Here are 100 books that Badenheim 1939 fans have personally recommended if you like
Badenheim 1939.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m passionate about the theme of this list because I’ve experienced a lot in life already, even though I’m only 24 years old, and I know about the different situations that these books describe well. I’ve experienced a few traumatic situations later in my life (after I read these books) that these books have, it has turned me into somewhat of a realist over time, and I like to use my own talent of writing and creating characters to create, teach, and make people aware of scary and traumatic situations that can happen to anyone in real life. I hope more people will see the valuable lessons in these books.
This book is nonfiction, so it’s about real people rather than fictional characters. I love this book because it gives a descriptive perspective on what was happening and what was going on in Nazi-occupied Germany and Poland during World War II, and the horrors of the concentration camps (mainly Auschwitz) that were built and used to kill everyone the nazis hated for whatever insane reasons they had.
I’ve always had an almost alarming interest in World War II. It was my favorite lesson from the history classes I’ve taken, and this book really put some of the evil things that were done during that time into perspective.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of…
I've found the creep of authoritarianism to be very disquieting. One would have to be willfully blind to not see its manifestations both here and abroad. I wanted to better understand how this phenomenon cast its shadow over the world and I found the '33 Chicago World's Fair an ideal lens to view this through. I've been fascinated by world's fairs since I was a child and the '33 Fair was the first to consciously feature the future. I'm also strangely drawn to this period – if I believed in reincarnation it might provide answers, but I don't. The Zeitgeist just before the full, brutal ugliness of fascism broke over the world, fascinates me.
The first half of the book is like watching a slow-motion car wreck. There were so many missed opportunities to stop Hitler before he did his worst, I wanted to shout ‘Stop this guy before it’s too late!’ Alas… Shirer was our man in Vienna and Berlin from the late 1920s-early 1940s, which adds an intimacy to his words that I find lacking in other similar accounts.
It was Hitler's boast that the Third Reich would last a thousand years. Instead it lasted only twelve. But into its short life was packed the most cataclysmic series of events that Western civilisation has ever known.
William Shirer is one of the very few historians to have gained full access to the secret German archives which the Allies captured intact. He was also present at the Nuremberg trials.
First published sixty years ago, Shirer's account of the years 1933-45, when the Nazis, under the rule of their despotic leader Adolf Hitler, ruled Germany is held up as a classic…
When I was a child, I found myself suddenly fascinated by World War II after reading a Classics Illustrated comic that detailed the history of the war. I remember asking myself, “How could this happen? How could Hitler have exerted such control and power?” Years later, I found myself wanting to write a novel about the Holocaust, but I was shamed and awed by the work of those who had lived through it. Despite that, I kept reading about the war and learning its history. The Taster grew out of all the research I’d done over the years.
I have used this book as a reference for all my novels that deal with Nazi Germany. It is a thick, coffee-table-sized book, that, by chance, I found years ago on the “reduced” shelf in a local bookstore. The chronicle isn’t for the faint of heart. It explains the rise of National Socialism and the ensuing Holocaust in graphic words and pictures, and will leave its indelible imagery firmly entrenched in your memory. It takes you from the roots of the Holocaust to its disturbing aftermath, years after the war.
The Holocaust Chronicle, written and fact-checked by top scholars, recounts the long, complex, anguishing story of the most terrible crime of the 20th century.
The mission of The Holocaust Chronicle is to report the facts, clearly and free of bias or agenda.
The 3000-item timeline of Holocaust-related events is unprecedented in its scope and ambition and detailed caption-text is rich with facts and human interest.
Featured are more than 2000 photographs selected after intensive research in the collections of the United States Holocaust Memorial Museum in Washington, D.C. and Yad Vashem in Jerusalem, as well as other archives and private…
I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.
Written in just four weeks, this book pulsates with fury and is all the more poignant when you know its young Jewish author died after his ship was sunk in the war.
Otto Silbermann is a Jewish businessman on the run as his world collapses around him, and he slowly realises his homeland is enemy territory. It’s chilling and devastatingly real.
