As a child I found the history and biography books in our school library, and was enthralled. When I got older and discovered historical archives, the tension between public history in books and the secret or forgotten histories tucked away was irresistible. Writing books has taken me to five continents on journeys into everything from medicinal black markets to the traces of a wartime commercial spy network. For my latest book, digging through classified OSS files showed me what amazing stories still lie waiting for us.
Whitney gives a literary coda to World War II cloak-and-dagger, showing how its nests of spies and agencies pivoted and metastasised in the years afterward into the Cold War. The CIA took up where the OSS left off. Where Graham Greene and Kim Philby had run the haunts of Lisbon, then-young writers George Plimpton and Peter Matthiessen were cajoled to produce cultural propaganda in Paris and start the Paris Review. The CIA's literary operations continued into the 1960s when it launched a whispering campaign to prevent Pablo Neruda from receiving a Nobel prize, and launched Mundo Nuevo to engage Spanish-language readers.
When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America's best-loved literary figures-including Peter Matthiessen, George Plimpton, and Richard Wright-tarnished as their work for the intelligence agency has come to light.
Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship…
I’m a professor of Classics at Rutgers University, where I’ve taught since 2000; before that, I spent a decade on the faculty of Bryn Mawr College. For three years I served on the staff of the American Academy in Rome, a somewhat frenetic experience that prompted me to shift my focus from ancient Roman history to the history of the city of Rome. Since 2010 I’ve been managing a private family archive in Rome, that of the papal Boncompagni Ludovisi, which covers the period from the early 1400s to the 1940s. Now completely digitized, the archive has much new material to offer, not least on the era of Mussolini, including resistance to his regime.
In her decades of work on Italy’s Fascist era, Marla Stone has shown an especially keen eye for the development of the regime’s policies and ideologies, whether in the sphere of art and culture, or that of political violence and imperialist aggression. Here Stone offers a succinct and penetrating overview of the origins, rise, consolidation, and eventual crash of Fascism in Italy, followed by a translation of some three dozen primary documents—about a third of which were otherwise unavailable in English—to illustrate her narrative. Particularly chilling are the propaganda texts from 1938 on, when Mussolini’s grandiose claims to the legacy of ancient Rome took a back seat to full-blown racial politics, “as Italians were declared ‘Aryans’ and biological anti-Semitism became part of official ideology.”
As the first mass movement of the radical right to assume power in the wake of World War I, Italian Fascism became the model and inspiration for violent anti-democratic and anti-socialist forces that swept Europe between 1919 and 1945. In this volume Marla S. Stone provides an essential introduction to the rise and fall of Benito Mussolini's Fascist dictatorship. Drawing on the most recent historical scholarship, Stone explores the multifaceted nature of Fascist rule, which drew strength not only from its terror apparatus but also from popular support for its social programs. More than 35 primary sources, including speeches, decrees,…
Young Adult historical fiction Salt to the Sea is a masterful character study of a disparate group of individuals trapped in a WWII drama. A teenage rape victim, a nurse, a weakening Nazi, and a poet are all being evacuated from Nazi Germany to a rescue ship.
The dangers and impediments they meet along the way make for a tense read: Who will make it? Who will not? The author's horrifying descriptions of war on the seas make for nerve-wracking but compelling reading.
With a clear picture of the terrors of war, and what such refugees faced, the reader comes away with a renewed vow to block dictators and fascists from destroying democratic regimes.
It's early 1945 and a group of people trek across Germany, bound together by their desperation to reach the ship that can take them away from the war-ravaged land. Four young people, each haunted by their own dark secret, narrate their unforgettable stories. Fans of The Book Thief or Helen Dunmore's The Siege will be totally absorbed.
This inspirational novel is based on a true story from the Second World War. When the German ship the Wilhelm Gustloff was sunk in port in early 1945 it had over 9000 civilian refugees, including children,…
Like it or not, the Russian “special operation” in Ukraine is going to affect our lives for years to come. But you can’t help wondering what ordinary Russians think about the war. Do they buy the official line about Ukraine being a non-country populated by Nazis that deserve to be wiped off the map? Do they think that Putin is off his head but are (with reason) too afraid to say so?
British scholar Jade McGlynn explores Russian history, media, and propaganda and shows how the Kremlin has managed to subvert public opinion and turned Putin’s war into Russia’s war. Published in 2023, this is a fascinating read.
In the early hours of 24 February 2022, Russian forces attacked Ukraine. The brutality of the Russian assault has horrified the world. But Russians themselves appear to be watching an entirely different war - one in which they are the courageous underdogs and kind-hearted heroes successfully battling a malign Ukrainian foe.
Russia analyst Jade McGlynn takes us on a journey into this parallel military and political universe to reveal the sometimes monstrous, sometimes misconstrued attitudes behind Russian majority backing for the invasion. Drawing on media analysis and interviews with ordinary citizens, officials and foreign-policy elites in Russia and Ukraine, McGlynn…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
I haven’t found anyone better at describing the personal situations and experiences of soldiers in war than Ernie Pyle. In this compilation, he interviews soldiers at every level, in a wide variety of duties, with honesty, directness, humor, and literary style. It is no wonder that his syndicated columns appeared in over 400 daily and 300 weekly newspapers, making him the voice of war-time America.
The best of Ernie Pyles World War II dispatches. For those of us to whom World War II has been only images in newsreels or monolithic history in a book. Ernie's words breathe like an intimate conversation. He is our eloquent bridge across time.
A popular cliché tells you that you need to find something you are passionate about, make it your job, and you'll never work a day in your life. I have always loved writing but never wanted to be tied down to one form, and working freelance allowed me to write books, sensational tabloid tales, and in-depth investigations depending on what came up on my desk.
