Here are 100 books that Camp Ghoul Mountain Part VI fans have personally recommended if you like
Camp Ghoul Mountain Part VI.
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I’m a storyteller. I’ve told stories through journalism, theater, film, and comics. When I was the editor of a film magazine, Scenario: “The Magazine of the Art of Screenwriting” I interviewed filmmakers about the craft of telling a great story. As a journalist, I love original sources and voices, for the way they tell a personal version of history. They say history is told by the winners. I prefer the reverse angle—history told, not by the “losers” but by true, strong, authentic voices. I somehow want to read, reveal, recommend, and illuminate marginalized voices.
I’ve always loved so-called monsters, and Emil Ferris, with her comforting voice and detailed, luminous drawings, elevates “monsters” to a transcendent place. This is a compelling graphic novel, a must-read for anyone who has felt labeled “monstrous” by societal norms or felt at all marginalized.
In reading My Favorite Thing is Monsters, Emil Ferris’s deep empathy for outsiders is felt in every line and drawing. The child’s point-of-view of 10-year-old Karen’s wild imagination felt like the author and protagonist were sharing their private diary with us. All this, and a mystery too, as Karen, who sees herself as a werewolf, tries to solve a monstrous murder mystery.
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
Edward Gorey is a forever favorite of mine, a pen and ink artist popular for the dozens of strange and macabre little books he created. The West Wing is unique in that it has no words at all, and the story is told entirely through his meticulous pen and ink images. Without a plot, or even any characters, there is only mood and vibes, and they are spooky and mysterious. Each page shows a different part of The West Wing and its seemingly endless rooms with their hints of ghosts and the feeling that someone has just left, or that something horrible has just happened. It’s my favorite haunted house story of all time.
Edward Gorey's The West Wing is an invitation to the imagination. On each page, a room beckons, inviting the reader to wonder why three shoes lie here abandoned, what is retreating in that mirror's reflection, or why there is an imprint of a body on the wallpaper, faded and floating four feet above the floor. A wordless mystery, it is one of Gorey's finest works.
Ever since I first read Alvin Schwartz’s Scary Stories to Tell in the Dark, I have been enamored of all things weird and creepy—so much so, in fact, that when I grew up, I started writing my own weird, creepy things! As a writer, I am drawn to horror that is shaped by its characters’ inner worlds, stories that explore the monsters in our heads, as well as our closets. The books on this list will haunt me for years to come. I hope that they will haunt you, too.
How far would you go in pursuit of connection? This was the question I was left with after reading this tense and brutal story collection that includes tapeworms, self-crucifixions, and a series of dangerously escalating bets.
Over the course of three unnerving stories, LaRocca explores themes of loss, loneliness, and how humans react to both with stomach-churning gusto, leaving me both horrified and enthralled. Not for the faint of heart and definitely not to be read while eating (I found this out the hard way).
Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella.
A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s-a darkness that threatens to forever transform them once they finally succumb to their most horrific desires.
A couple isolate themselves on a remote island in an attempt to recover from…
I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.
Human creativity is on full peacock feathers out display with this one.
The story is laid out as a series of postcards and letters written between two people. Many of them are letters, on separate pieces of paper tucked inside envelopes that are inside the book. This one will be over the head of younger kids but because of the interactive nature, the colorful pictures, and the solve-a-mystery vibe of the story it could be a fun one to read with slightly older kids.
For me, I started it one night with my six-year-old and then continued to dig through the letters on the floor next to their bed long after they fell asleep. It feels voyeuristic reading through it. Who are these people? What’s inside this next envelope? Do they know I am reading their letters? It’s clever as hell and a lot of fun to read.
I am a historian of diplomacy, war, and empire. A founding editor ofThe International History Review, I have written books on ‘Imperial Diplomacy’, on the origins of the First World War, and on the July Crisis.I have edited: the 5-volume Encyclopedia of War andthe 4-volumeEncyclopedia of Diplomacy; the journals of A.L. Kennedy for the Royal Historical Society; numerous collections of essays, and the multi-volume Seminar Studies in History series. I am currently working on a two-volume study of Political Intelligence in Great Britain, 1900-1950, which is a group biography of the men who made up the Department of Political Intelligence in Britain, 1917-1919
One of the most popular explanations for the outbreak of war between 1918 and 1939 was that it had been caused by the ‘Merchants of Death,’ i.e. the large armaments firms and their financiers who profited from international animosity. Although the conspiracy theory tendency in this belief gradually dissipated, the idea that the arms race was a significant contributory factor leading to war has long featured on any list of ‘causes’.
David Stevenson’s exhaustive research in the archives of most of the combatant states has provided us with massive and fascinating detail on the thinking of those involved and the relationship between geopolitical ambitions, strategic calculations, and financial realities. His treatment makes for fascinating reading, enhanced by crisply argued interpretations of the role of military and naval preparedness in the crises that plagued prewar Europe.
The global impact of the First World War dominated the history of the first half of the twentieth century. This major reassessment of the origins of the war, based on extensive original research in several countries, is the first full analysis of the politics of armaments in pre-1914 Europe.
