When life’s experiences fall dismally short of expectations, many of us find ourselves lost at a crossroads. When my path to becoming a doctor began to exact an unacceptable toll, I had to find a way out; discharging myself from the hospital was the solution, and by far the best clinical decision of my brief medical career. As a result, I’m still fascinated by choices others make when faced with what seem like impossible obstacles, and where those decisions lead. Following the medical dream from age five, it wasn’t easy to change my life’s course, but that crucial choice allowed me to grow in ways I couldn’t imagine.
I wrote...
Past Medical History: Recollections of a Medical Miscreant
Past Medical History is a collection of forty-five autobiographical short stories detailing a comic artist's unlikely career path through medical training. From interpreting his first x-ray at age three to his last at twenty-six, the stories describe the academic and personal challenges that influenced the young doctor's decision to switch careers, and highlight the dual threads of science and creativity that defined his life from an early age.
THOG (yes, we called it by its acronym) was released around the time I entered medical school, and was widely referenced during my training.
Fortunately I was far too occupied to read it at the time, as its revelations, however parodied and overblown, would likely have caused me to leave medicine before earning my license to practice. Encountering it years later, when the whole experience could be reviewed through a humorous retrospective lens, I found the book to be wonderfully entertaining, and spot on in many of its particulars.
Shem’s masterpiece of revelatory satire is the safest, silliest way for anyone to experience medical training, and a proper warning for anyone wishing to enter the field.
By turns heartbreaking, hilarious, and utterly human, The House of God is a mesmerizing and provocative novel about what it really takes to become a doctor.
"The raunchy, troubling, and hilarious novel that turned into a cult phenomenon. Singularly compelling...brutally honest."-The New York Times
Struggling with grueling hours and sudden life-and-death responsibilities, Basch and his colleagues, under the leadership of their rule-breaking senior resident known only as the Fat Man, must learn not only how to be fine doctors but, eventually, good human beings.
A phenomenon ever since it was published, The House of God was the first unvarnished, unglorified,…
I know John Patrick McAfee from art shows where the ‘art husband’ helped his wife set up and present her work. I came to understand him better after completing a year of research on the US Army Special Forces, while creating a drawing honoring the Green Berets.
Slow Walk In a Sad Rain has been described elsewhere as the Catch-22 of the Vietnam War. The story more than lives up to the comparison. McAfee’s wry, tragic humor represents an authentic slice of the life he lived as a Special Forces medic; how he was able to move on from that experience and remain an affable, productive individual capable of sharing his multiple gifts is the greatest mystery, and a testimony to every man and woman who survived the ordeal.
Here, from a remarkable literary talent, is a novel destined to become the Catch-22 of the Vietnam War--a poignant, darkly comic tale based on the author's own experiences as a Green Beret in Vietnam. This deeply affecting novel follows the trials of a Special Forces Unit dispatched to the Laotian jungle who stumble upon a heroin operation.
Shifting from one career to another offers no guarantee of success in the new venture. This is especially true for those of us answering a creative vocation.
The War of Art acknowledges the thousand difficulties any artist faces when trying to render ideas into a livelihood, and reduces them to a singularity: Resistance. Pressfield takes no prisoners, and offers no sympathy for the creative wannabe who can’t find time to work, or edit, or refine, or take whatever next step is required to continue moving forward.
He teaches the reader how to identify a blockage and eliminate it, again and again, as that is the requirement for generating an original product, and making it pay for its upbringing.
A succinct, engaging, and practical guide forsucceeding in any creative sphere, The War ofArt is nothing less than Sun-Tzu for the soul.
What keeps so many of us from doing what we long to do?
Why is there a naysayer within? How can we avoid theroadblocks of any creative endeavor—be it starting up a dreambusiness venture, writing a novel, or painting a masterpiece?
Bestselling novelist Steven Pressfield identifies the enemy thatevery one of us must face, outlines a battle plan to conquer thisinternal foe, then pinpoints just how to achieve the greatest success.
Sometimes when faced with impossible choices, the answer is to double down and keep going – even in the face of an existential threat.
As a visual humorist (I deliver my jokes on paper), I shared an immediate rapport with standup comedian Steve Mazan, who was pitching his book at an IdeaFestival, while still dealing with the lingering consequences of liver cancer. Steve’s answer was to say, “I’ve been dying to appear on David Letterman. Now I’m literally dying to do it!”
There’s something to be said of checking off the important boxes on your bucket list. Steve Mazan turned his list into a book, one that delivers a powerful punch line.
Steve Mazan's someday was to perform on The Late Show with David Letterman. In his early thirties Steve was diagnosed with an incurable form of cancer that spread to his liver. Doctors told him he might have only five years left to live. So Steve did something strange: he started living. In a literal race against time, he decided to chase that childhood dream and turn someday into todayhe would perform his act live on The Late Show with David Letterman . . . even if it killed him. With his confidence in a rut and his healthcare bills mounting,…
Choices, choices, choices. The Things They Carried chronicles in piecemeal, fictionalized format the journey of an army veteran, from an injured spirit focusing on the shortest space between actions necessary for survival, to the expansive vision of a celebrated author.
For me, a creative making his first, furtive attempts at writing, O'Brien’s book gave me permission to experiment with short stories, and to strive for the truth, no matter the amount of fiction required to communicate a reality.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not a criminal, she stumbles into other secrets that will challenge what she thought she knew about her own family, her friend, Russ—and herself.
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not…
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