100 books like Camp Ghoul Mountain Part VI

I’ve always loved so-called monsters, and Emil Ferris, with her comforting voice and detailed, luminous drawings, elevates “monsters” to a transcendent place. This is a compelling graphic novel, a must-read for anyone who has felt labeled “monstrous” by societal norms or felt at all marginalized.

In reading My Favorite Thing is Monsters, Emil Ferris’s deep empathy for outsiders is felt in every line and drawing. The child’s point-of-view of 10-year-old Karen’s wild imagination felt like the author and protagonist were sharing their private diary with us. All this, and a mystery too, as Karen, who sees herself as a werewolf, tries to solve a monstrous murder mystery.

Edward Gorey is a forever favorite of mine, a pen and ink artist popular for the dozens of strange and macabre little books he created. The West Wing is unique in that it has no words at all, and the story is told entirely through his meticulous pen and ink images. Without a plot, or even any characters, there is only mood and vibes, and they are spooky and mysterious. Each page shows a different part of The West Wing and its seemingly endless rooms with their hints of ghosts and the feeling that someone has just left, or that something horrible has just happened. It’s my favorite haunted house story of all time.

This is a more modern pick that is very quickly becoming a cult classic. Told entirely through emails and message board postings, it lays out a very dark story of psychological manipulation between two women. I love found footage horror movies, and this book gives you that same feeling of discovering something you aren’t meant to see (or read).

Human creativity is on full peacock feathers out display with this one.

The story is laid out as a series of postcards and letters written between two people. Many of them are letters, on separate pieces of paper tucked inside envelopes that are inside the book. This one will be over the head of younger kids but because of the interactive nature, the colorful pictures, and the solve-a-mystery vibe of the story it could be a fun one to read with slightly older kids. 

For me, I started it one night with my six-year-old and then continued to dig through the letters on the floor next to their bed long after they fell asleep. It feels voyeuristic reading through it. Who are these people? What’s inside this next envelope? Do they know I am reading their letters? It’s clever as hell and a lot of fun to read.

After watching both a close friend and a relative get radicalized through online disinformation, I realized that no one is immune, no matter how smart or how educated, if they don’t have the tools to recognize disinformation when it comes their way.

Media scholar Samuel C. Spitale has written a compulsively readable and highly entertaining explanation of what disinformation is and how to recognize and combat it. The propaganda mills are churning out disinformation faster than ever before and even those of us who think we’re too smart to be fooled are vulnerable.

One of the most popular explanations for the outbreak of war between 1918 and 1939 was that it had been caused by the ‘Merchants of Death,’ i.e. the large armaments firms and their financiers who profited from international animosity. Although the conspiracy theory tendency in this belief gradually dissipated, the idea that the arms race was a significant contributory factor leading to war has long featured on any list of ‘causes’.

David Stevenson’s exhaustive research in the archives of most of the combatant states has provided us with massive and fascinating detail on the thinking of those involved and the relationship between geopolitical ambitions, strategic calculations, and financial realities. His treatment makes for fascinating reading, enhanced by crisply argued interpretations of the role of military and naval preparedness in the crises that plagued prewar Europe.

Lepselter is a scholar of folklore and anthropology as well as a lyrical and compelling writer.

This book is based on a series of interviews she performed with those who have claimed encounters with UFOs and their occupants. In a series of compassionate, rigorous, and detailed readings of the very words these people have told her, Lepselter unpacks the deep anxieties, blessings, and emotions that run through their tales, and gracefully links them to broader national stories that afflict all of us.

Fear of disempowerment, worry about captivities of many sorts, confusion about the powers that run our world. Lepselter finds them all in stories of UFOs, and in so doing does more than just about any author to explain why these strange craft have haunted us for seventy years.

This trilogy collection is perhaps the granddaddy of conspiracy novels because, frankly, it encompasses nearly all of them — at least at the time it was written — then weaves in fictional mythos, occult religions, fascist political movements, and a post-modern deconstruction of itself. It’s equal parts fun, crazy, confusing, and challenging. The fact that Shea and Wilson had the capacity to create such a mammoth work encompassing so many far-reaching, interconnecting lines of conspiratorial thought makes it work to behold, not only for its brilliance but also for its influence. This is not The DaVinci Code; it’s bigger, deeper, more imaginative, and more complex.

It’s the post-modern apotheosis of all conspiracy theories: convince enough people something is true, it becomes true. Doesn’t matter how far-fetched – the Earth is flat, the world is overcome with Bigfoots, shape-changing lizardmen are secretly controlling everything – convince enough people, and it happens.  Except, who’s trying to convince people? And who’s trying to stop them? And are either of them on our side? It’s really a bottomless hole in the most enjoyable way (if paranoid fables are your thing): no matter how bad you realize it is, it’s actually worse. But wait, it’s even worse than that. And even worse than that. This is an ongoing comic series (even the art makes reality seem haunted and insubstantial), so while there are already several collected editions, there’s no end in sight.

Extremist movements today are not just driven by violent hate and ideologies—they are also deeply embedded in a wide range of conspiracy theories. Muirhead and Rosenblum’s book helped me understand how those conspiracy theories spread and why they are so dangerous to democracies around the world—especially for the ways they disorient individuals, delegitimize expertise, and carry antisemitic and Islamophobic ideas into the mainstream.