I’m a Lithuanian-American with a Chinese name, thanks to my husband. Thirty years ago, I found papers among my uncle’s possessions telling a WWII story about our ancestral Lithuania. I had heard about it in broad terms, but I could hardly believe what I was reading. I spent years validating the material. The result was Amber Wolf, a historical novel about a war within the war: the fight against the Russian occupation of Eastern Europe. While many countries were involved in separate struggles, I focused on Lithuania and their David and Goliath fight against the Russian army. After all this time, the story still moves me.
Bloodlands is a story about the dead. Using archives made available after the break-up of the Soviet Union, Mr. Snyder sheds light on both Stalin’s and Hitler’s brutality.
In a confined area that includes just eastern Poland, Ukraine, Belarus, and the Baltic countries, 14 million civilians died from the 1930s to the end of the war. Most were either starved or shot. Even more startling were the plans to kill millions more.
Stalin said, “a single death is a tragedy, a million deaths are a statistic.” Mr. Snyder reminds us of the tragedy.
Americans call the Second World War "the Good War." But before it even began, America's ally Stalin had killed millions of his own citizens-and kept killing them during and after the war. Before Hitler was defeated, he had murdered six million Jews and nearly as many other Europeans. At war's end, German and Soviet killing sites fell behind the Iron Curtain, leaving the history of mass killing in darkness. ? Assiduously researched, deeply humane, and utterly definitive, Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of…
I am a published author, memoir-writing instructor, and retired clinical psychologist. I wrote an initial memoir as a chronological account of my dysfunctional marriages and recovery from them, but lately, I have become very interested in what is termed “hybrid memoirs.” Hybrid memoirs combine personal memoirs with major incidents and research into issues similar to those in the memoir or the culture and laws surrounding them. Since my new book combines my memoir with an account of a crime that affected all the citizens in the country village where I grew up, I have gravitated to memoirs featuring crime as part of the story.
I loved how this book is a memoir and research into trauma that affects people their whole lives. Through conversations and interviews, Rosner tells the story of the holocaust and its psychological effect on those who survived and those whose relatives perpetrated or witnessed the horrors.
I like that she looks into PTSD that many suffer from and how she states that horrors or abuse have to be acknowledged to be healed.
As featured on NPR and in The New York Times, Survivor Cafe is a bold work of nonfiction that examines the ways that survivors, witnesses, and post-war generations talk about and shape traumatic experiences.
As firsthand survivors of many of the twentieth century's most monumental events―the Holocaust, Hiroshima, the Killing Fields―begin to pass away, Survivor Café addresses urgent questions: How do we carry those stories forward? How do we collectively ensure that the horrors of the past are not forgotten?
Elizabeth Rosner organizes her book around three trips with her father to Buchenwald concentration camp―in 1983, in 1995, and in…
I'm a human rights activist from Burma. When I was 14, I was forced to flee to Thailand because of an attack by the Burmese military and ended up in a refugee camp. As one of Burma's leading democracy activists in Europe, I campaign for the promotion of human rights, democracy, and development back home in Burma. Together with my family, I set up Phan Foundation which aims to preserve Karen culture, promote human rights, fight poverty and provide education for Karen people. This is in memory of my mother Nant Kyin Shwe and my father Padoh Mahn Sha Lah Phan, who was assassinated by agents of the Burmese military.
We, the Karens, call our land Kawthoolei, which means "a land without evil." When I first came to the UK, Ben gave me a copy of his book, A Land Without Evil. After reading this book, I felt so much pain that I couldn't stop my tears because all of the suffering of my people that Ben wrote in his book were all true, and it brought back all the memories of our sufferings. For decades, my people have been brutally attacked by Burmese governments, but the world didn't know and pay attention in order to help us.
The gentle Karen, a tribe in Burma's eastern regions, call their country "a land without evil". They number between four and five million, and have been fighting for half a century to keep their land and identity. Many - at least 40 per cent - are Christians, and have suffered particularly harsh treatment. Burma today, and Karen State in particular, is a land torn apart by evil. It is a land ruled by a regime which took power by force, ignored the will of the people in an election, and survives by creating a climate of fear. It is a…
I’ve always firmly believed that, being an all-encompassing genre, speculative fiction represents nearly everything I love about writing and storytelling. I’m therefore very proud to have established myself in that world over the past several years and hope to positively impact others in the way I’ve been positively impacted by the sorts of works I’ve mentioned here.
This book’s charming combination of sentient spaceships, quirky and interesting alien races, a touch of horror, and a rag-tag group of main characters thrust into a do-or-die situation apparently way beyond their respective abilities pushed a lot of my buttons in all the right ways.
