Here are 100 books that The View from the Ground fans have personally recommended if you like
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Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
In many books, Freya Stark (1893 to 1993) covered mostly what we used to call the Middle and Near East – Turkey, Iran, Iraq, Syria, Egypt, Afghanistan.
In The Lycian Shore she sails in a small yacht along the coast of south-west Turkey. I love this book – it shows what women travel writers can do when they blend history and personal observation. I used to take her chapters apart when I started out to learn how she did it.
I’m a serial memoirist (two published, two more to come), and a true fan of well-written memoir. I read all kinds, but my favorites often combine coming-of-age with unusual travel or life choices. I love getting inside the authors’ heads, discovering not just what they did, but why, and how they felt about it later, and what came next. Great memoirs take us out of our own lives and into settings, situations, and perspectives we may never experience. What better way to understand how other people live and move and think and feel? Fiction is fine, but a unique true story hooks me from start to finish.
I lived in Lagos for four years in the early ‘90s and have struggled ever since to describe the strange energy and appeal of this troubled, oft-maligned country.
Noo, a British-raised Nigerian, takes us to 12 Nigerian locations in a quest to understand her roots. Her childhood memories of visits to the homeland weren’t great, and she’s highly attuned to the widespread corruption that afflicts almost every aspect of Nigerian life.
Still, she travels with an open mind, asking questions, seeking mini-adventures, and falling in love-and-exasperation with the loud, outspoken, resilient residents of Africa’s most-populated country.
Her lively account, packed with nuggets of history, culture, and one-of-a-kind encounters and conversations, brought me back to a country that stole my heart when I least expected it. Such a treat!
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
Dervla Murphy (1931-2022) was queen of the road when I started out. I learnt a lot from her.
Visiting Rwanda is probably my top pick among her many travelogues but her best book by far, in my opinion, is the autobiographical Wheels within Wheels. "I had been brought up to understand," Murphy writes, "that material possessions and physical comfort should never be confused with success, achievement and security."
I had been brought up to understand the opposite, and this book showed me, as I tackled a travel memoir of my own, that like Murphy I must take those crucial lessons as a starting point.
Hemingway's Goblet is a rollicking read about a mismatched relationship between a middle-aged commitment-phobic university professor in London and one of his female students, a Korean 15 years younger than him. He is accused of sexually harassing her, but somehow their relationship survives as they join forces to seek to…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
I picked this because it showed me – and still does – that the most foreign journey is within, and that when the body stops travelling, the spirit takes over the trek.
Brennan is a fabulous writer – at her best, among the best – and in her head (she wore a beehive that according to a colleague at The New Yorkerwas taller than she was) she is travelling all the time.
As the author of Hicky's Bengal Gazette: The Untold Story of India's First Newspaper I have great interest in journalism and history in the Indian subcontinent. There are relatively few books that explore these topics in a narrative nonfiction way. It is my hope that this shortlist will help readers find a few good books to start with.
Perhaps the most unusual book on the list. This book is a riveting, true account of a British soldier in India in 1847. It’s a first-person tale of Ryder’s life in the army, of endless marches, and moments of sheer terror. Most histories are written for, and by elites, but this story is written by a true subaltern – a very special thing! If you want to know what life was truly like for the average British soldier in the Raj, read this. Did I also mention it is a page-turner? I guarantee you won’t be able to put it down. (It’s also free online).
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Denise Kiernan is a multiple New York Timesbestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. With more than 25 years of experience writing newspaper and magazine articles, books, and more, Kiernan also travels the country speaking at schools, universities, corporations, and more about her work and about the writing process. She created and hosts the series CRAFT: Authors in Conversation, during which she dives into the psyches, habits, and hopes of writers from all walks. For the series, she has interviewed bestselling authors, award-winning journalists, television writers, and Academy Award winnersabout how they do what they do, and what writing means to them.
For anyone who has ever struggled with or merely wanted to hone their abilities to craft a compelling story structure, Franklin’s book is a gem. Examples taken from Franklin’s own Pulitzer Prize-winning work adds an instructive clarity that allows the reader to step inside the decision-making process that went into some of his most lauded work. Any writer—fiction, nonfiction, academic—can use this book to up their storytelling game.
The new "nonfiction" the adaptation of storytelling techniques to journalistic articles in the manner of Truman Capote, Tom Wolfe, and John McPhee is an innovative genre that has been awarded virtually every Pulitzer Prize for literary journalism since 1979. And now Jon Franklin, himself a two-time Pulitzer Prize winner and undisputed master of the great American nonfiction short story, shares the secrets of his success. Franklin shows how to make factual pieces come alive by applying the literary techniques of complication/resolution, flashback, foreshadowing, and pace. He illustrates his points with a close analysis and annotation of two of his most…
I’ve worked in and around journalism long enough to know that not all journalists are heroes. Few even aspire to be. But there is something quietly heroic about the daily task of holding the powerful to account, even in democracies where the risk of imprisonment or assassination is less than in more authoritarian states. Here is my selection of books to remind all of us about some of these more heroic aspects of the journalism trade. I hope you find reading them enjoyable and maybe even inspiring.
If fictional journalists are your thing, then this book will almost certainly introduce you to some you’ve never heard of as well as those you (really should) have. Lonsdale insightfully identifies and dissects themes that crop up time after time in creative writing about journalists, from swashbuckling rogues to unethical scumbags. In the process, she has plenty to say about the craft of journalism itself and its enduring value to society. There is humour too, as when she quotes the immortal line of Stella Gibbons (author of Cold Comfort Farm): "The life of the journalist is poor, nasty, brutish and short. So is his style." Lovely.
