evolved into a passion for public service, where I could make things happen that I believed would help people. My first action as Chief Ranger for Legislation in the Boston office of the National Park Service was proposing a new park for women’s history, which eventually became the Women’s Rights National Historical Park.
I love this book and so wish it had been available to me, park planners, and the public in 1982. But it was published in 2011. I received it as a gift and did not immediately realize it was intended for young adults. But how significant is it to reach girls and boys while still young and unbiased so they could better understand their lives as they unfolded?
I loved that it was accessible in its words, and very much in its design. Lots of space, largish print, clearly written, all make it also very appropriate for women, and men, of my age, which is 82. Weakened eyesight, shorter attention spans, no base of information to build on, this book is perfect also for seniors who probably had no formal education in women’s history and women’s rights.
In the spring of 1851 two women met on a street corner in Seneca Falls, New York - Elizabeth Cady Stanton, a thirty-five year old mother of four boys, and Susan B. Anthony, a thirty-one year old, unmarried, former school teacher. Immediately drawn to each other, they formed an everlasting and legendary friendship. Together, they challenged entrenched beliefs, customs, and laws that oppressed women and spearheaded the fight to gain legal rights, including the right to vote despite fierce opposition, daunting conditions, scandalous entanglements and betrayal by their friends and allies. Weaving events, quotations, personalities, and commentary into a page-turning…