Thus, this series has become another fast favorite of mine. I often recommend it to new science-fiction readers as I feel it’s a near-perfect introduction to the “space opera” sub-genre.
From BSFA Award winning author Gareth L. Powell comes the first in a new epic sci-fi trilogy exploring the legacies of war The sentient warship Trouble Dog was built for violence, yet following a brutal war, she is disgusted by her role in a genocide. Stripped of her weaponry and seeking to atone, she joins the House of Reclamation, an organisation dedicated to rescuing ships in distress. When a civilian ship goes missing in a disputed system, Trouble Dog and her new crew of loners, captained by Sal Konstanz, are sent on a rescue mission.
My name is Rebecca Sanford, and my debut novel is based on the historical events of Argentina's last military dictatorship and the work of the grandmothers of the Plaza de Mayo. As a graduate student in the international affairs program at The New School, I conducted field research for my master's thesis with the Identity Archive of the Grandmothers at the University of Buenos Aires. This experience inspired a fictional story that ultimately became The Disappeared.
This was the first book I read when researching Argentina’s military dictatorship over twenty years ago. It was gifted to me by the head of the graduate program in international affairs at The New School. It explores the use of language in the context of the human rights atrocities that occurred during this dark period of Argentina’s history.
Marguerite Feitlowitz's marrying of investigative narrative with human storytelling makes the work accessible and richly informative.
Tanks roaring over farmlands, pregnant women tortured, 30,000 individuals "disappeared"--these were the horrors of Argentina's Dirty War. A New York Times Notable Book of the Year and Finalist for the L.L. Winship / PEN New England Award in 1998, A Lexicon of Terror is a sensitive and unflinching account of the sadism, paranoia, and deception the military junta unleashed on the Argentine people from 1976 to 1983.
This updated edition features a new epilogue that chronicles major political, legal, and social developments in Argentina since the book's initial publication. It also continues the stories of the individuals involved in the…
I’m a Cuban refugee. I came with my family in the early 1960s a few years after the Cuban revolution. I served 4 years in the U.S. Marines. I went to school and in 1982 married. Both of my daughters became college professors. The younger works for the CUNY system, while the oldest teaches at Yale University in New Haven, Connecticut. I have always had a passion for modern European history. It grew from an interest in military history when I was a Marine.
There are far fewer studies in English on the Nazi occupation of Poland and the suffering and depredations that Poles faced during those more than five years of occupation.
This academic study does not merely cover the Holocaust in Poland but how the occupation affected millions of non-Jewish Poles as well. It also covers the intricate relationship that existed between Poles and Ukrainians, Lithuanians and Belorussians, and how those ethnic differences turned into conflicts that affected the war and the occupation. It is a one-volume work that covers it all.
With the end of World War I, a new Republic of Poland emerged on the maps of Europe, made up of some of the territory from the first Polish Republic, including Wolyn and Wilno, and significant parts of Belarus, Upper Silesia, Eastern Galicia, and East Prussia. The resulting conglomeration of ethnic groups left many substantial minorities wanting independence. The approach of World War II provided the minorities' leaders a new opportunity in their nationalist movements, and many sided with one or the other of Poland's two enemies - the Soviet Union and Nazi Germany - in hopes of achieving their…
I'm continually asked why I write horror. But I wonder why every writer isn't writing horror. Not a day passes without me being aghast at the world and my own species, the present, past and future. Though nor do I stop searching for a sense of awe and wonder in the world either. My Dad read ghost stories to me as a kid and my inner tallow candle was lit. The flame still burns. Horror has always been the fiction I have felt compelled to write in order to process the world, experience, observation, my imaginative life. I've been blessed with a good readership and have entered my third decade as a writer of horrors. In that time two of my novels have been adapted into films and the British Fantasy Society has kindly recognised my work with five awards, one for Best Collection and four for Best Novel. I'm in this for the long haul and aim to be creating horror on both page and screen for some time to come.
It's too easy to dismiss the Second World War. To relegate that epochal conflict into realms of ancient history, action films, kitset models, unread Father's day gifts, and black & white footage. But we all live through the consequences of this epic global struggle. This was the last time western civilisation brought itself close to destruction and it was a close call. 60 million lives were lost and no one died easily. The war was also raging just shy of 80 years ago. In the scheme of human history, that's recent.