Berlin, November 1938. With storm troopers battering against his door, Otto Silberman must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.
Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.
Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at…
I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. It’s no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a person’s life with its nostalgia, yearning, and inevitable heartbreak.
This unlikely story has a different focus from other Holocaust memoirs. After working in a slave labour camp, Edith Hahn, a Viennese Jew, was ordered to report for transport east, and probable death, but instead went into hiding with a new identity thanks to two Christian friends. Jews hiding in plain sight were called U-boats. Though trained as a lawyer, she worked as an ignorant nurse’s aide in a hospital and met a Nazi Party member who fell in love with her. She told him she was Jewish but he wanted to marry her anyway and became both a protector and a constant threat. In an unsentimental style and with surprising dark humour, Hahn has written a gripping account of that period when being found out would have been fatal.
Edith Hahn was an outspoken young woman studying law in Vienna when the Gestapo forced her and her mother into a ghetto, issuing them papers branded with a "J". Soon Edith was taken away to a labour camp and when she returned home after months away she found her mother had been deported. Her boyfriend, Pepi, proved too terrified to help her, but a Christian friend was not. Using the woman's identity papers, she fled to Munich. There she met Werner Vetter, a Nazi party member who fell in love with her and, despite her protests and even her eventual…
I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
As one of the most distinguished writers of Jewish fiction, Cynthia Ozick is known for her work that is both linguistically spellbinding and profoundly thought-provoking.
After reading her two-part novella, The Shawl and Rosa, I believe that it stands out as one of her finest. It tells the story of two women whose survival during World War Two is painfully intertwined, to the point that they cannot separate their horrific experiences from the way they view each other. This penetrating psychological portrait of the devastating effects of victimhood is unparalleled in Jewish literature.
I’ve had a life-long interest in genocide dating back to my teenage years, when I read Simon Wiesenthal’s book The Murderers Among Us. Wiesenthal introduced me to the idea that governments sometimes murdered innocent people and could elude justice for their crimes. The question of human evil interacted with my theological interest in the problem of evil generally. Both genocide scholars and theologians were posing similar questions: how could people or God permit the occurrence of wanton evil when it was in their power to avoid it? And what should we do about genocide after it has happened? These questions launched my research into genocide and continue to fuel my study of this topic.
Where Gitta Sereny talks with people involved in Nazi atrocities, Ernst Klee presents documentary evidence of these crimes. No one has published better or more important compendia of documents on Nazi crimes than Klee. I discovered his books as an exchange student in Germany (1988-89) and quickly found them to be unique. Klee’s spare method is to portray the Nazis’ descent into evil through the medium of their own texts and photographs. Regrettably, few of his books have been translated into English. The one I’m recommending here is a fine introduction to his style of historical writing.
Klee’s evidence shows the awful arc drawn by Nazi crimes, from German incitement of pogroms against Jews in the east and Einsatzgruppen shootings of Jewish men, women, and children to the development of stationary gassing installations in death camps. Klee has a point of view, but he doesn’t want to convince you with…
The title "The Good Old Days" ("Schone Zeiten" in German) comes from the cover of a private photo album kept by concentration camp commandant Kurt Franz of Treblinka. This gruesomely sentimental and unmistakably authentic title introduces an disturbing collection of photographs, diaries, letters home, and confidential reports created by the executioners and sympathetic observers of the Holocaust. "The Good Old Days" reveals startling new evidence of the inhumanity of recent twentieth century history and is published now as yet another irrefutable response to the revisionist historians who claim to doubt the historic truth of the Holocaust.
I was 12 years old when, in Amsterdam on a family holiday, I was taken to see the Anne Frank House. Until then I knew very little about WW2, the Nazis, and the Holocaust. After viewing the ‘secret annexe’ my father bought me The Diary of Anne Frank, which was on sale there, and I started reading it in the car as we drove off. The book sparked my deep lifelong interest in that chapter of history. Many years later I discovered that my own mother also had an extraordinary wartime story. By then I was a journalist and knew I’d have to write a book about it—Deadly Carousel.
