Here are 100 books that They Were Like Family to Me fans have personally recommended if you like
They Were Like Family to Me.
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I am a published author, memoir-writing instructor, and retired clinical psychologist. I wrote an initial memoir as a chronological account of my dysfunctional marriages and recovery from them, but lately, I have become very interested in what is termed “hybrid memoirs.” Hybrid memoirs combine personal memoirs with major incidents and research into issues similar to those in the memoir or the culture and laws surrounding them. Since my new book combines my memoir with an account of a crime that affected all the citizens in the country village where I grew up, I have gravitated to memoirs featuring crime as part of the story.
I loved how this book is a memoir and research into trauma that affects people their whole lives. Through conversations and interviews, Rosner tells the story of the holocaust and its psychological effect on those who survived and those whose relatives perpetrated or witnessed the horrors.
I like that she looks into PTSD that many suffer from and how she states that horrors or abuse have to be acknowledged to be healed.
As featured on NPR and in The New York Times, Survivor Cafe is a bold work of nonfiction that examines the ways that survivors, witnesses, and post-war generations talk about and shape traumatic experiences.
As firsthand survivors of many of the twentieth century's most monumental events―the Holocaust, Hiroshima, the Killing Fields―begin to pass away, Survivor Café addresses urgent questions: How do we carry those stories forward? How do we collectively ensure that the horrors of the past are not forgotten?
Elizabeth Rosner organizes her book around three trips with her father to Buchenwald concentration camp―in 1983, in 1995, and in…
My name is Jenny Harrison and my writing career started in 1997 in South Africa with Debbie's Story, which to my astonishment, became a bestseller. Thinking this was going to be an easy route to fame and fortune, I continued writing after migrating to New Zealand. Alas, the road to a bestseller is rife with disappointment but that didn't stop me from writing a bunch of paranormal and humorous novels. Circumstances led me to writing about families caught up in World War II. I don’t write about battles or generals, I write about ordinary people who face the unimagined cost of war and survive.
Social worker, Irene Sendler went into the Warsaw Ghetto, her job ostensibly as a public health specialist. The Jewish inmates allowed her to take their children out of the ghetto and to safety. She ultimately rescued several thousand children, down sewers, through abandoned buildings, and sometimes in her large medical bag. She kept the names of all rescued children in a glass bottle under an apple tree so that, at the end of the war, those Jewish mothers who survived would be reunited with their children. Her heroism is inspiring.
For desperate families trapped inside the Warsaw ghetto in 1942 with small children, one name was whispered urgently. It was the name of a young social worker in her thirties with the courage to take staggering risks and to save over 2,000 of those children from death and deportation.
Granted access to the ghetto as a public health specialist, Irena Sendler began by smuggling orphaned children out of the walled district and convincing her friends and neighbours to hide them. Soon, she began the perilous work of going from door to door and asking Jewish families to trust her with…
I'm best known for the Amelia's Notebook series which are based on the notebooks I kept as a kid. I started using the notebook format because that's how I thought—sometimes in words, sometimes in pictures. But this was a long time ago, in the 90s when graphic novels weren't a common format. When I submitted Amelia to publishers, they rejected it, saying it wasn't a picture book, it wasn't a novel, so how would librarians know where to shelve it? A small press that didn't know any better took a chance and published Amelia's Notebook. It became a big bestseller, with more than 20 books to follow and started a new trend in kid's books.
Hendrix tells the incredible story here of how a Lutheran pastor was part of the plot to assassinate Hitler—and almost succeeded.
This is history that's not widely known and the graphic novel format makes it into an accessible adventure story that's actually true. There were many plots to kill Hitler and each failed for different reasons. Yet there were brave people who were willing to keep trying.
Hendricks puts us in Dietrich Bonhoeffer's shoes, while also showing the depth of Nazism's grip on the German public. It took a truly exceptional person to see Hitler for what he was and to decide to act on that understanding.
Adolf Hitler's Nazi party is gaining strength and becoming more menacing every day. Dietrich Bonhoeffer, a pastor upset by the complacency of the German church toward the suffering around it, forms a breakaway church to speak out against the established political and religious authorities. When the Nazis outlaw the church, he escapes as a fugitive. Struggling to reconcile his faith and the teachings of the Bible with the Nazi Party's evil agenda, Bonhoeffer decides that Hitler must be stopped by any means possible!
In his signature style of interwoven handwritten text and art, John Hendrix tells the true story of…
I’m a bicultural writer from the U.S. who has always loved reading historical novels, and I recently “found” my writing genre when I published a debut novel, set in Ukraine during the Holocaust. Writing about that horrific time is fraught with difficulty and is often a frightening endeavor. As writers, we’re obligated to get every fact right, as the truth honors the victims and survivors. To that end, I read dozens and dozens of books—history, biographies, art books, memoirs, and fiction. There are many worthy books that could be on this list, but with just 5 to pick, these made a large impact on me beyond just factual research.
Appelfeld is considered one of Israel’s foremost writers. He writes fluidly in beautiful, spare, fable-like prose. Appelfeld himself was a child survivor who escaped a camp and hid in the countryside and woods, making his “faction” all the more authentic and powerful. The title character, Tzili, is a young Jewish girl who hides from the Germans in a country not specified (but is likely Ukraine). This novel brings to light the harsh conditions and horrors that “free” survivors faced, both during and after the war.
