Fans pick 100 books like Out on Assignment

The book takes place beginning in the 1960s – a time of economic strength and cultural change. An increasing number of young, educated women entered the workforce, yet the newspaper help wanted ads were segregated by gender and the discrimination was common. In the midst of this time, Lynn Povich was hired at Newsweek, renowned for its strong coverage of civil rights and the changing social mores. But in reality, the job was a career dead end. Women researchers only occasionally became reporters, very rarely writers, and never editors. The limitations for women journalists were obvious.

Then in March 1970, Newsweek published a cover story about the Women’s Liberation Movement called “Women in Revolt”. It was at the time that more than 40 Newsweek women charged the magazine with employment discrimination. Povich was one of the plaintiffs. In the book, Povich details the lives of several lawsuit participants. She… show more.

This book explores a generation of women who often overtly questioned gender norms. Theirs was a generation that imagined it would reinvent the world. These women of 1969 looked at labor, family, and politics through a new lens. The author explores the gender politics of the time and its impact on the personal. After all, this was a class at the crossroads. They were faced with the traditional message for middle-class women as wives and mothers while also being told they could have careers. It is important to note that this was Hillary Rodman (Clinton)’s graduating class.

On Commencement Day at Wellesley, Rodham told her classmates, “We are, all of us, exploring a world that none of us understands and attempting to create within that an uncertainty. The only tool we have ultimately to use is our lives.” In response, Horn explores the lives of the women as they explored… show more.

From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.

The book Washington chronicles the significant career of Meg Greenfield, an editorial page editor of The Washington Post. Greenfield, a winner of the Pulitzer Prize for commentary, wrote the book during the last two years of her life. Greenfield’s boss and close friend Katharine Graham contributed the foreword which provides context. Greenfield came to Washington in 1961 and was hired by the Post a few years later. Her editorials at the Post and her columns in Newsweek were witty and smart. Her stories provide a political picture of Washington, D.C. at the end of the American century. She was often at the place where change happened and tells the stories well. Greenfield’s book is a fascinating read about politics, journalism, and history.

For creatives, this book is the move. Many writers who find themselves in reading lulls, also find themselves in writing lulls. Over the last two decades, writing professor Susan Shapiro has taught more than 25,000 students of all ages and backgrounds at NYU, Columbia, Temple, The New School, and Harvard University. And now the content from her wildly popular course “Instant Gratification Takes Too Long” is in this book for everyone who wants to get published fast, and with all the best secrets of the trade.

Byline Bible is full of advice for writers on how to break into publishing, but also includes tons of essays and pieces published by Susan Shapiro’s students, which make for great reading in and of themselves. 

I loved this book because of the many years I spent living in Mexico and the deep connection I have to that country, culture, and its people. The sheer potency and ferocity from which the various authors wrote of the tragedies and struggles plaguing contemporary Mexico was astounding.

With bravery that is hard to fathom, the collection of celebrated journalists exposed the realities and truths of their beloved country that government officials, police, and military have killed to keep silent. I was angry, sad, moved, and inspired all at the same time while reading this book, and it showed me the power of writing as realistically as possible without compromise.

At the end of a busy day, which is always almost 12 hours long, it is often difficult to wind down, and a David Gemmell book with its inspirational lessons was always perfect until the books ran out. Rereading them can only be done so many times, and reluctantly, I decided to try one of the two books he wrote in a genre I am never usually interested in.

Many people forget that he used to be a journalist and wrote two books that draw on that experience, but this one is by far my favorite. The PR blurb fails to mention that at the heart of this story, it is about propaganda in the media, and Gemmell is a master storyteller. His journalism experience makes it highly authentic in his portrayal of local journalism struggling to survive, and if you are a Gemmell sword and sorcery fan, you will… show more.

First published in 1990 – based on a series of articles originally written for The New Yorker, this book is a warning to true crime authors the world over about the morality of reaching out and writing with and about murderers. 

The journalist in question is Joe McGinniss and the murderer is the former Special Forces Captain Dr Jeffrey MacDonald who became the subject of McGinniss’s 1983 book Fatal Vision. Is it ethical to collaborate with someone who has been accused of murder? What are the pitfalls that need to be managed? And, at the end of the day, who is conning who – the journalist or the murderer?

The stories my agencies create have probably appeared in some form in every major and most minor publications worldwide. A single-viral story can be repeated thousands of times in the media landscape. But no publication that we work for has paid as much as the Daily Mail. It may be hated by many, but journalists love it. It pays the best rates, and this book was a fascinating insight into my biggest customer.

My work for them was what made me a target of BuzzFeed because not only is it hated in some quarters, but it's the biggest news organization in the world, and many want to see it toppled. The book also featured many people I knew, like the legendary Allan Hall, who once punched the editor.

Martha Gellhorn’s blend of reportage and imagination ensnared me when I was barely out of my teens, and her preferred form has come of age in my working life.

Not only do I think Gellhorn is a marvellous writer – at her best, one of the best – but I also identify with Gellhorn the woman. "The open road," she wrote, was "my first, oldest and strongest love." She lived from 1908 to 1998 and was writing the fighting for six decades, and although each conflict was different, her message remained the same: ‘There is neither victory nor defeat; there is only catastrophe."