This autobiography showed me that a tale of survival against the odds, in the most dangerous of times, can also be highly entertaining. To avoid deportation to the death camps, Jewish teenager Lothar Orbach assumes a fake Aryan identity and launches into a precarious underground existence in the heart of the Nazi empire, living off his wits, dodging the authorities and mixing with various shady characters. In my favourite episode, he and his hustler pal Tad meet two sex-starved teenage sisters, the daughters of a prominent Nazi family living in the elegant house of a deported Jewish professor. As the parents are away, Lothar and Tad move in and fulfil the girls’ lusty desires in return for homecooked meals…until the day they stuff two suitcases with food, clothes, alcohol and jewellery, and scarper back underground. Marvellous.
Now in book form, this is the intensely moving first-person account of "the Auschwitz Memoirist's extraordinary manuscript" described in Philip Roth's Patrimony: A True Story.
This is the true story of a young man born at the wrong time in the wrong place. Lothar Orbach's family proudly traces its German heritage back to the fifteenth century, but that is no help to a Jewish boy coming of age in Hitler's Berlin.
At the center of this world gone mad is Lothar, outwardly a cagey, amoral street thug, inwardly a sensitive, romantic youth, devoted son, and increasingly religious Jew, clinging to…
I have always known that my parents survived the Holocaust. I often listened in when they, my aunt, uncle, and their survivor friends would sit and talk of their lives during the Holocaust. I am the past president for the Phoenix Holocaust Survivor’s Association (now called the Phoenix Holocaust Association) and am on its Board and the Chair of its Education Committee. During this year of Covid, I have been instrumental in hosting numerous writers from around the world who have spoken, in Zoom, about their Holocaust writings and research.
No one can truly know what life was like for Jews under the Nazis. We cannot feel the constant terror and inhumanity imposed upon their Jewish victims. We cannot hear their constant pleas, moans, and screams. We cannot smell the stench of filth, sickness, and death. Nevertheless, Joseph Gershowitz manages to take us as close as we can to his suffering in his absolutely riveting first-hand account of life in the Nazi’s concentration camps. On the Borderline of Extermination is a must-read for understanding the cruelty, barbarism, and inhumanity of the Germans and their all too willing helpers.
A true story of strategy and survival as told by Joseph Gershkowitz (AUSCHWITZ HÄFTLING 99310). With this inspiring story of innate knowledge and determination, Mr. Gershkowitz paints a vivid picture of the atrocities of the Holocaust as seen through his eyes. With that, 100% of the proceeds will be split and donated to the United States Holocaust Memorial Museum in tribute of Joseph Gershkowitz to ensure the memory of the Holocaust is never forgotten & the Women for Women International organization that works to support marginalized women in countries that have been severely affected by conflict and war.
I am a member of a generation that wasn’t supposed to be born. My parents were Hungarian Holocaust survivors and I was born amidst the fragments of European Jewry that remained. As a psychotherapist, I have specialized in helping people navigate the multigenerational reverberations of the Holocaust. Having a witness to your own experience, in therapy and through books, provides comfort, understanding, and hope.
What motivated “ordinary people” to risk their lives and their families’ lives to save Jews? I was especially interested to know because my father and his labor battalion of 140 Hungarian Jews were saved by their Commanding Officer. As a therapist, I wondered what personal and family characteristics made a difference. As a mother, I wanted to raise children who care about others and take action in the face of injustice.
Based on interviews with 700 rescuers and survivors, central was the rescuers’ sense of personal obligation to others which began with close family relationships and seeing their parents model caring behavior and ethical values. I remember hearing a rescuer sum it up, “I had to do it to be able to live with myself.”
Why, during the Holocaust, did some ordinary people risk their lives and the lives of their families to help others--even total strangers--while others stood passively by? Samuel Oliner, a Holocaust survivor who has interviewed more than 700 European rescuers and nonrescuers, provides some surprising answers in this compelling work.
