Fans pick 100 books like Mortal Mischief

I am a wee bit obsessed with mysteries. This is my genre of choice for vacations, plane rides, and the occasional lazy afternoon. And I love the way that Barbara Neely blends a classic whodunnit with the topic of gender equality. Barbara Neely, who is now deceased, left the world with a gem of a 4-book series about Blanche White, who is a domestic worker by profession—and an accidental sleuth on the side.

But what I love most about this series is the way Neely weaves huge issues like misogyny, racism, classism, and violence through her story while delivering a smart, page-turning mystery. In her own words, “fiction is a good place to do activism.” 

This whole series always makes me smile–Mma Ramotswe remains one of the most hilarious main characters in any cozy mystery I’ve ever read. The crimes she comes up against are usually low-key, usually secondary to the backdrop of Botswana, and often solved by accident as much as design.

Precious Ramotswe’s commentary on Botswanan life is simply brilliant, but almost even more amusing is her sidekick, Grace Makutsi, who bumbles through her role as secretary-promoted-to-assistant-detective, and the interaction between the characters never fails to give me laugh-out-loud moments.

This whole series has to be the most feel-good series ever, and now I’m rediscovering it as an audio production of the radio series; it’s as heart-warming as a bright bunch of flowers on a dull day, a bowl of hot soup when you’re sick; a hot bubble bath when it’s snowing outside…I love it, love it, love it!

Nabb’s Marshal Guarnaccia, unflamboyant and patient, is an unspectacular thinker but a brilliant listener with a real, if unsentimental sympathy for the people he deals with on both sides of the law. Without fancy vices or personal charisma, Guarnaccia’s fundamental decency is nowhere on better display than in The Marshal’s Own Case, set among the desperate young transgender prostitutes of the Florentine sex trade, a culture quite different from the Marshal’s own secure family life.

The chief attraction of Fred Vargas’s novels is her cast of characters, led by Chief Inspector Adamsberg, a most unconventional leader of any criminal investigation outfit. Small and disheveled, good with animals and children, dreamy and often seemingly idle, Adamsberg is not only extremely bright but has confidently surrounded himself with remarkable colleagues. Hard-drinking Adrien Danglard, a single father of five with a huge store of ready information, and Violette Retancourt, a woman of prodigious strength and courage, are among his entertaining subordinates, along with Snowball, the division’s cat that proves equally remarkable in one memorable outing. 

A century after German scholars developed art history as a highly conservative meta-theory well suited to the study of the broader categories of “civilization” and “culture,” the Viennese psychoanalytic movement developed a highly radical meta-theory that posited civilization and culture as fictions meant to curb individual desires. 

Art historian Mary Bergstein illuminates photography's rich role in Freud’s thinking. Bergstein deftly reminds us that Freud’s interdisciplinary approach to the history of art and the new science of psychoanalysis was specifically meaningful to his time and place. During the brief period when Vienna would be recognized as the capital of European modernism, psychoanalysis developed as a meta-theory—a radical one—with the cult of individual desires and fears at its heart.

The second in the Liebermann Papers: a mystery series featuring Freud-student Max Liebermann noted as literature’s first psychoanalytic detective who helps the pragmatic and gruff Detective Inspector Oskar Rheinhardt solve some of fin-de-siecle Vienna’s most dastardly crimes. While since made into a successful PBS series, the book’s atmospheric rendering of the Baroque jewel’s opulence is countered by the stark portrayals of anti-semitism, paranoia, and the primitive, cruel, and rudimentary techniques used to “treat” patients suffering from mental disorders.  

This book summarizes the contributions of Otto Rank, the brilliant and influential psychoanalyst. Rank focused on two core psychological motivations, the desires for psychological security on the one hand, and for stimulation, growth, and creativity on the other. His work illuminates how these desires often work in concert but also often can be in opposition over the course of the lifespan, contributing to guilt, anxiety, and stunting growth. Rank’s analysis inspired the development of both existential psychology and humanistic psychology. Rank’s approach to psychological well-being is based on accepting and even affirming the limitations of life, understanding what you really want in life, and developing the will to move creatively toward achieving those goals so that one can live an authentic and satisfying life.   

Webster’s book is one of the best assessments of psychoanalysis.

Freud persistently claimed that psychoanalysis was a serious science. It met with hostility because it had insulted the world: by emphasizing the influence of the Unconscious on our behaviour and the role of sexuality in human life. Naturally, Freud’s claims came under scrutiny.

Webster criticizes psychoanalysis as "one of the most subtle attempts to use reason in a magical manner." Psychoanalysis is not explanatory and protects itself against refutations. Webster traces the history of the psychoanalytic movement.

The book is excellent because of Webster’s grasp of primary and secondary literature, his lucid prose, and his understanding of Freud’s influence. My book also comes to the conclusion that psychoanalysis is not some kind of physics of the psyche.    

Freud has had a massive influence on Western culture: he created the "psychological human." People interpret slips of the tongue, strange dreams, or neurotic behaviour almost automatically in Freudian terms. Freud never wrote a textbook on psychoanalysis.

In these lectures, which were held at the University of Vienna during World War I, he presented the full range of his theories and observations. It covers Freudian slips, dreams, neuroses, and sexuality. (The unfinished Outline of Psychoanalysis, 1938, includes the Id, Ego, and Superego.)

Freud is a very persuasive and stylish writer who presents his theory as if it were a natural science, comparable to physics. He claims that his contemporaries were hostile to psychoanalysis because of its explosive revelations about human nature. He explains why his theory allegedly completed the Copernican revolution. Freud describes his findings and sets them in a cultural context.

Sigmund Freud and psychoanalysis have cast a long shadow over our understanding of the human mind. Most research psychologists today find Freud’s ideas to be oversimplified, exaggerated, or simply wrong. It is important to understand his legacy, however, and there is no better way to do so than to read this entertaining, gossipy book about psychoanalytic theory and treatment. Malcolm provides a rare peek into the consulting room of the psychoanalyst, with insightful critiques of the practice and theory of psychoanalysis. What is Freud’s legacy, exactly? I discuss that in Strangers to Ourselves, in a chapter entitled, “Freud’s genius, Freud’s myopia.”