Why did Edwardian novelists portray journalists as swashbuckling, truth-seeking super-heroes whereas post-WW2 depictions present the journalist as alienated outsider? Why are contemporary fictional journalists often deranged, murderous or intensely vulnerable? As newspaper journalism faces the double crisis of a lack of trust post-Leveson, and a lack of influence in the fragmented internet age, how do cultural producers view journalists and their role in society today?
In The Journalist in British Fiction and Film Sarah Lonsdale traces the ways in which journalists and newspapers have been depicted in fiction, theatre and film from the dawn of the mass popular press to…
We all need to understand more about how the world ticks, who is in control, and why they act as they do. And we need to salute those of courage who refuse to go along with the flow in a craven or unthinking way. I was an MP for 18 years and a government minister at the Department for Transport with a portfolio that included rail, bus, active travel, and then at the Home Office as Crime Prevention minister. After leaving Parliament, I became managing director of The Big Lemon, an environmentally friendly bus and coach company in Brighton. I now act as an advisor to the Campaign for Better Transport, am a regular columnist and broadcaster, and undertake consultancy and lecturing work.
A highly perceptive if rather depressing examination of how the British media works, how expensive investigative journalism has largely given way to opinion columns and trivia about so-called celebrities, how stories are often not stories, how papers dress up partisan opinion as fact. In short, an exposure of the falsehoods, distortion, and propaganda that have corrupted the media. Nick Davies was a journalist at the Guardian.
Does 'fake news' really exist? Find out from the ultimate insider.
After years of working as a respected journalist, Nick Davies, in this shocking expose, reveals what really goes on behind the scenes of this contentious industry.
From a prestigious newspaper that allowed intelligence agencies to plant fiction in its columns, to the newsroom that routinely rejected stories due to racial bias, to the number of papers that accepted cash bribes. Gripping, thought-provoking and revelatory, this is an insider's look at one of the most tainted professions.
'Meticulous, fair-minded and utterly gripping' Telegraph
'Powerful and timely...his analysis is fair, meticulously…
After completing my doctorate in sociology and teaching at the University of Virginia, I looked forward to advancing my career in academia. But life had other plans, and I accepted offers to write histories and biographies under contract with individuals and organizations in my home state of Oklahoma. So, following both my muse (for the record, that’s Clio, the muse of history) and amazing book-writing opportunities, I became a dual citizen of Virginia and Oklahoma. These days, I write history and biography, seasoned with sociological imagination, in my home office just down the road from Monticello. Somehow, Jefferson makes it into almost all of them!
As a former professor of sociology and media studies at the University of Virginia, I was (and, of course, remain!) interested in the history of communication. In this book, I discovered the backstory to the creation of well-known documents that fueled the American Revolution and fostered lively debate in the ensuing decades.
I also enjoyed reading about writers, publishers, and printers (often, one and the same) whose literary works raised mudslinging to an art form and deepened divisions that threatened to upend the grand experiment of democracy in its infancy. But somehow, the incendiary press of the late eighteenth century became “the basis of a humane and enduring society.”
Infamous Scribblers is a perceptive and witty exploration of the most volatile period in the history of the American press. News correspondent and renonwned media historian Eric Burns tells of Ben Franklin, Alexander Hamilton and Sam Adams,the leading journalists among the Founding Fathers of George Washington and John Adams, the leading disdainers of journalists and Thomas Jefferson, the leading manipulator of journalists. These men and the writers who abused and praised them in print (there was, at the time, no job description of "journalist") included the incendiary James Franklin, Ben's brother and one of the first muckrakers the high minded…
From my early teens I aspired to a career in journalism and publishing, manifest in my being editor of my junior high newspaper, my high school paper, and my college paper. After the army and grad school, I pursued my dream, covering Washington, D.C., for the Wall Street Journal for a dozen years and becoming an executive at Congressional Quarterly for 22 years, including 12 years as CEO. The great triumphs and struggles of the news business as it grew and evolved have stirred my consciousness throughout my life, and these five books provide some of the best narrative treatments on the topic that I have encountered throughout a lifetime in the publishing business.
This is primarily the story of three newspapers--James Gordon Bennett’s New York Herald, Horace Greeley’s New York Tribune, and the merged paper under the ownership of diplomat and politician Whitelaw Reid and his heirs, including his daughter-in-law, Helen Rogers Reid, a firecracker of an executive and woman about town. But it is also a comprehensive story of New York newspapering from the 1830s to the 1960s and about the city and country that served as the focus for news coverage during those decades. It is a poignant tale of soaring triumphs and ultimate decline as new challenges beset the newspaper business and even large cities could no longer support multiple papers.
Why did the newspaper with better writing and graphics than any other American daily go to an early grave?
Few American newspapers - and perhapsnone at all in the view of somestudents of the craft - have matched the many excellences of the New York Herald Tribune. In the crispness of its writing and editing, the bite of its criticsand commentators, the range of its coverage, and the clarity ofitstypography, the "Trib" (as media people and many of itsreadersaffectionately called it) raised newspapering to an art form. Ithad aninfluence and importance out of all proportion to itscirculation.Abraham Lincoln valued its…
