In an ideal world, I would have liked to be a cosmologist and a philosopher. But I became a philosopher with a passion for the history and philosophy of science. This has enabled me to kill two birds with one stone: I learn about the sciences that interest me (physics, evolutionary biology, political philosophy, and sociology), and I explore their philosophical consequences. My podcast, In the Beginning, there was…Philosophy is devoted to such topics.
Webster’s book is one of the best assessments of psychoanalysis.
Freud persistently claimed that psychoanalysis was a serious science. It met with hostility because it had insulted the world: by emphasizing the influence of the Unconscious on our behaviour and the role of sexuality in human life. Naturally, Freud’s claims came under scrutiny.
Webster criticizes psychoanalysis as "one of the most subtle attempts to use reason in a magical manner." Psychoanalysis is not explanatory and protects itself against refutations. Webster traces the history of the psychoanalytic movement.
The book is excellent because of Webster’s grasp of primary and secondary literature, his lucid prose, and his understanding of Freud’s influence. My book also comes to the conclusion that psychoanalysis is not some kind of physics of the psyche.
In this engrossing new study of Sigmund Freuds life and work, Richard Webster has set out to provide a clear answer to the controversies that have raged for a century around one of the most influential of all modern thinkers. Tracing Freuds essentially religious personality to his childhood, Webster shows how the founder of psychoanalysis allowed his messianic dreams to shape the science he created and to lead him ever deeper into a labyrinth of medical error. Meticulously researched and powerfully argued, Why Freud Was Wrong is destined to become a classic work.
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Dalí. The Paintingsis one of the most complete compilations of works I’ve seen, and it includes the examination of one of the most prolific and controversial figures in art. Salvador Dali is a genius. He took his artistic skill and vision across so many different genres of the arts. The book is a fascinating journey into his mind and work. I learned a tremendous amount regarding composition, palette and tone decisions, and of course realism. I loved the idea that you can inspire the mind, leading it into new thought patterns by presenting something that is different or strange.
Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics-and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.
This publication presents the artist's painted oeuvre. After many years of research, Robert Descharnes and Gilles Neret finally located the paintings of this highly prolific artist. Many of the works had been inaccessible for years-in fact so many that almost half the illustrations in this book had…
I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
A short fantasy, utterly wild and utterly outrageous! It’s not a single coherent world like the others on this list, more a series of surreal scenes, each one a lightning raid into the depths of the human psyche.
The Freudian unconscious turned into real settings and characters! It’s also more cerebral than other books on this list—Carter is playing with ideas, but a kind of play that’s just so much fun. A workout for the imagination that also stretches the mind!
Traditional fantasy, it ain’t! An algorithm for turning up ‘More Books Like This’ doesn’t have a hope (though they’ll try). This book’s an algorithm buster!
Desiderio, an employee of the city under a bizarre reality attack from Doctor Hoffman's mysterious machines, has fallen in love with Albertina, the Doctor's daughter. But Albertina, a beautiful woman made of glass, seems only to appear to him in his dreams. Meeting on his adventures a host of cannibals, centaurs and acrobats, Desiderio must battle against unreality and the warping of time and space to be with her, as the Doctor reduces Desiderio's city to a chaotic state of emergency - one ridden with madness, crime and sexual excess.
A satirical tale of magic and sex, The Infernal Desire…
Another
1925 gem, Gentlemen Prefer Blondes, was written, Anita Loos said, because
she couldn’t get H.L. Mencken’s attention on a cross-country train trip because
he was besotted by a blonde starlet-to-be.
One of the savviest, most pointed,
and cosmopolitan takes on sex and gender from the period or from any period, really. It is, like the movie adaptation with Marilyn Monroe, pure fun and
games at one level and trenchant commentary at another, but the book is that
much smarter and more trenchant and therefore, much funnier.
Loos was one of
the most successful screenwriters of her day, and she brings those skills to
bear, but she has superb dexterity as a prose stylist and an almost uncanny
knack for comic timing.
Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady (1925) is a novel by Anita Loos. Adapted from a series of stories written for Harper's Bazaar, Gentlemen Prefer Blondes was an astounding success for Loos, who had mired for over a decade as a screenwriter in Hollywood and New York. An immediate bestseller, the novel earned praise from leading writers and critics of its time, and has been adapted several times for theater and film. Recognized as a defining text of the Jazz Age, Gentlemen Prefer Blondes is an absolute classic dubbed "the great American novel" by Edith Wharton.…
Like most adolescents, I was deeply concerned with what others thought of me and how I fit in. Unlike most adolescents, I sometimes did little experiments to test others’ reactions--such as lying down on a busy sidewalk, fully awake, to see how passersby would react (mostly with annoyance). Imagine my surprise when I discovered that there is an entire discipline--social psychology--that does real experiments on self-knowledge and social behavior. I got a Ph.D. in social psychology at the University of Michigan and have spent my career as a professor at the University of Virginia, where I have had great fun conducting such experiments.
Sigmund Freud and psychoanalysis have cast a long shadow over our understanding of the human mind. Most research psychologists today find Freud’s ideas to be oversimplified, exaggerated, or simply wrong. It is important to understand his legacy, however, and there is no better way to do so than to read this entertaining, gossipy book about psychoanalytic theory and treatment. Malcolm provides a rare peek into the consulting room of the psychoanalyst, with insightful critiques of the practice and theory of psychoanalysis. What is Freud’s legacy, exactly? I discuss that in Strangers to Ourselves, in a chapter entitled, “Freud’s genius, Freud’s myopia.”
Through an intensive study of 'Aaron Green,' a Freudian analyst in New York City, New Yorker writer Janet Malcolm reveals the inner workings of psychoanalysis.
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
We tend to think of “creativity” as an individual attribute – some people have lots of it, some not much at all. But this book challenges that entire way of thinking.
Farrell’s fun and fascinating analysis of six case studies (the Impressionists, Sigmund Freud and his friends, J.R.R. Tolkien and C.S. Lewis, and the First Wave feminists, among others) shows the importance of friendships and group dynamics in fostering creativity in much the same way that any type of gang can foster other forms of deviance.
Farrell goes into specifics of the different roles – like “scapegoat” or “lightning rod” – within these collaborative circles and how they function in the group. We see why creative movements flourish in certain circumstances and flounder when circumstances change.
Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone. In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud…
I’ve been a historian of the period for more than two decades, and I am still fascinated by Andrew Jackson. He captures the attention of my undergraduate students and his name offers one of the best ways to start a shouting match at an academic conference. As I sifted through the various accounts of Jackson for this book, I was amazed at the range. Writers dealing with the same individual concluded that he was either a product of his age, a hero, the founder of American democracy, a populist, a racist, or a monstrous psychopath. All of these interpretations might have some merit, which made the project, in my opinion, all the more interesting.
If you ever thought to yourself, “Wow, Andrew Jackson would be a great candidate for psychotherapy, but no historian would ever actually try to view his life through Freudian analysis,” well, think again. Psychohistory enjoyed a brief moment in the sun during the 1970s and Rogin’s posthumous placement of Jackson on the couch was one of its shining examples. This book examines Jackson’s childhood trauma and fatherless upbringing as a major factor in his attitude and treatment of Native Americans throughout his life. Readers might find the analysis that dominates the second half of the book to be a bit dated in psychological terms, but Rogin offers a provocative way to explain Jackson’s confusing blend of patronizing and pathology towards Native Americans in the Early American Republic.
Rogin shows us a Jackson who saw the Indians as a menace to the new nation and its citizens. This volatile synthesis of liberal egalitarianism and an assault on the American Indians is the source of continuing interest in the sobering and important book.
I’m an innovator. I’ve been one since I was a kid. Since then, I’ve started a couple of non-profits and four companies, and I’ve advised hundreds of clients on innovation opportunities. I’ve also led the team that created one of the world’s first smartphones. Over the past dozen years, I’ve written four books on the strategy and capabilities of innovation. Innovation is one of the essential characteristics that make us human. It can get the world into trouble, but it does more good than harm on balance. My mission is to make us better at innovation and make the world a better place.
