Here are 90 books that Snow fans have personally recommended if you like
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I'm a mystery writer and teacher now. Back then, I spent 10 years homeless and addicted on the streets of San Francisco. I could always return to Mom in CT and get put in a cushy rehab. Until I couldn't. And then she was dying, and my younger brother was addicted and soon he'd be dead too. It got scary at the end because I wasn't just some white suburban kid playing a scumbag junkie. I was a scumbag junkie. But why do I have a passion for the topic? I guess it's because it isn't all bad. I know that sounds weird, but being homeless and addicted has moments of beauty and joy too.
The gold standard of recovery books. I found this gem literally in the gutter when I was homeless. Changed my life by showing me if I could get my shit together, I, too, could write a book about my experience, and, in the process, maybe help someone else who was suffering as well.
Jerry Stahl's seminal memoir of drug addiction and a career in Hollywood, Permanent Midnight is a classic along the lines of Hubert Selby, Jr.'s Last Exit to Brooklyn. Illuminating the self-loathing and self-destruction of an addict's inner life, Permanent Midnight follows Stahl through the dregs of addiction and into sobriety. In 1998, Ben Stiller, Owen Wilson, and Maria Bello starred in a film version of Permanent Midnight to much acclaim. Nic Sheff, author of Tweak, writes the introduction to this edition.
With my 64 works of fiction I have tried passionately to give expressions for and to dive into the complexity of love relationships in both historical and present contexts, especially as in Land of Shadows in the view of pounding conflicts presented to fictive or historical persons, having thereby always respect for documentary research added to my own personal experiences. Also the Greek myths have been a guide for my writing, as in the case of Land of Shadows, the myth of Orpheus and Eurydice, reflecting old insights of mankind. Being now with my novels and plays represented in 41 countries, I see this as a sign of readers 'round the globe sharing my passion.
These letters of Franz Kafka to his Czech translator Milena are not formally a novel but in its essence the love novel, none of his novels were. He wrote them 1920-1923, being ill with tuberculosis as he was visiting different sanatoriums in Germany and Czechoslovakia and she was living in Vienna in an unhappy marriage. As they only saw each other shortly three times it forms a love by letters story of burning love transforming itself into misunderstandings and conflict. Their value lies in the genial Kafka’s trying and succeeding in communicating something incommunicable about how it is to be in love accounting totally honestly for his vast complexity of emotions from the utmost passion and longing to the state of fear of being rejected. A great inspiration to me for my novel in writing about Kafka.
Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech, and their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience.
Milena, for her part, was passionate and intrepid, cool and intelligent in her decisions but reckless when her emotions were involved. Kafka once described her as living her life 'so intensely down to such depths'. If she did suffer through him, it was part of her great appetite…
Growing up in Chicago, I’ve always had a fascination for history, (even if it was sometimes a bit gory!), from Capone and the St. Valentine’s Day Massacre to reading about monsters and the unique worlds created by favorite author Stephen King. So, it’s probably not too surprising that I combined both interests and offered a new solution to the infamous Lizzie Borden axe murders of 1892 in my own book series. I enjoy reading, and writing, the serious to the not-so-serious, often incorporating touches of humor, or at least the absurd, where and whenever I can.
Whatever your take on politics and elections, I thought this was a truly original addition to the zombie world. Funny, and often true-to-life in an alternate reality, this book offers another interesting and sometimes horrific view of the crazy world of politics in a year that was far from the norm.
Bestselling author Scott Kenemore is back with a hilarious, over-the-top, and bloodthirsty send-up of the 2016 political season. In the tradition of Joe Klein's Primary Colors and Richard Condon's The Manchurian Candidate, Zombie-in-Chief: Eater of the Free World is a compelling and dramatic story with characters and events that may resemble familiar, real-life elections a little too closely! After all, who better to perform an autopsy of the American political system than an expert on the undead?
When a tycoon and reality TV star improbably wins his party's nomination for the presidency, pundits and analysts are as baffled as they…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
The book takes place beginning in the 1960s – a time of economic strength and cultural change. An increasing number of young, educated women entered the workforce, yet the newspaper help wanted ads were segregated by gender and the discrimination was common. In the midst of this time, Lynn Povich was hired at Newsweek, renowned for its strong coverage of civil rights and the changing social mores. But in reality, the job was a career dead end. Women researchers only occasionally became reporters, very rarely writers, and never editors. The limitations for women journalists were obvious.
