Fans pick 81 books like Have Mercy on Us All

I am a wee bit obsessed with mysteries. This is my genre of choice for vacations, plane rides, and the occasional lazy afternoon. And I love the way that Barbara Neely blends a classic whodunnit with the topic of gender equality. Barbara Neely, who is now deceased, left the world with a gem of a 4-book series about Blanche White, who is a domestic worker by profession—and an accidental sleuth on the side.

But what I love most about this series is the way Neely weaves huge issues like misogyny, racism, classism, and violence through her story while delivering a smart, page-turning mystery. In her own words, “fiction is a good place to do activism.” 

This whole series always makes me smile–Mma Ramotswe remains one of the most hilarious main characters in any cozy mystery I’ve ever read. The crimes she comes up against are usually low-key, usually secondary to the backdrop of Botswana, and often solved by accident as much as design.

Precious Ramotswe’s commentary on Botswanan life is simply brilliant, but almost even more amusing is her sidekick, Grace Makutsi, who bumbles through her role as secretary-promoted-to-assistant-detective, and the interaction between the characters never fails to give me laugh-out-loud moments.

This whole series has to be the most feel-good series ever, and now I’m rediscovering it as an audio production of the radio series; it’s as heart-warming as a bright bunch of flowers on a dull day, a bowl of hot soup when you’re sick; a hot bubble bath when it’s snowing outside…I love it, love it, love it!

Nabb’s Marshal Guarnaccia, unflamboyant and patient, is an unspectacular thinker but a brilliant listener with a real, if unsentimental sympathy for the people he deals with on both sides of the law. Without fancy vices or personal charisma, Guarnaccia’s fundamental decency is nowhere on better display than in The Marshal’s Own Case, set among the desperate young transgender prostitutes of the Florentine sex trade, a culture quite different from the Marshal’s own secure family life.

Two reasons for this selection: the setting cosmopolitan pre- WW1 Vienna with its glittering art world, cutting edge science, and murky politics, and the unusual sleuth, Dr. Max Liebermann, a young disciple of Sigmund Freud, who is called upon by his friend, Oskar Rheinhardt for particularly sticky cases. There are plenty of them, thanks to author Tallis’s background as a clinical psychologist. He embeds gruesome crimes in complex plots and constructs solutions of real ingenuity, in parallel with young Dr. Liebermann’s developing expertise and his negotiation of the tricky balance between modernity, science, and progressive developments and his more traditional, and beloved, Jewish family.

Ballgowns, swords, and secrets abound in One for All, a fresh retelling of The Three Musketeers. As the daughter of one of the original Musketeers, the main character Tania is an expert sword fighter who also struggles will the chronic illness, POTS.

There is so much action, intrigue, and mystery in this book while adding fresh and needed representation to the genre. Even though this isn’t strictly a historical event, a lot of us associate The Three Musketeers with the time of Louis XIV, and it’s fantastic to see that time period in a new light from a fresh perspective.

I grabbed this historical true crime nonfiction book in order to conduct research for one of my own projects. 

This book is about the rampant crime in 1600s Paris and, by extension, the Affair of the Poisons and Louis, The Sun King’s, solution. The king’s solution was to hire a police chief, La Reynie, to bring peace to the city streets. La Reynie ordered candles put in every window in the belief that the light would deter the criminal element, thus creating the City of Lights.

La Reynie was also the central investigator in the Affair of the Poisons and responsible for arresting the key figures in the crimes. Tucker also shows in this fascinating book how many of these criminal incidents were related to witchcraft and black magic. 

The beauty of this book is how it reads more like a novel than nonfiction history.

This witty and suspenseful tour-de-force is set in a Paris most tourists never see: the Nineteenth Arrondissement, a sprawling, multicultural district where working-class grit coexists uneasily with encroaching gentrification.

The author, who doubles as a well-known documentary filmmaker, is also a friend of mine from the French noir world.

Arab Jazz, first published in 2012, sardonically explores the religious fanaticism of Jews, Muslims and evangelical Christians while weaving a thrilling intrigue that earned it France's top prize for crime fiction.

Once I settled in to read the life story of the scandalous 19th-century French femme fatale Marguerite (Meg) Steinheil, I didn’t get back up until I finished. What a ride! Then, I immediately went back to the beginning and read it again.

Meg became notorious in 1899 for literally being in the bed (and the clutches) of the French president when he suddenly died. But wait, there’s more! That’s not even the most incredible moment in her life story. At one point, I started yelling at the book: "Meg, what, no!"

This book has everything you want in a story: murder, sex, scandal, and an unlikely heroine’s pluck and poignancy. History that reads like a novel. What more could you want?

The bad boy falls in love with the young innocent girl, and for her sake, he fully intends to keep her at a distance. The only problem is she won’t stay away. It’s the heart deep inside of the bad boy that we are always drawn to, that need to protect her, but finding she’s too stubborn for her own good so the only way to protect her is to be with her. 

I didn’t come into contact with Remembrance of Things Past until I was in my late twenties—and was immediately turned off. I thought, what a windbag and slammed the book shut. Later, I gave it another try. Then another. I never did finish Swann's Way and the other novels in Remembrance of Things Past. And yet Proust remains not only a powerful influence on my writing, but a guide in the practice of good prose. What has stayed with me were Proust’s long gorgeous sentences. Any time my writing slackens, or my vision falters, I pick up Proust. I read those long long sentences with my lips moving. They inspire me. They make me pay attention to the most important craft element in the writer’s tool kit—the sentence.