Beevor's history of the global conflict - and it was global - is a page-turning affair. Vivid, engaging, heartbreaking, shocking. Really fine storytelling and a first class history, encompassing the great conflicts of east and west (China's experience of the war is much overlooked in the west but not in these pages). I found myself engrossed by this monumental…
A magisterial, single-volume history of the greatest conflict the world has ever known by our foremost military historian.
The Second World War began in August 1939 on the edge of Manchuria and ended there exactly six years later with the Soviet invasion of northern China. The war in Europe appeared completely divorced from the war in the Pacific and China, and yet events on opposite sides of the world had profound effects. Using the most up-to-date scholarship and research, Beevor assembles the whole picture in a gripping narrative that extends from the North Atlantic to the South Pacific and from…
I was born in Quebec, have lived in eleven countries, and speak four languages. In my 20+ years as an author and journalist, my goal has always been to create bridges between cultures and to tell stories that enable individuals to better understand each other. For me, a trip to a new country, no matter how short or long, is incomplete unless I’ve had the chance to meet locals.
This book is a ‘gold standard’ piece of investigative journalism, a travelogue about a people I will probably never meet, rolled into the intriguing history of a unique city.
The book interweaves the tale of the efforts local people made to save priceless manuscripts from al-Qaida in 2012 with the West’s fascination of fabled Timbuktu since the 18th century.
It is an un-put-downable example of creative non-fiction at its most interesting and easily readable.
Two tales of a city: The historical race to reach one of the world's most mythologized places, and the story of how a contemporary band of archivists and librarians, fighting to save its ancient manuscripts from destruction at the hands of al Qaeda, added another layer to the legend.
The fabled city of Timbuktu has captured the Western imagination for centuries. The search for this 'African El Dorado' cost the lives of many explorers but Timbuktu is rich beyond its legends. Home to many thousands of ancient manuscripts on poetry, history, religion, law, pharmacology and astronomy, the city has been…
I have a project to read the books my daughter left in her bedroom.
This book, suffused with beautiful imagery of the eponymous substance, is the story of an exiled Turkish poet’s return to a remote city in his homeland in quest of romantic love and artistic regeneration. He finds both, though not as expected, and during his stay, the snowbound city is briefly taken over by quasi-Islamic revolutionaries.
Snow has the gravitas of classic 19th-century Russian novels, with its realistic texture frequently interrupted by more postmodern narrative maneuvers, for a synthesis that reads like a dream haunted by history.
Detail: homes vacated by victims of the Armenian genocides that began in 1915 cast a long shadow over this story.
Returning to Turkey from exile in the West, the secular poet Ka is driven by curiosity to investigate a surprising wave of suicides among religious girls forbidden by the government to wear their head scarves in school. But the epicentre of the suicides, the bleak, impoverished border city of Kars, is also home to the beautiful Ipek, a friend of Ka's youth whom he has never forgotten and whose spirited younger sister is a leader of the rebellious schoolgirls. As a fierce snowstorm descends, cutting them off from the world, violence between the military and local Islamic radicals begins to…
As a professional historian of the Middle East, I’ve long recognized WWI as a vital turning point in the region’s history, when the ancient Ottoman Empire fell and the modern states of the Middle East took its place. Based in Oxford, I am particularly aware of this university’s role in shaping so many of those whose book captured the British experience of the Ottoman Front. But there’s also an element of family history behind my fascination, as in following the story of my great-uncle’s death in Gallipoli in 1915, I came to appreciate the magnitude of sacrifice suffered by all sides in the Great War in the Middle East.
John Buchan served in the War Propaganda Bureau during WWI, crafting press releases that sought to preserve public morale against the terrible losses on the Western Front. Already a successful novelist, he created a new character named Richard Hannay who starred in his 1915 adventure thriller The Thirty Nine Steps. Hannay was so popular that Buchan revived him for a 1916 sequel set in the Ottoman Empire that proved an enduring classic: Greenmantle. Through his work in intelligence and propaganda, Buchan was aware of British war planners’ concerns that the Ottoman call for jihad that followed their declaration of war might provoke colonial Muslims to rise against the Entente Powers in India, Egypt, North Africa, and the Caucasus. He captured British fears of an Ottoman-inspired jihad inflaming Indian Muslims with the memorably Orientalist line: “There is a dry wind blowing through the East, and the parched grasses wait the spar.…
With an introduction by Christopher Hitchens. Richard Hannay is tasked to investigate rumours of an uprising in the Muslim world and takes off on a hair-raising journey through German-occupied Europe to meet up with his old friend Sandy Arbuthnot in Constantinople, where they must thwart the Germans' plans to use religion to help them win the war. Set during World War I, Greenmantle is a controversial meditation on the power of political Islam.
