I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
Loss, trauma, memory, and, above all, the ties of family are the elements that weave together this panoramic story.
Come Back for Me tells the story of Artur Mandelkorn, a young Hungarian Holocaust survivor whose desperate quest to find his sister takes him to post-war Israel. Intersecting Artur’s tale is that of Suzy Kohn, a Toronto teenager whose seemingly tranquil life is shattered when her uncle’s sudden death tears her family apart. Their stories eventually come together in Israel following the Six-Day War, where love and understanding become the threads that bind the two narratives together, revealing the scars left by tragedy and the possibilities for healing.
This is the kind of novel that stays with you long after you finish reading it.
It shows how some individuals can survive even the worst circumstances if they possess tenacity, hope, and perhaps most importantly, the determination to work together as a group.
To the Edge of Sorrow is the story of a disparate group of Jewish partisans during World War Two who use whatever skills they possess to survive Nazi tyranny. This not only involves foraging for food or constructing temporary shelter. Some also devote themselves to spiritual and intellectual pursuits, despite their degraded circumstances.
I found it particularly inspiring to read about the strength and endurance of the Jewish spirit despite the attempt by the Nazi regime to obliterate the entirety of Jewish life in Europe.
The Passenger is a riveting novel about a Jewish man who attempts to evade the Nazis through constant train travel.
The novel’s strength lies in its astute psychological portrayal of a particular sort of Jewish victim—one who tries to deny both his Jewish origins as well as the gravity of his circumstances. Despite his obfuscations, the atmosphere of this novel is filled with the looming threat of betrayal and arrest.
Nightmarish and haunting, the story is driven by the question of whether this man will be successful in dodging his impending capture.
Berlin, November 1938. With storm troopers battering against his door, Otto Silberman must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.
Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.
Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at…
When I read They Were Like Family to Me (originally titled In the Land of Armadillos), I came to understand how magic realism can be used to illuminate that which ultimately cannot be described—in this case, the horror of human depravity during the Holocaust.
This technique also reflects the inability of the victims to grasp what is happening around them, causing them to escape into a world of fantasy. The novel is comprised of a series of interconnected tales about victims and perpetrators, with each chapter telling a story that is simultaneously realistic and dreamlike. It is utterly unique and unlike most other books in this genre.
Finalist for the 2017 Story Prize Honorable Mention in the 2017 ALA Sophie Brody Medal for achievement in Jewish Literature
“An absolutely dazzling triumph…A singularly inventive collection” (Jewish Book Council) of linked stories set in a German-occupied town in Poland during World War II, where tales of myth and folklore meet the real-life monsters of the Nazi invasion.
1942. With the Nazi Party at the height of its monstrous power, Hitler’s SS fires up the new crematorium at Auschwitz and the occupying army empties Poland’s towns and cities of their Jewish citizens. As neighbor turns on neighbor and survival depends…
As one of the most distinguished writers of Jewish fiction, Cynthia Ozick is known for her work that is both linguistically spellbinding and profoundly thought-provoking.
After reading her two-part novella, The Shawl and Rosa, I believe that it stands out as one of her finest. It tells the story of two women whose survival during World War Two is painfully intertwined, to the point that they cannot separate their horrific experiences from the way they view each other. This penetrating psychological portrait of the devastating effects of victimhood is unparalleled in Jewish literature.
Despite the title, this is not so much a story of one woman, but a portrait of several individual Jews and Poles caught in the Nazi web during WWII.
Each chapter is a finely drawn sketch of a single individual tested by fate and circumstance. The author captures how each of these characters responds to his or her plight in ways that are rarely predictable. I was particularly impressed by how the author displays a broad knowledge of national and political movements which he incorporates into the stories.
This provides a nuanced backdrop to the personal struggles experienced by each of his meticulously crafted characters.
In Nazi-occupied Warsaw of 1943, Irma Seidenman, a young Jewish widow passes as the wife of a Polish officer, until an informer spots her and drags her off to the Gestapo to await her fate
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
In the harrowing aftermath of Chornobyl's meltdown in 1986, the fate of Eastern Europe hangs by a thread.
From Beijing, American radiation scientist Lara, once a thorn in the Russian mob's side, is drawn back into the shadows of the Soviet Union on the Trans-Mongolian Express. She isn't alone. Anton, a Soviet scientist exiled for predicting Chornobyl's catastrophe, is on a quest to expose the truth. Amidst them, Timur, a Chechen giant fueled by vengeance, plots to destroy the already crumbling Soviet Union.
Suddenly, a murder on the remote tracks of the Gobi thrusts them into a deadly game of cat and mouse. As Chief Sheriff Bat races to solve the murder, their lives are thrown into jeopardy. Lara finds an unexpected ally in Gang, a reluctant assassin sent to end her life, and an illicit romance blooms amidst the chaos. But Gang isn't the only killer onboard. A hidden menace lurks, threatening to unravel all their plans.
In this electrifying ride across a historical backdrop, suspense and passion collide in an unyielding dance of survival and redemption. Who will survive the Trans-Mongolian Express?
In the harrowing aftermath of Chernobyl's meltdown in 1986, the fate of Eastern Europe hangs by a thread.
From Beijing, American radiation scientist Lara, once a thorn in the Russian mob's side, is drawn back into the shadows of the Soviet Union on the Trans-Mongolian Express. She isn't alone. Anton, a Soviet scientist exiled for predicting Chernobyl's catastrophe, is on a quest to expose the truth. Amidst them, Timur, a Chechen giant fueled by vengeance, plots to destroy the already crumbling Soviet Union.
Suddenly, a murder on the remote tracks of the Gobi thrusts them into a deadly game of…
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