The most recommended books about Vienna

A longtime friend introduced me to this novel after he found out that I had some interest in the subject. I’m so glad he did because, after the first reading, I’ve never forgotten it. This slim volume is a masterpiece of deft description and character development. A resort town, somewhere near Vienna, is peopled with colorful residents, tourists, and later the forced resettlement of Jews. “The light stood still. There was a frozen kind of attentiveness in the air. An alien orange shadow gnawed stealthily at the geranium leaves.” Such is Appelfeld’s sparse, beautiful prose. Disaster looms, tension builds, and people disappear...slowly, inexorably. The chilling ending is a tour de force of writing.

When I first read Zweig’s memoir, I initially thought it was pretentious name-dropping, mentioning one prominent fin de siècle Viennese writer or musician after another. Only years later did I warm to his memories describing a world that existed before the cataclysm of World Wars and the ultimate fate of Europe’s Jewish citizens.

In reading other memoirs from the period (such as Ernst Krenek’s–not available in English), it’s possible to see that Zweig was writing from a position of enormous privilege while also reflecting the very essence of cultural life in a world where culture was perhaps its most important characteristic and distinguishing element. 

This is a story about the best-selling Viennese cookbook that was stolen by the Nazis and republished under someone else’s name during the War. The text and color photographs are identical, but the names of the authors are different. The original author, Alice Urbach, who was Jewish, had her book “Aryanized” for over 80 years, even though her hands are still featured in the illustrations. It shows how respectable businesses and individuals can continue to profit from the persecution of Jews long after the Holocaust ended. 

I found this a quite remarkable story that has only recently been published in English. It demonstrates the extremes to which the Nazis went to stamp out anything that was Jewish. Only in 2021 were the rights returned to the original author posthumously.

This is a history of classical music from 1900 onwards. I’ve always been interested in early twentieth-century western art. It seems to have veered off in radically new directions and expressed a different consciousness than what preceded it. Perhaps it was fomented by the dissolution of the relatively stable European order of the nineteenth century, shattered by the First World War. 

Alex Ross discusses the music of these times and the lives of the people who composed it. He is eminently capable, being musically trained, and finds the perfect balance between the technical and the personal. I was fascinated to learn that Shostakovich was a man who lived in constant fear of being purged. He always expected to be imprisoned. 

I also learned about Harry Partch, the American composer, who devised his own tuning systems and built an orchestra of strange instruments to play his music.

The Rest is Noise… show more.

As a child fascinated by chess, I devoured chess books about the old masters – colourful, eccentric geniuses who drew me into a world that I’ve never since wanted to leave!

Chess in those days was not just about who was the strongest, but also on a philosophical level about who was playing the “chess of the future”.

Hendriks examines the long rivalry between the first World Champion Steinitz and his challenger Zukertort through their writings – often conducted via fierce polemics in their respective newspaper columns – and their 1886 World Championship match.

It’s a moving human story which highlights that the winner’s narrative (“Steinitz won, and defeated an old-fashioned player with modern chess”) is not always the correct one! 

George Weidenfeld was a giant of the publishing world in the second half of the twentieth century. 

Harding tells Weidenfeld’s story, from birth in Vienna in 1919 to death in London in 2016, through the lens of 19 of the books that Weidenfeld brought (or didn’t bring) into being throughout his career. As a device for a biography, this is sheer genius. 

By telling the story of Berlin’s The Hedgehog and the Fox, Watson’s The Double Helix and the book that never was – Mick Jagger’s autobiography – and many others, Thomas Harding reveals the controversies, scandals, elite parties, and political handshakes that Weidenfeld, a refugee from Nazi Austria in August 1938, attracted throughout his life. 

My evening hour of reading turned into two, three, or four hours, as I needed to know what came next. 

The second in the Liebermann Papers: a mystery series featuring Freud-student Max Liebermann noted as literature’s first psychoanalytic detective who helps the pragmatic and gruff Detective Inspector Oskar Rheinhardt solve some of fin-de-siecle Vienna’s most dastardly crimes. While since made into a successful PBS series, the book’s atmospheric rendering of the Baroque jewel’s opulence is countered by the stark portrayals of anti-semitism, paranoia, and the primitive, cruel, and rudimentary techniques used to “treat” patients suffering from mental disorders.  

Although it is published as a coffee-table book with beautiful and carefully prepared illustrations, this is the best biography of Pieter Bruegel and a cultural study of his times and works. Magnificently written, exuberantly rich, it will please anybody interested in early modern history, art, Reformation, and colonial wars. This is the book to read slowly, as one drinks vintage wine. 

This is somehow the antidote to Roth’s novel. It is a daunting read, often thought of as a Viennese answer to Proust. What was fascinating was its very unsentimental and often quite funny representation of wealthy Viennese society. Musil is a seductive writer and it is easy to keep reading even while wondering when something might actually happen.

Like Roth, the effect of the novel is cumulative–only after reading it suddenly comes together. It also balances the presentation of Vienna as a city of musicians and poets and gives us the politicians, the mathematicians, the scientists, and the economists. The central character is himself a mathematician with little comprehension of the finer arts.  

This pick is probably the outlier of my list, and I’ll explain why. Berlin Noir is actually three books published as a compendium: March Violets, The Pale Criminal, and A German Requiem.

You can buy them individually, but I highly recommend you pick up the trilogy: spoiler alert, it’s 800 pages (with small print!) I’ve always been a fan of Kerr’s mind-bogglingly well-researched historical novels, and these three are, in my opinion, his best.

They are about a German detective, who is not a Nazi, attempting to survive and make a living just before, during, and just after WWII. Far, far more than a simple mystery (though the plot is fascinatingly complex, and elements and characters run through all three books, which is why I recommend the trilogy), the books are a treatise on good, evil, moral relativity, and survival under unimaginable circumstances in a country wracked by tyranny.… show more.