Fans pick 100 books like They Were Like Family to Me

I am a published author, memoir-writing instructor, and retired clinical psychologist. I wrote an initial memoir as a chronological account of my dysfunctional marriages and recovery from them, but lately, I have become very interested in what is termed “hybrid memoirs.” Hybrid memoirs combine personal memoirs with major incidents and research into issues similar to those in the memoir or the culture and laws surrounding them. Since my new book combines my memoir with an account of a crime that affected all the citizens in the country village where I grew up, I have gravitated to memoirs featuring crime as part of the story. 

My name is Jenny Harrison and my writing career started in 1997 in South Africa with Debbie's Story, which to my astonishment, became a bestseller. Thinking this was going to be an easy route to fame and fortune, I continued writing after migrating to New Zealand. Alas, the road to a bestseller is rife with disappointment but that didn't stop me from writing a bunch of paranormal and humorous novels. Circumstances led me to writing about families caught up in World War II. I don’t write about battles or generals, I write about ordinary people who face the unimagined cost of war and survive.

I'm best known for the Amelia's Notebook series which are based on the notebooks I kept as a kid. I started using the notebook format because that's how I thought—sometimes in words, sometimes in pictures. But this was a long time ago, in the 90s when graphic novels weren't a common format. When I submitted Amelia to publishers, they rejected it, saying it wasn't a picture book, it wasn't a novel, so how would librarians know where to shelve it? A small press that didn't know any better took a chance and published Amelia's Notebook. It became a big bestseller, with more than 20 books to follow and started a new trend in kid's books.

I’m a bicultural writer from the U.S. who has always loved reading historical novels, and I recently “found” my writing genre when I published a debut novel, set in Ukraine during the Holocaust. Writing about that horrific time is fraught with difficulty and is often a frightening endeavor. As writers, we’re obligated to get every fact right, as the truth honors the victims and survivors. To that end, I read dozens and dozens of books—history, biographies, art books, memoirs, and fiction. There are many worthy books that could be on this list, but with just 5 to pick, these made a large impact on me beyond just factual research.

I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.

I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.

I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.

I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.

I love stories that show humanity persevering, stories that show life is lived through easy times and hard ones too. I like stories where there is something worth celebrating in everyday life. Stories that remind us we’re just human and that isn’t too bad and that no matter what hell we’re going through, there’s something on the other side worth enduring for. I have a passionate love for stories like this. I always seek out stories that give me a similar feeling. When I write, I try to write stories that make others feel like how I do when I come across a similar story.

As a child, I held conflicting beliefs. I knew my Jewish grandfather had been murdered by Germans in occupied Yugoslavia, yet I somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes my father passed down, a blend of his early memories and what my grandmother told him, didn’t match what I had heard about Germany, Poland, and Anne Frank in Holland during World War II. That started me on a lifelong journey to learn everything I can about the Holocaust, especially in parts of Europe that have received less attention, and to understand the long-reaching effects of genocide on the survivor’s children and grandchildren.