Love Infamous Scribblers? Readers share 100 books like Infamous Scribblers...

This is primarily the story of three newspapers--James Gordon Bennett’s New York Herald, Horace Greeley’s New York Tribune, and the merged paper under the ownership of diplomat and politician Whitelaw Reid and his heirs, including his daughter-in-law, Helen Rogers Reid, a firecracker of an executive and woman about town. But it is also a comprehensive story of New York newspapering from the 1830s to the 1960s and about the city and country that served as the focus for news coverage during those decades. It is a poignant tale of soaring triumphs and ultimate decline as new challenges beset the newspaper business and even large cities could no longer support multiple papers.

No other magazine ever burst upon the national scene with as much financial and editorial force as Life, founded by Henry Luce in 1936 to exploit the new technology of high-shutter-speed cameras that could capture events and activities like never before. Luce’s vision (actually, it came initially from his future wife, Clare Boothe Luce) was to stir the human spirit with photos of sports stars in action, the magnitude of huge structures such as the Grand Coulee Dam, a baby being born, the agony of war. With such photography mixed with probing and discursive long-form journalism, Luce transformed American magazine journalism--and got very, very rich in the process.

Before Life there was the Saturday Evening Post, a roaring success capturing the spirit of Middle America at a time when Middle America defined the cultural ethos of the nation. But by the late 1950s the potent reach of television advertising undermined the general-interest magazine business model, and the Post slipped into an inexorable spiral of decline that its top executives could never quite handle or even understand. There’s plenty of pathos and human drama as they struggle with forces beyond their control. 

The big Detroit newspaper market eventually narrowed down to two newspapers--the News and Free Press--neither of which could knock out the other while neither could turn a profit in a competitive market. This is the story of the struggle of the two greatest newspaper chains--Gannett and Knight-Ridder--to forge a “joint operating agreement” allowing them to merge production and business efforts while retaining separate newsrooms. Few participants cared much about editorial standards as the rush for huge profits drove the process. In the end, it all came a cropper. It’s a sordid tale in many ways but a riveting one.

I read this book as part of my background reading for my recent book, Justice for All. In Hochschild’s telling, American exceptionalism—the nation’s self-perception as a shining “city on a hill”—foundered in the post-World War I era when socialists and, basically, anyone who undermined social norms and customs was suppressed in extraordinary acts of violence.

Given current efforts to whitewash American history, this book is a must-read for anyone interested in the unvarnished truth about our nation’s past.

In my writing, I have gravitated toward social history, which can be loosely defined as history “from the bottom up.” This book appealed to me because the author doesn’t frame radical ideas and revolutions as top-down upheavals but rather as the result of simmering tensions that coalesce in cataclysms.

Beckerman describes big changes that have been, and continue to be, incubated beneath the radar until they explode into really big deals. Topics include the French Revolution, the 1989 crackdown in Tiananmen Square, and the fascist attack in my hometown, Charlottesville, Virginia, in 2017.

My wife is a pianist, and at a musical performance, the director of the local symphony orchestra said that this was a must-read book. So, of course, I read it, and I was hooked. Through the music of Strauss, Britten, Schoenberg, and Shostakovich, I learned a hidden story about the power of music to shape public opinion and, in the shadow of the Holocaust, speak truth to power.

I finished it with an appreciation for the power of music and the courage of musicians to reflect people’s yearning for a just and equitable world.

I include this book for two reasons. First, Thompson describes a turn-of-the-twentieth-century range war, largely forgotten (and utterly unknown to me!) that raged a few miles from my family’s cattle ranch in eastern Oklahoma. Second, Thompson discovered the story when he stumbled across articles hidden in a deceased relative’s closet.

My recent book emerged in much the same way—from articles and correspondence hidden for a half-century. My goal is to bring hidden history to light—in this case, the history of a statesman and 6-term congressman who has languished in undeserved obscurity for decades.

For creatives, this book is the move. Many writers who find themselves in reading lulls, also find themselves in writing lulls. Over the last two decades, writing professor Susan Shapiro has taught more than 25,000 students of all ages and backgrounds at NYU, Columbia, Temple, The New School, and Harvard University. And now the content from her wildly popular course “Instant Gratification Takes Too Long” is in this book for everyone who wants to get published fast, and with all the best secrets of the trade.

Byline Bible is full of advice for writers on how to break into publishing, but also includes tons of essays and pieces published by Susan Shapiro’s students, which make for great reading in and of themselves. 

At the end of a busy day, which is always almost 12 hours long, it is often difficult to wind down, and a David Gemmell book with its inspirational lessons was always perfect until the books ran out. Rereading them can only be done so many times, and reluctantly, I decided to try one of the two books he wrote in a genre I am never usually interested in.

Many people forget that he used to be a journalist and wrote two books that draw on that experience, but this one is by far my favorite. The PR blurb fails to mention that at the heart of this story, it is about propaganda in the media, and Gemmell is a master storyteller. His journalism experience makes it highly authentic in his portrayal of local journalism struggling to survive, and if you are a Gemmell sword and sorcery fan, you will… show more.