Sometimes, the most powerful stories are ones that are compellingly proven by history. In this book, Johnson uses a broad range of historical examples—the flush toilet, the pencil, evolution, and so many more—to show a clear pattern of how revolutionary ideas get their start.
His key theses are straightforward, like how ideas often start as a slow hunch that gradually gathers momentum and seemingly suddenly becomes full-fledged. They’re well-proven by his examples. But even if you didn’t terribly care about the principles he puts forward, you’d just love the vivid, elegant writing. It’s a wonderful read.
A fascinating deep dive on innovation from the New York Times bestselling author of How We Got To Now and Unexpected Life
The printing press, the pencil, the flush toilet, the battery--these are all great ideas. But where do they come from? What kind of environment breeds them? What sparks the flash of brilliance? How do we generate the breakthrough technologies that push forward our lives, our society, our culture? Steven Johnson's answers are revelatory as he identifies the seven key patterns behind genuine innovation, and traces them across time and disciplines. From Darwin and Freud to the halls of…
I am attracted to people and ideas that bridge the internal and external life through their art and writing. I was driven to pursue art history and psychoanalysis for this reason. In one field, we have the external object as the center of inquiry, and in the other, the Self. These books all inspired me to see the world through a new lens.
A century after German scholars developed art history as a highly conservative meta-theory well suited to the study of the broader categories of “civilization” and “culture,” the Viennese psychoanalytic movement developed a highly radical meta-theory that posited civilization and culture as fictions meant to curb individual desires.
Art historian Mary Bergstein illuminates photography's rich role in Freud’s thinking. Bergstein deftly reminds us that Freud’s interdisciplinary approach to the history of art and the new science of psychoanalysis was specifically meaningful to his time and place. During the brief period when Vienna would be recognized as the capital of European modernism, psychoanalysis developed as a meta-theory—a radical one—with the cult of individual desires and fears at its heart.
Photographs shaped the view of the world in turn-of-the-century Central Europe, bringing images of everything from natural and cultural history to masterpieces of Greek sculpture into homes and offices. Sigmund Freud's library-no exception to this trend-was filled with individual photographs and images in books. According to Mary Bergstein, these photographs also profoundly shaped Freud's thinking in ways that were no less important because they may have been involuntary and unconscious.In Mirrors of Memory, lavishly illustrated with reproductions of the photos from Freud's voluminous collection, she argues that studying the man and his photographs uncovers a key to the origins of…
My interest in this topic began after my father died when I was a young teenager and I was left looking for answers, explanations, and meanings. My dad was an architect and had written a book on Jeremy Bentham’s panoptican and prison architecture published before the French philosopher Michel Foucault’s famous Discipline and Punish. A small collection of Foucault’s books stood prominently on my father’s bookshelves and I really wanted to understand them. At university I studied all of Foucault’s works and many authors inspired by him. These are the best books that explain how we have developed philosophical and psychological theories to understand ourselves in the contemporary world.
The epic 900-page Discovery of the Unconscious is a phenomenally detailed and well-researched book that still challenges many of today’s psychological ‘truths.’ Ellenberger takes as his starting point models of the unconscious developed by Pierre Janet, Sigmund Freud, Alfred Adler, and Carl Jung, which still influence many contemporary therapeutic treatments. He then skilfully links these models of the unconscious mind back to exorcism, magnetism, and hypnotism. Ellenberger’s detailed account of the use of magnetism and hypnosis by Jean Martin Charcot and others is fascinating because he explains exactly how Charcot's approaches premised new “uncovering” models devised by Nietzsche and the neo-Romantic movement. He also explains how Charcot’s work related to the growing interest in instincts and sexuality inspired by Darwin that culminated in the Freudian unconscious. In doing so, Ellenberger exposes what was genuinely new in the modern unconscious, and which parts of it have a much longer history. The…
This classic work is a monumental, integrated view of man's search for an understanding of the inner reaches of the mind. In an account that is both exhaustive and exciting, the distinguished psychiatrist and author demonstrates the long chain of development,through the exorcists, magnetists, and hypnotists,that led to the fruition of dynamic psychiatry in the psychological systems of Janet, Freud, Adler, and Jung.
