Here are 100 books that Rebels in White Gloves fans have personally recommended if you like
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I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
The book takes place beginning in the 1960s – a time of economic strength and cultural change. An increasing number of young, educated women entered the workforce, yet the newspaper help wanted ads were segregated by gender and the discrimination was common. In the midst of this time, Lynn Povich was hired at Newsweek, renowned for its strong coverage of civil rights and the changing social mores. But in reality, the job was a career dead end. Women researchers only occasionally became reporters, very rarely writers, and never editors. The limitations for women journalists were obvious.
Then in March 1970, Newsweekpublished a cover story about the Women’s Liberation Movement called “Women in Revolt”. It was at the time that more than 40 Newsweekwomen charged the magazine with employment discrimination. Povich was one of the plaintiffs. In the book, Povich details the lives of several lawsuit participants. She…
The inspiration for the original television seriesIt was the 1960s- a time of economic boom and social strife. Young women poured into the workplace, but the Help Wanted" ads were segregated by gender and the Mad Men" office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek , renowned for its cutting-edge coverage of civil rights and the Swinging Sixties." Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job- for a girl- at an exciting place.But it…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.
An irreverent, warts-and-all look at the Washington Press corps--from big name stars to lowly stringers--offers fascinating insights into the Washington news pack and the people and events they cover
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
The book Washington chronicles the significant career of Meg Greenfield, an editorial page editor of The Washington Post. Greenfield, a winner of the Pulitzer Prize for commentary, wrote the book during the last two years of her life. Greenfield’s boss and close friend Katharine Graham contributed the foreword which provides context. Greenfield came to Washington in 1961 and was hired by the Post a few years later. Her editorials at the Post and her columns in Newsweek were witty and smart. Her stories provide a political picture of Washington, D.C. at the end of the American century. She was often at the place where change happened and tells the stories well. Greenfield’s book is a fascinating read about politics, journalism, and history.
With Washington , the illustrious longtime editorial page editor of The Washington Post wrote an instant classic, a sociology of Washington, D.C., that is as wise as it is wry. Greenfield, a recipient of the Pulitzer Prize for commentary, wrote the book secretly in the final two years of her life. She told her literary executor, presidential historian Michael Beschloss, of her work and he has written an afterword telling the story of how the book came into being. Greenfield's close friend and employer, the late Katharine Graham, contributed a moving and personal foreword. Greenfield came to Washington in 1961,…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
The book Out on Assignment examines the careers of overlooked women who wrote for major metropolitan newspapers at the beginning of the twentieth century. Using archival materials, Alice Fahs describes a community of female journalists from numerous American cities.These newspaper women were part of a wave of women seeking a journalism career although their options were often limited. Although a few female journalists found hard-news reporting jobs in stunt work and undercover assignments, most found work in the women’s pages.
In these sections, they interviewed celebrities, advice columns, and suffrage news. Very little research has been done on women’s page journalism; this book provides an excellent foundation.
Out on Assignment illuminates the lives and writings of a lost world of women who wrote for major metropolitan newspapers at the start of the twentieth century. Using extraordinary archival research, Alice Fahs unearths a richly networked community of female journalists drawn by the hundreds to major cities--especially New York--from all parts of the United States.
Newspaper women were part of a wave of women seeking new, independent, urban lives, but they struggled to obtain the newspaper work of their dreams. Although some female journalists embraced more adventurous reporting, including stunt work and undercover assignments, many were relegated to the…
I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.
A great story about the dark side of trying to do the right thing:
A radical, anti-Vietnam War protestor is involved in an incident where someone is inadvertently killed and is forced to go underground, where she builds a new identity and law-abiding life. Thirty years later she is recognized by a former classmate and, facing a long-delayed jail sentence, must find a way to explain it all to her family, friends, and above all, her daughter.
While reluctantly accompanying her husband and daughter to freshman orientation at Indiana University, Nora Quillen hears someone call her name, a name she has not heard in more than 25 years. Not even her husband knows that back in the '60s she was Jane Barth, a student deeply involved in the antiwar movement. An American Tune moves back and forth in time, telling the story of Jane, a girl from a working-class family who fled town after she was complicit in a deadly bombing, and Nora, the woman she became, a wife and mother living a quiet life in northern…
Until today’s multiple catastrophes, the Vietnam War was the most harrowing moment in the lives of my fellow baby boomers and me. Drafted into the U.S. Army in early 1970, I spent 365 days in Vietnam as a combat correspondent. That experience changed my life, because as the Argentinian writer Jose Narosky has pointed out, “in war, there are no unwounded soldiers.” I have spent the past five decades trying to heal those wounds, writing three books grounded in my Vietnam experience, and have devoted my life to listening to the voices of our veterans, distilling their memories (often music-based), and sharing their words.