Then in March 1970, Newsweekpublished a cover story about the Women’s Liberation Movement called “Women in Revolt”. It was at the time that more than 40 Newsweekwomen charged the magazine with employment discrimination. Povich was one of the plaintiffs. In the book, Povich details the lives of several lawsuit participants. She…
The inspiration for the original television seriesIt was the 1960s- a time of economic boom and social strife. Young women poured into the workplace, but the Help Wanted" ads were segregated by gender and the Mad Men" office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek , renowned for its cutting-edge coverage of civil rights and the Swinging Sixties." Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job- for a girl- at an exciting place.But it…
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
This is a four-volume collection. First, because the first thing you should read about Orwell should be by him. Second because by getting away from the more famous stuff - Nineteen Eighty-Four and Animal Farm especially – the essays, journalism, and letters get you closer to the life he lived. The inside cover says I bought them in January 1973. I remember reading out extracts to my girlfriend in bed in wintry Leyton. Make of that what you will, but the three of us are still together. Sonia Brownell was Orwell’s second wife. Ian Angus is an Orwell scholar, librarian, and founder of the Orwell Archive at UCL.
Essays, journalism and essays by the brilliant, indispensable George Orwell from 1943 to 1945. Even many decades after his death, the more we read of Orwell, the more clearly we can think about our world and ourselves.
During the Second World War, George Orwell was rejected for service and so became the literary editor, reviewer, and frequent columnist of the left-wing weekly, Tribune. “What I have most wanted to do,” Orwell said, “is to make political writing into an art.” And there is ample proof here that he achieve his ambition.
ForThe Oxford Times, I wrote the lives of 120 inspirational people from five continents.My 3 novels are inspired by real lives including the charity founder Nancy Mudenyo Hunt and the artist Qu Leilei,the hero of Andy Cohen’s film Beijing Spring. Stories of 30 not-famous choir members inI Love you Allshow that we are each unique. My memoir has a particular purpose. I dug deep into my life and my husband Atam’s to reveal the intersection of gender class and race—the barriers that shaped my life and how Atam and I tried to transcend them.
When I grew up in Luton, to cross the path of anyone who wasn’t white was rare. When Pakistan-born Safraz moved there, in 1974, the population of the industrial town was changing rapidly. Safraz’s memoir recounts with poignant humour, the effects of racism but also the friendships and the MUSIC! It’s been turned into a moving film Blinded by the Light by Gurinder Chadha. Prejudice is not white – it is human. Safraz married Bridget, a union initially disapproved of by his mother and siblings because she was a non-Muslim white woman.
Sarfraz Manzoor was two years old when his family emigrated from Pakistan to join his father in Bury Park, Luton. His teenage years were a constant battle to reconcile being both British and Muslim. But when his best friend introduced him to Bruce Springsteen, his life changed for ever. In this affectionate and timely memoir, Manzoor retraces his journey from the frustrations of his childhood to his reaction to the tragedies of 9/11 and 7/7. Original, darkly tender and wryly amusing, this is an inspiring tribute to the power of music to transcend race and religion and a moving account…
I studied reporters' memoirs of Africa for my PhD in journalism at the University of East Anglia, under Giles Foden, author of The Last King of Scotland. I was fascinated by how foreign correspondents are aided by local reporters, who unfortunately often don’t receive much credit or commensurate pay for their contributions to international news. This inequality is changing, but not quickly enough, and it affects the kinds of news that we all receive, and how western lives, for example, are often respected more than others.
I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.
Though I’m not sure I succeeded, Breakup is that book.
I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.
In 1975, Angola was tumbling into pandemonium; everyone who could was packing crates, desperate to abandon the beleaguered colony. With his trademark bravura, Ryszard Kapuscinski went the other way, begging his was from Lisbon and comfort to Luanda—once famed as Africa's Rio de Janeiro—and chaos.Angola, a slave colony later given over to mining and plantations, was a promised land for generations of poor Portuguese. It had belonged to Portugal since before there were English-speakers in North America. After the collapse of the fascist dictatorship in Portugal in 1974, Angola was brusquely cut loose, spurring the catastrophe of a still-ongoing civil…
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
It’s not often you read the opening chapter of a novel (in this case the Prologue) and go back to read it again before continuing with the rest of the novel because you’ve never read anything like it before. And the book just gets better from there. Combine an African culling song with a tortured journalist investigating crib deaths and a heroine real estate agent who sells haunted houses, then put that all in the hands of Chuck Palahniuk, and you have a supernatural horror dark comedy/satire unlike anything you’ll ever read. Except maybe another Chuck Palahniuk novel. After reading this, I was inspired to write Breathers.
Carl Streator is a reporter investigating Sudden Infant Death Syndrome for a soft-news feature. After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanizing sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies…
I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.
Brilliant Bylines is more than a historical narrative of women in journalism, as it also includes samples of the women's writings.
My favorite is Elizabeth Cochrane Seaman, better known as "Nellie Bly." She was not unknown, but she was mysterious in her own way and certainly was intriguing. Not only did she travel around the world in 1890, but she also feigned mental illness in order to get the inside scoop on an insane asylum. I named another cat after her, as well.
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.
An irreverent, warts-and-all look at the Washington Press corps--from big name stars to lowly stringers--offers fascinating insights into the Washington news pack and the people and events they cover
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