David Stevenson directs attention away from the Anglo-German naval race towards the competition on land between the continental armies. He analyses the defence policies of the Powers, and the interaction between the growth of military preparedness and the diplomatic crises in the Mediterranean and the Balkans that culminated in the events…
I’ve spent the past ten years reporting and writing true crime narratives about teenagers and hate, first in The 57 Bus and now in Accountable. My research has led me into some fascinating places and has left me convinced that we cannot prevent what we don’t understand. In both books I found that the young people who harmed others weren’t the stereotypical grimacing loners I’d always associated with hate and extremism. Instead, they were imitating behaviors that we see all around us. Being young, with brains that aren’t fully developed in important ways, and lacking the life experience that teaches us a more nuanced understanding of the world, they are ripe for radicalization.
After watching both a close friend and a relative get radicalized through online disinformation, I realized that no one is immune, no matter how smart or how educated, if they don’t have the tools to recognize disinformation when it comes their way.
Media scholar Samuel C. Spitale has written a compulsively readable and highly entertaining explanation of what disinformation is and how to recognize and combat it. The propaganda mills are churning out disinformation faster than ever before and even those of us who think we’re too smart to be fooled are vulnerable.
The average person receives 4,000 to 10,000 media messages a day. It s no wonder we struggle to separate the news from the noise and fact from fiction but in these unprecedented times, it s essential to democracy that we do. For anyone struggling to figure out how to live and vote their values, How to Win the War on Truth is here to help. You ll learn: The history of propaganda, from Edward Bernays to Fox News Why simple messages are so powerful How social messaging creates unconscious biases Who profits from propaganda How propaganda is manufactured and delivered…
As a longtime Angeleno, I’ve read a lot about the dark underbelly of our dysfunctional metropolis, both in the news and in fiction. I try to incorporate the City of Angels as a strong presence in my writing, and when I read other writers who have put Los Angeles at the center, it gives me a sense of things the way they really are, a glimpse at a deeper reality. I see the detectives in LA noir and crime fiction as inextricably intertwined with the city, their weaknesses, and their emotional quandaries emerging from this place.
I’d be afraid to meet this detective, Slater, in a dark alley, as he’s unpredictable and has a quick temper. At the same time I have to admit he’s the kind of guy I’d want to date. Smart and competent in his investigative work, Slater is a mass of contradictions, a textbook sex addict and in complete denial about it, plus he drinks too much. His pugilistic approach to the world evolves through the series, and in this book his slightly warped moral compass has him working to outsmart the cops to track down a violent conspiracy theorist.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with…
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
This trilogy collection is perhaps the granddaddy of conspiracy novels because, frankly, it encompasses nearly all of them — at least at the time it was written — then weaves in fictional mythos, occult religions, fascist political movements, and a post-modern deconstruction of itself. It’s equal parts fun, crazy, confusing, and challenging. The fact that Shea and Wilson had the capacity to create such a mammoth work encompassing so many far-reaching, interconnecting lines of conspiratorial thought makes it work to behold, not only for its brilliance but also for its influence. This is not The DaVinci Code; it’s bigger, deeper, more imaginative, and more complex.
Filled with sex and violence--in and out of time and space--the three books of The Illuminatus are only partly works of the imagination. They tackle all the coverups of our time--from who really shot the Kennedys to why there's a pyramid on a one-dollar bill.
I’m a law professor who, among other things, writes about the culture and law of secrecy. I’ve written two books: Conspiracy Theories: Secrecy and Power in American Culture, the second edition of which was published in 2008, and The Transparency Fix: Secrets, Leaks, and Uncontrollable Government Information (2017). I hold a J.D. from Yale Law School and a Ph.D. from the Institute of Communications Research at the University of Illinois at Urbana-Champaign, and I teach at the University of Florida.
My book came out around the same time as several others on conspiracy theory from humanities scholars. I could spend all five of my book recommendations on their works—and I’m thinking especially here of books by Clare Birchall, Peter Knight, Timothy Melley, and more recently Michael Butter—but several of the authors are included in this recent collection that also features scholars from throughout Europe. The Routledge Handbook situates conspiracy theories within the political and cultural contexts from which they emerge throughout the world, and it includes in a single volume works from a broad range of disciplines that reveal the diversity and scope of the contemporary academic study of conspiracy theory.
Taking a global and interdisciplinary approach, the Routledge Handbook of Conspiracy Theories provides a comprehensive overview of conspiracy theories as an important social, cultural and political phenomenon in contemporary life.
This handbook provides the most complete analysis of the phenomenon to date. It analyses conspiracy theories from a variety of perspectives, using both qualitative and quantitative methods. It maps out the key debates, and includes chapters on the historical origins of conspiracy theories, as well as their political significance in a broad range of countries and regions. Other chapters consider the psychology and the sociology of conspiracy beliefs, in addition…
I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
UFOs? Really? That’s not normally something I would want to read. But Lepselter embedded herself in a New Mexico community of people who believe they were abducted by aliens and makes it feel, well, real.
Do You think Nothing happened to those people? Lepselter shows how they know you’re skeptical, but they’re also traumatized and need that community of people who get it. Is the Truth out there? Did she become a believer? The ending is a stunner.
The Resonance of Unseen Things offers an ethnographic meditation on the "uncanny" persistence and cultural freight of conspiracy theory. The project is a reading of conspiracy theory as an index of a certain strain of late 20th-century American despondency and malaise, especially as understood by people experiencing downward social mobility. Written by a cultural anthropologist with a literary background, this deeply interdisciplinary book focuses on the enduring American preoccupation with captivity in a rapidly transforming world. Captivity is a trope that appears in both ordinary and fantastic iterations here, and Susan Lepselter shows how multiple troubled histories-of race, class, gender,…