The youngest, least-favored member of an Eastern European Jewish family, Tzili is considered an embarrassment by her parents and older siblings. Her schooling has been a failure, she is simple and meek, and she seems more at home with the animals in the field than with people. And so when her panic-stricken family flees the encroaching Nazi armies, Tzili is left behind to fend for herself. At first seeking refuge with the local peasants, she is eventually forced to escape from them as well, and she takes to the forest, living a solitary existence until she is discovered by another…
I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.
Written in just four weeks, this book pulsates with fury and is all the more poignant when you know its young Jewish author died after his ship was sunk in the war.
Otto Silbermann is a Jewish businessman on the run as his world collapses around him, and he slowly realises his homeland is enemy territory. It’s chilling and devastatingly real.
Berlin, November 1938. With storm troopers battering against his door, Otto Silberman must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.
Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.
Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at…
I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
This is the kind of novel that stays with you long after you finish reading it.
It shows how some individuals can survive even the worst circumstances if they possess tenacity, hope, and perhaps most importantly, the determination to work together as a group.
To the Edge of Sorrow is the story of a disparate group of Jewish partisans during World War Two who use whatever skills they possess to survive Nazi tyranny. This not only involves foraging for food or constructing temporary shelter. Some also devote themselves to spiritual and intellectual pursuits, despite their degraded circumstances.
I found it particularly inspiring to read about the strength and endurance of the Jewish spirit despite the attempt by the Nazi regime to obliterate the entirety of Jewish life in Europe.
I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
As one of the most distinguished writers of Jewish fiction, Cynthia Ozick is known for her work that is both linguistically spellbinding and profoundly thought-provoking.
After reading her two-part novella, The Shawl and Rosa, I believe that it stands out as one of her finest. It tells the story of two women whose survival during World War Two is painfully intertwined, to the point that they cannot separate their horrific experiences from the way they view each other. This penetrating psychological portrait of the devastating effects of victimhood is unparalleled in Jewish literature.
I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
Despite the title, this is not so much a story of one woman, but a portrait of several individual Jews and Poles caught in the Nazi web during WWII.
Each chapter is a finely drawn sketch of a single individual tested by fate and circumstance. The author captures how each of these characters responds to his or her plight in ways that are rarely predictable. I was particularly impressed by how the author displays a broad knowledge of national and political movements which he incorporates into the stories.
This provides a nuanced backdrop to the personal struggles experienced by each of his meticulously crafted characters.
In Nazi-occupied Warsaw of 1943, Irma Seidenman, a young Jewish widow passes as the wife of a Polish officer, until an informer spots her and drags her off to the Gestapo to await her fate
Elizabeth Rynecki is the great-granddaughter of Polish-Jewish artist, Moshe Rynecki (1881-1943). She grew up with her great-grandfather's paintings prominently displayed on the walls of her family home and understood from an early age that the art connected her to a legacy from "the old country": Poland. Elizabeth has a BA in Rhetoric from Bates College ('91) and an MA in Rhetoric and Communication from UC Davis ('94). Her Master's thesis focused on children of Holocaust survivors. Her book, Chasing Portraits: A Great-Granddaughter’s Quest for Her Lost Art Legacy, was published by NAL/Penguin Random House in September 2016. Her documentary film, also titled Chasing Portraits, had its world premiere in Poland in 2018 and has screened at numerous film festivals across North America. The film can be streamed on Amazon, iTunes, Kanopy, and OvidTV.
Glenn Kurtz’s grandparents traveled to Poland in August 1938, one year before the outbreak of the Second World War, to visit family. They filmed parts of that trip, including 3 minutes in Poland, footage that ultimately became one of the last records of a once vibrant Jewish community. Decades later, Kurtz painstakingly set out to identify the people in the film. He ultimately located seven living survivors, including an eighty-six-year-old man who appeared in the film as a thirteen-year-old boy. A heartfelt and powerful telling of what it means to rescue history and stories of survival.
Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across the…
Ellen Cassedy explores the ways that people, and countries, can engage with the difficult truths of the Holocaust in order to build a better future. She researched Lithuania’s encounter with its Jewish heritage, including the Holocaust, for ten years. Her book breaks new ground by shining a spotlight on how brave people – Jews and non-Jews – are facing the past and building mutual understanding. Cassedy is the winner of numerous awards and a frequent speaker about the Holocaust, Lithuania, and Yiddish language and literature.
Steinman reaches out across a cultural divide to seek out Poles who are pursuing the truth about the past, however painful, and recovering the history of their lost Jewish neighbors. She brings to life the ultimately healing process of Polish-Jewish reconciliation. Her journey changed her, and it will change you.
A lyrical literary memoir that explores the exhilarating, discomforting, and ultimately healing process of Polish-Jewish reconciliation taking place in Poland today
“I’d grown up with the phrase ‘Never forget’ imprinted on my psyche. Its corollary was more elusive. Was it possible to remember—at least to recall—a world that existed before the calamity?”
In the winter of 2000, Louise Steinman set out to attend an international Bearing Witness Retreat at Auschwitz-Birkenau at the invitation of her Zen rabbi, who felt the Poles had gotten a “bum rap.” A bum rap? Her own mother could not bear to utter the word “Poland,”…
