Here are 96 books that Drunk Before Noon fans have personally recommended if you like
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I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
The book takes place beginning in the 1960s – a time of economic strength and cultural change. An increasing number of young, educated women entered the workforce, yet the newspaper help wanted ads were segregated by gender and the discrimination was common. In the midst of this time, Lynn Povich was hired at Newsweek, renowned for its strong coverage of civil rights and the changing social mores. But in reality, the job was a career dead end. Women researchers only occasionally became reporters, very rarely writers, and never editors. The limitations for women journalists were obvious.
Then in March 1970, Newsweekpublished a cover story about the Women’s Liberation Movement called “Women in Revolt”. It was at the time that more than 40 Newsweekwomen charged the magazine with employment discrimination. Povich was one of the plaintiffs. In the book, Povich details the lives of several lawsuit participants. She…
The inspiration for the original television seriesIt was the 1960s- a time of economic boom and social strife. Young women poured into the workplace, but the Help Wanted" ads were segregated by gender and the Mad Men" office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek , renowned for its cutting-edge coverage of civil rights and the Swinging Sixties." Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job- for a girl- at an exciting place.But it…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
This book explores a generation of women who often overtly questioned gender norms. Theirs was a generation that imagined it would reinvent the world. These women of 1969 looked at labor, family, and politics through a new lens. The author explores the gender politics of the time and its impact on the personal. After all, this was a class at the crossroads. They were faced with the traditional message for middle-class women as wives and mothers while also being told they could have careers.It is important to note that this was Hillary Rodman (Clinton)’s graduating class.
On Commencement Day at Wellesley, Rodham told her classmates, “We are, all of us, exploring a world that none of us understands and attempting to create within that an uncertainty. The only tool we have ultimately to use is our lives.” In response, Horn explores the lives of the women as they explored…
When the women of the Wellesley class of 1969 entered the ivory tower, they were initiated into a rarefied world. Many were daughters of privilege, many were going for their "MRS." But by the time they graduated four years later, they faced a world turned upside down by the Pill, NOW, student protests, the counterculture, and the Vietnam War.
In this social history, Miriam Horn retraces the lives of women caught on a historic cusp. This generation was the first to test-drive modern rules that remain complicated and contentious regarding sexuality, marriage, motherhood, paid work, spirituality, aging, and the difficulties…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
The book Washington chronicles the significant career of Meg Greenfield, an editorial page editor of The Washington Post. Greenfield, a winner of the Pulitzer Prize for commentary, wrote the book during the last two years of her life. Greenfield’s boss and close friend Katharine Graham contributed the foreword which provides context. Greenfield came to Washington in 1961 and was hired by the Post a few years later. Her editorials at the Post and her columns in Newsweek were witty and smart. Her stories provide a political picture of Washington, D.C. at the end of the American century. She was often at the place where change happened and tells the stories well. Greenfield’s book is a fascinating read about politics, journalism, and history.
With Washington , the illustrious longtime editorial page editor of The Washington Post wrote an instant classic, a sociology of Washington, D.C., that is as wise as it is wry. Greenfield, a recipient of the Pulitzer Prize for commentary, wrote the book secretly in the final two years of her life. She told her literary executor, presidential historian Michael Beschloss, of her work and he has written an afterword telling the story of how the book came into being. Greenfield's close friend and employer, the late Katharine Graham, contributed a moving and personal foreword. Greenfield came to Washington in 1961,…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
The book Out on Assignment examines the careers of overlooked women who wrote for major metropolitan newspapers at the beginning of the twentieth century. Using archival materials, Alice Fahs describes a community of female journalists from numerous American cities.These newspaper women were part of a wave of women seeking a journalism career although their options were often limited. Although a few female journalists found hard-news reporting jobs in stunt work and undercover assignments, most found work in the women’s pages.
In these sections, they interviewed celebrities, advice columns, and suffrage news. Very little research has been done on women’s page journalism; this book provides an excellent foundation.
Out on Assignment illuminates the lives and writings of a lost world of women who wrote for major metropolitan newspapers at the start of the twentieth century. Using extraordinary archival research, Alice Fahs unearths a richly networked community of female journalists drawn by the hundreds to major cities--especially New York--from all parts of the United States.
Newspaper women were part of a wave of women seeking new, independent, urban lives, but they struggled to obtain the newspaper work of their dreams. Although some female journalists embraced more adventurous reporting, including stunt work and undercover assignments, many were relegated to the…
I write the West Investigations series, a romantic thriller series, centered around the men and women running a private investigations firm. When I began the series I knew I wanted it to be set in an urban city, not just because I’m a city girl at heart, but because of the eclectic nature, diversity, and color that can be found in the big city. Each of the books I’ve recommended below features a big city PI that jumps off the page, grabs you, and doesn’t let go for 200+ pages.
Fair warning: I grew up in the Washington, D.C. area so I’m not impartial here, but I love this book.
Pelecanos really just dropped me into the D.C. of my youth. The plotting here is great as is the characterization. Every character feels like a real person that you might meet in a bar or some seedy back room.