(Spoiler alert: I appear in Ms. Stur’s book, albeit briefly)
Beyond Combat is one of the few books that examines the role of the more than 60,000 women who served in military and civilian capacities in Vietnam and the gender stereotypes that accompanied them. In addition to nurses, who formed the largest group of U.S. military women in Vietnam, Stur highlights those who served under the auspices of the Red Cross Supplemental Recreational Activities Overseas program. These young college graduates were commonly known as “donut dollies” because of their girl-next-door appeal. “Our job was to lift the guys’ spirits,” recalls donut dollie Jeanne Christie. Music was one way the donut dollies did that. “Some of us DJ’d at various bases during our time in-country,” adds Bobbi McDaniel Stephens. “I took dedications from the guys,” a playlist she says included “Get Back,” “My Girl,” and “He Ain’t Heavy He’s My Brother,”…
Beyond Combat investigates how the Vietnam War both reinforced and challenged the gender roles that were key components of American Cold War ideology. Refocusing attention onto women and gender paints a more complex and accurate picture of the war's far-reaching impact beyond the battlefields. Encounters between Americans and Vietnamese were shaped by a cluster of intertwined images used to make sense of and justify American intervention and use of force in Vietnam. These images included the girl next door, a wholesome reminder of why the United States was committed to defeating Communism, and the treacherous and mysterious 'dragon lady', who…
Radical Friend highlights the remarkable life of Amy Kirby Post, a nineteenth-century abolitionist and women's rights activist who created deep friendships across the color line to promote social justice. Her relationships with Frederick Douglass, Harriet Jacobs, Sojourner Truth, William C. Nell, and other Black activists from the 1840s to the…
When life’s experiences fall dismally short of expectations, many of us find ourselves lost at a crossroads. When my path to becoming a doctor began to exact an unacceptable toll, I had to find a way out; discharging myself from the hospital was the solution, and by far the best clinical decision of my brief medical career. As a result, I’m still fascinated by choices others make when faced with what seem like impossible obstacles, and where those decisions lead. Following the medical dream from age five, it wasn’t easy to change my life’s course, but that crucial choice allowed me to grow in ways I couldn’t imagine.
I know John Patrick McAfee from art shows where the ‘art husband’ helped his wife set up and present her work. I came to understand him better after completing a year of research on the US Army Special Forces, while creating a drawing honoring the Green Berets.
Slow Walk In a Sad Rain has been described elsewhere as the Catch-22 of the Vietnam War. The story more than lives up to the comparison. McAfee’s wry, tragic humor represents an authentic slice of the life he lived as a Special Forces medic; how he was able to move on from that experience and remain an affable, productive individual capable of sharing his multiple gifts is the greatest mystery, and a testimony to every man and woman who survived the ordeal.
Here, from a remarkable literary talent, is a novel destined to become the Catch-22 of the Vietnam War--a poignant, darkly comic tale based on the author's own experiences as a Green Beret in Vietnam. This deeply affecting novel follows the trials of a Special Forces Unit dispatched to the Laotian jungle who stumble upon a heroin operation.
I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
How do nations process a trauma like Auschwitz, the Vietnam War, 9/11, or Hiroshima and Nagasaki? Linnie Blake argues in The Wounds of Nationsthat the horror genre provides a medium through which nations can process recent historical traumas “from a distance.” Examining horror films produced in Germany, the US, Japan, and others countries with a vested interest in burying violent history can tell us a great deal about national identity formation in the wake of war, terrorism, and seismic political changes.
The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state.
Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a frustrated fiction writer–fascinated by ‘the fantastic’ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and I’ve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemary’s Baby (2020) and It’s A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics.
Though I admire her classic work, The Left Hand of Darkness, it’s The Word For World Is Forest that most lingers in the mind.
Ursula Le Guin worried that the book was too simple and that its portrait of the mad colonialist soldier, Captain Davidson, was too unshaded a vision of militarist evil. Well, perhaps. However, men like Davidson can be found in equally brutal forms in accounts of the European invasion of the Americas or in Roger Casement’s report on the Belgians in the Congo.
But it is the otherworldly Selver who possesses my imagination, that archetypal ‘little green man,’ that strange new god of a person, poised between the innocent world he seeks to protect and the violence he must unleash to ensure its survival.
When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters.
Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.
A book that satisfies your voyeurism over one of the most exciting times in recent history, without the risk:
A fantastic memoir of a woman during the druggie, free-love, off-the-grid early days of the counterculture—those who tuned in, turned on, and dropped out. It tells you everything you need to know about life as a hippie in the 60s, spurred by refusal to submit to convention or an unjust war.
It was a wild time of experimentation and reckless behavior, by an author who ended up, ironically, as a family counsellor.
* There are 77.5 million boomers living today who came of age in the same time English did.
* About 32 million Americans have used psychedelic drugs at least once in their lifetimes.
* Memoir is one of the top-selling categories of adult nonfiction, and, as of 2017, adult nonfiction sales continued to increase while adult fiction sales declined.
* As of 2017, there were about 12 million single-parent families with children under the age of 18; of those, more than 80% were headed by single mothers.