At the end of a busy day, which is always almost 12 hours long, it is often difficult to wind down, and a David Gemmell book with its inspirational lessons was always perfect until the books ran out. Rereading them can only be done so many times, and reluctantly, I decided to try one of the two books he wrote in a genre I am never usually interested in.
Many people forget that he used to be a journalist and wrote two books that draw on that experience, but this one is by far my favorite. The PR blurb fails to mention that at the heart of this story, it is about propaganda in the media, and Gemmell is a master storyteller. His journalism experience makes it highly authentic in his portrayal of local journalism struggling to survive, and if you are a Gemmell sword and sorcery fan, you will…
David Gemmell was the UK's number one fantasy and historical novelist until his death in 2006. A regular Sunday Times bestseller, and international sensation, his legacy lives on through his novels, his influence on the genre, and through the David Gemmell Legend awards.
White Knight/Black Swan was David Gemmell's crime thriller debut, first published under a pseudonym in 1993 and long out of print, and highly sought-after by readers. Re-editing and republished under his own name, it's a must read for fans of his heroic and powerful style.
An action-filled story set in working class London in the 1980's, Jardine…
I have been a feminist for as long as I can remember. I recall seeing a billboard featuring Sophie Dahl sprawling on a sofa, completely naked. I recognized that I had no control over the images that dominate the visual landscape I inhabit, and I wanted to change this. These books might seem varied, but they all critique aspects of contemporary culture and offer ways to change things. In my academic writing and artwork, I examine these issues through a queer, feminist, and anti-capitalist lens, and these books offer a glimpse into the struggles that I think are important and the methods for change that I think could work.
This book appeals to me as both an academic and an artist. In my art practice, I critique gender stereotypes in commercial and commodity culture, and this book provides a brief history of advertising and why it is bad for societies, followed by brilliant creative case studies of activist artists and artworks.
It contains lots of images of poster campaigns and graphic designs that uncover the ways that adverts play with our fears and desires–a subject that I talk about in relation to body and beauty ideals in my book. The artists in this book are very clever and hugely talented, so the book is a constant source of inspiration.
Advertising Shits in Your Head calls adverts what they are—a powerful means of control through manipulation—and highlights how people across the world are fighting back. It diagnoses the problem and offers practical tips for a DIY remedy. Faced with an ad-saturated world, activists are fighting back, equipped with stencils, printers, high-visibility vests, and utility tools. Their aim is to subvert the adverts that control us.
With case studies from both sides of the Atlantic, this book showcases the ways in which small groups of activists are taking on corporations and states at their own game: propaganda. This international edition includes…
Although written in the 1960s, this book in uncannily timely. It outlines how the society we live in is shaped by propaganda--not just political propaganda, but also a wider propaganda for certain "way of life" that seems very individualistic but is in fact the opposite. It helps not only in recognizing propaganda, but also in escaping it as much as possible.
This seminal study and critique of propaganda from one of the greatest French philosophers of the 20th century is as relevant today as when it was first published in 1962. Taking not only a psychological approach, but a sociological approach as well, Ellul’s book outlines the taxonomy for propaganda, and ultimately, it’s destructive nature towards democracy. Drawing from his own experiences fighting for the French resistance against the Vichy regime, Ellul offers a unique insight into the propaganda machine.
I’m a professor of Classics at Rutgers University, where I’ve taught since 2000; before that, I spent a decade on the faculty of Bryn Mawr College. For three years I served on the staff of the American Academy in Rome, a somewhat frenetic experience that prompted me to shift my focus from ancient Roman history to the history of the city of Rome. Since 2010 I’ve been managing a private family archive in Rome, that of the papal Boncompagni Ludovisi, which covers the period from the early 1400s to the 1940s. Now completely digitized, the archive has much new material to offer, not least on the era of Mussolini, including resistance to his regime.
The raised-arm salute is the most distinctive gesture of 20th-century Fascism and Nazism; in the 21st century, it still thoroughly shocks when spotted. Its origin? Though the so-called “Roman salute” has been widely supposed to date back to classical antiquity, Winkler in a meticulous study demonstrates that it is a modern creation, an anachronism that first consistently cropped up in theatrical contexts (stage and early motion pictures) in the 1890s. Though nonsensical from a historical point of view, “it does make political and ideological sense”, argues Winkler, “to all those who see in the Romans a model for power and might and for glorious conquest of others.” More generally, the book is essential reading on the origins and evolution of Mussolini’s theatricality.
The raised-arm salute was the most popular symbol of Fascism, Nazism, and related political ideologies in the twentieth century and is said to have derived from an ancient Roman custom. Although modern historians and others employ it as a matter of course, the term “Roman salute” is a misnomer. The true origins of this salute can be traced back to the popular culture of the late nineteenth and early twentieth centuries that dealt with ancient Rome: historical plays and films. The visual culture of stage and screen from the 1890s to the 1920s was chiefly responsible for the wide familiarity…
As a child with older sisters, I read their books beyond my age level under the blankets with a flashlight in bed at night. I became a reading addict. Raised in The Netherlands with the Second World War casting its large shadow on our lives, I only became interested, after my parents were gone, in how people survived and had to find their courage under impossible circumstances. They would never talk about those occupation years. My search into history led me to find the answers.
I loved this book because it soberly and accurately told us about the real people who are caught up in war events and whom we do not normally see in books about war heroes.
I found the story of how the relationship between the young recruit and his love develops as heartbreaking as it was satisfying. It also taught me much about the world of flying war planes and actual war at the level of human suffering.