The suspense, the tension, the character’s individual motivations for stepping into the quagmire Pelecanos puts them in, is spot on. And it all leads up to an ending that is both shocking and, in hindsight, inevitable.
Fought when radio was first introduced, the Press-Radio war was an attempt on the part of print journalists to block the emergence of radio news. For nearly a decade, the newspapers of America fought to keep broadcast journalism off the air, exerting various forms of economic, regulatory, and legal pressure against new competitors. This study traces the stages and forms of institutional self-defense utilized by the press. Far more than mere battles to protect profits, media wars are fights to preserve the institutional power that derives from controlling the channels of communication.
I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.
Brilliant Bylines is more than a historical narrative of women in journalism, as it also includes samples of the women's writings.
My favorite is Elizabeth Cochrane Seaman, better known as "Nellie Bly." She was not unknown, but she was mysterious in her own way and certainly was intriguing. Not only did she travel around the world in 1890, but she also feigned mental illness in order to get the inside scoop on an insane asylum. I named another cat after her, as well.
A popular cliché tells you that you need to find something you are passionate about, make it your job, and you'll never work a day in your life. I have always loved writing but never wanted to be tied down to one form, and working freelance allowed me to write books, sensational tabloid tales, and in-depth investigations depending on what came up on my desk.
I worked in local papers at the start of my career and was always amazed at why a network that had so many talented writers produced so few books about the hilarious things and the tragic things we experienced. I think it's partly because local newspapers are often seen as a stepping stone, we focus on the famous at the pinnacle of their career, editing a national newspaper for example, when in fact local news careers could and should be an end in themselves.
Roger Lytollis is not only a brilliant writer, but his book is remarkably personal in the way he faces his own demons and how journalism helped him cope with extreme shyness and depression. Coupled with hilarious stories, I couldn't put it down.
In high school (the best time for doing this) I read the first two volumes of Carl Sandburg’s six-volume biography of Lincoln. A year or so later I made my first trip on an airplane (Saint Louis to Detroit) and an easily recognizable Sandburg was one of the few passengers on our small commercial prop-plane. I was too shy to approach him, but I did sidle up the aisle to see what he was reading or writing (nothing that I could make out). He had boarded the plane alone, but there was a small party meeting him when we landed. I suppose it was Sandburg’s poetic approach to Lincoln that made me alert to the President’s astonishing feel for the English language.
When newspapers were the only medium before radio and TV and the internet, they were omnipresent in their own way, and highly partisan. They played dirty, and Lincoln did too. He knew that his careful words would have no impact unless he could get them printed in at least some of the papers he favored, bribed with access and rewards, or helped outflank their (and his) rivals.
“Lincoln believed that ‘with public sentiment nothing can fail; without it, nothing can succeed.’ Harold Holzer makes a significant contribution to our understanding of Lincoln’s leadership by showing us how deftly he managed his relations with the press of his day to move public opinion forward to preserve the Union and abolish slavery.” —Doris Kearns Goodwin
From his earliest days, Lincoln devoured newspapers. As he started out in politics he wrote editorials and letters to argue his case. He spoke to the public directly through the press. He even bought a German-language newspaper to appeal to that growing electorate in…
I’ve worked in and around journalism long enough to know that not all journalists are heroes. Few even aspire to be. But there is something quietly heroic about the daily task of holding the powerful to account, even in democracies where the risk of imprisonment or assassination is less than in more authoritarian states. Here is my selection of books to remind all of us about some of these more heroic aspects of the journalism trade. I hope you find reading them enjoyable and maybe even inspiring.
If fictional journalists are your thing, then this book will almost certainly introduce you to some you’ve never heard of as well as those you (really should) have. Lonsdale insightfully identifies and dissects themes that crop up time after time in creative writing about journalists, from swashbuckling rogues to unethical scumbags. In the process, she has plenty to say about the craft of journalism itself and its enduring value to society. There is humour too, as when she quotes the immortal line of Stella Gibbons (author of Cold Comfort Farm): "The life of the journalist is poor, nasty, brutish and short. So is his style." Lovely.
Why did Edwardian novelists portray journalists as swashbuckling, truth-seeking super-heroes whereas post-WW2 depictions present the journalist as alienated outsider? Why are contemporary fictional journalists often deranged, murderous or intensely vulnerable? As newspaper journalism faces the double crisis of a lack of trust post-Leveson, and a lack of influence in the fragmented internet age, how do cultural producers view journalists and their role in society today?
In The Journalist in British Fiction and Film Sarah Lonsdale traces the ways in which journalists and newspapers have been depicted in fiction, theatre and film from the dawn of the mass popular press to…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
Moseley was the Chief European Correspondent for The Chicago Tribunefor the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship.
It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.
Readers get a vivid sense of how World War II was just that—a war that raged across the globe.
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II's daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents' writings to relate, in an exhilarating parallel narrative, the events across every theater-Europe, Pearl Harbor, North Africa, and Japan-as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies.
