100 books like Washington

The book takes place beginning in the 1960s – a time of economic strength and cultural change. An increasing number of young, educated women entered the workforce, yet the newspaper help wanted ads were segregated by gender and the discrimination was common. In the midst of this time, Lynn Povich was hired at Newsweek, renowned for its strong coverage of civil rights and the changing social mores. But in reality, the job was a career dead end. Women researchers only occasionally became reporters, very rarely writers, and never editors. The limitations for women journalists were obvious.

Then in March 1970, Newsweek published a cover story about the Women’s Liberation Movement called “Women in Revolt”. It was at the time that more than 40 Newsweek women charged the magazine with employment discrimination. Povich was one of the plaintiffs. In the book, Povich details the lives of several lawsuit participants. She… show more.

This book explores a generation of women who often overtly questioned gender norms. Theirs was a generation that imagined it would reinvent the world. These women of 1969 looked at labor, family, and politics through a new lens. The author explores the gender politics of the time and its impact on the personal. After all, this was a class at the crossroads. They were faced with the traditional message for middle-class women as wives and mothers while also being told they could have careers. It is important to note that this was Hillary Rodman (Clinton)’s graduating class.

On Commencement Day at Wellesley, Rodham told her classmates, “We are, all of us, exploring a world that none of us understands and attempting to create within that an uncertainty. The only tool we have ultimately to use is our lives.” In response, Horn explores the lives of the women as they explored… show more.

From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.

The book Out on Assignment examines the careers of overlooked women who wrote for major metropolitan newspapers at the beginning of the twentieth century. Using archival materials, Alice Fahs describes a community of female journalists from numerous American cities. These newspaper women were part of a wave of women seeking a journalism career although their options were often limited. Although a few female journalists found hard-news reporting jobs in stunt work and undercover assignments, most found work in the women’s pages.

In these sections, they interviewed celebrities, advice columns, and suffrage news. Very little research has been done on women’s page journalism; this book provides an excellent foundation.

Martha Gellhorn’s blend of reportage and imagination ensnared me when I was barely out of my teens, and her preferred form has come of age in my working life.

Not only do I think Gellhorn is a marvellous writer – at her best, one of the best – but I also identify with Gellhorn the woman. "The open road," she wrote, was "my first, oldest and strongest love." She lived from 1908 to 1998 and was writing the fighting for six decades, and although each conflict was different, her message remained the same: ‘There is neither victory nor defeat; there is only catastrophe." 

I had the privilege of talking with Angèle at an event and discussing our different book projects.

The wonderful thing about this book it is reveals that the interaction between technology and journalism is incredibly culturally specific. We tend to think that every newsroom engages with technology in the same way, but Angèle shows that long-standing national journalistic cultures influence how technologies are adopted and used.

The book is also an ethnography, which means that it offers a wonderful insight into the day-to-day practices of the newsroom.

This cover completely drew me in because the typewriter, cityscape, and WWII airplanes all show an urgency and a story just waiting to be told. Cohen writes about prominent WWII foreign correspondents, including Dorothy Thompson and Frances Fineman, who travel the world in search of the latest war update. It was certainly not as easy to get from country to country back then—especially across vast oceans—so I really appreciated their determination to travel. 

Before Life there was the Saturday Evening Post, a roaring success capturing the spirit of Middle America at a time when Middle America defined the cultural ethos of the nation. But by the late 1950s the potent reach of television advertising undermined the general-interest magazine business model, and the Post slipped into an inexorable spiral of decline that its top executives could never quite handle or even understand. There’s plenty of pathos and human drama as they struggle with forces beyond their control. 

For creatives, this book is the move. Many writers who find themselves in reading lulls, also find themselves in writing lulls. Over the last two decades, writing professor Susan Shapiro has taught more than 25,000 students of all ages and backgrounds at NYU, Columbia, Temple, The New School, and Harvard University. And now the content from her wildly popular course “Instant Gratification Takes Too Long” is in this book for everyone who wants to get published fast, and with all the best secrets of the trade.

Byline Bible is full of advice for writers on how to break into publishing, but also includes tons of essays and pieces published by Susan Shapiro’s students, which make for great reading in and of themselves. 

Burns brilliantly tells the story of those first potent American journalists, the pamphleteers, who brought to their craft lively, probing, acerbic, and often angry commentary and reporting. Some ripped into George Washington and the Federalists, thus establishing a tradition of journalism that extends to our own time. Others went after Jefferson and the fledgling Democratic-Republicans. And one, James Callender, broke the story of the now-famous Jefferson dalliance with his slave Sally Hemmings.