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My Favorite Thing Is Monsters.
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From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.
Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoet mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker…
Growing up, there was nothing I hated more than reading. Struggling with dyslexia and learning disabilities made books miserable and the distractions of screens didn’t help. However, everything changed when I discovered graphic novels and comics! That led to a newfound love of stories and books (especially graphic novels) which took me on a journey of not being able to read at age ten, to publishing my first novel at age fifteen. Since then, I’ve written and illustrated children’s books and young adult novels, but Mup is my first graphic novel. This has inspired me to create more graphic novels designed specifically for those who are just like me – reluctant readers.
Bone was the first book I ever read on my own as a 5th grader. For the first time, I didn’t use an audiobook or need a parent/teacher to read it to me. For that alone, I’ve put it at the top of the list. Bone follows the story of three wayward brothers as they each find their way to a fantastical valley filled with mythical dragons, bizarre creatures, and a lost princess. What starts off as this fun and goofy comic, spirals into this adventure of epic proportions as the author-illustrator takes young readers into a world they never imagined before.
This fast-paced saga helped captivate me from the first page to the last and I personally owe a lot to this book for helping me overcome my dislike for reading as a young person. This book helped me on my journey to becoming a reader and it…
Winner of 41 National and International Awards including 10 Eisner Awards and 11 Harvey Awards!
Meet the Bone cousins, Fone Bone, Phoney Bone and Smiley Bone, three misfits who are run out of Boneville and find themselves lost in a vast uncharted desert. They make their way into a deep, forested valley filled with wonderful and terrifying creatures. With the help of the mysterious Thorn, her tough-as-nails Gran’ma Ben and the Great Red Dragon, the boys do their best to survive in the middle of brewing trouble between the valley’s denizens.…
Jerry
Stahl is an American novelist and screenwriter. His latest release, Nein,
Nein, Nein! One Man’s Tale of Depression, Psychis Torment, and a Bus Tour of
the Holocaust relieves Stahl’s group tour to concentration camps in Poland and
Germany. He has written a number of novels including Perv:
A Love Story, Plainclothes Naked, I, Fatty,
Pain Killers, Bad Sex on Speed, and Happy Mutant
Baby Pills: A Novel. Stahl
got this start publishing short fiction, winning a Pushcart Prize in 1976 for a
story in the Transatlantic Review. His 1995
memoir Permanent Midnight was adapted into a film starring Ben
Stiller as well as the screenplay for Bad Boys II, starring Will
Smith and Martin Lawrence.
The author’s chronicle of growing up the child of a married Catholic priest—who lives in his boxer shorts, plays ear-crushing electric guitar, worships action films, and once got arrested at an abortion clinic sit-in—somehow manages to be beautiful, cringe-inducing, jaw-dropping and absolutely hilarious at once. When circumstances force the author and her husband to move back in with her Priest-dad in her parents’ rectory, their worlds collide in an explosion of soulful, moving family madness. Woven through the entire saga are strains of love, faith, and the enduring, hysterical bonds of family.
'Glorious' Sunday Times 'Laugh-out-loud funny' The Times 'Extraordinary' Observer 'Exceptional' Telegraph 'Electric' New York Times 'Snort-out-loud' Financial Times 'Dazzling' Guardian 'Do yourself a favour and read this memoir!' BookPage
The childhood of Patricia Lockwood, the poet dubbed' The Smutty-Metaphor Queen of Lawrence, Kansas' by The New York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange riddles and warnings of impending danger. Above all, there was her gun-toting, guitar-riffing,…
From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An amazing personal tale of someone who went to high school with, what was to become, infamous serial killer Jeffrey Dahmer. What makes it so good, in my opinion, is, that it doesn’t become sensationalist in any way. It clearly shows how a vulnerable, very disturbed child could fall through the cracks in 70’s America. It is drawn in a cartoony style, which helps to create a distance from the reader to the incredibly dark and sad subject matter. It works amazingly well as it is told from the perspective of Dahmer’s classmates. Well recommended!
My Friend Dahmer is the hauntingly original graphic novel by Derf Backderf, the award winning political cartoonist. In these pages, Backderf tries to make sense of Jeffery Dahmer, the future serial killer with whom he shared classrooms, hallways, libraries and car rides. What emerges is a surprisingly sympathetic portrait of a young man struggling helplessly against the urges, some ghastly, bubbling up from the deep recesses of his psyche. The Dahmer recounted here, although universally regarded as an inhumane monster, is a lonely oddball who, in reality, is all too human. A shy kid sucked inexorably into madness while the…
From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
I personally read everything Burns makes. He is one of my all-time favourite graphic novelists and I’m heavily inspired by his work. This penultimate work of his has again that sense of otherwordly weirdness to it that he does so well. I just adore the tight line work and moody nightmarish sequences he does. Painting a tale here that raises questions that only get answered when the entire trilogy is completed. Mind-bogglingly well-constructed and strange but very good.
Meet Doug, aspiring young artist. He's having a strange night. A weird buzzing noise on the other side of the wall has woken him up, and there across the room, next to a huge hole torn out of the bricks, sits his beloved cat Inky. Who died years ago. But that's no longer the case, as he slinks through the hole, beckoning Doug to follow. So he does. Now there's no turning back. What the heck is going on? To say much more would spoil the creepy, Burnsian fun, especially since - unlike Black Hole - X'ed Out has not…
While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
This book is absolutely wild. It purports to be an adaption of an over-the-top gorefest of a movie, plagued by conspiracy theories. Full of footnotes and behind-the-scenes anecdotes and autobiographical details about how the book itself came to be, it not only supposedly adapts a film but tells a far darker hidden story and is overall a lot of dark and spooky fun.
Camp Ghoul Mountain Part VI is one of the most infamous slasher-movie sequels of the 1980s. Known for its over-the-top gore effects, bizarre and psychedelic campground killer plot—and its legacy as a lightning rod for conspiracy theories concerning everything from UFOs and alien abductions to 9/11 and a secret cabal at the heart of world power. This book contains a complete, authorized adaptation of the infamous cult slasher movie as well as the secret history of the behind-the-scenes drama and high-strange events that inspired the filmmakers, complete with footnotes and autobiographical anecdotes. Camp Ghoul Mountain Part VI: The Official Novelization…
While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
Edward Gorey is a forever favorite of mine, a pen and ink artist popular for the dozens of strange and macabre little books he created. The West Wing is unique in that it has no words at all, and the story is told entirely through his meticulous pen and ink images. Without a plot, or even any characters, there is only mood and vibes, and they are spooky and mysterious. Each page shows a different part of The West Wing and its seemingly endless rooms with their hints of ghosts and the feeling that someone has just left, or that something horrible has just happened. It’s my favorite haunted house story of all time.
Edward Gorey's The West Wing is an invitation to the imagination. On each page, a room beckons, inviting the reader to wonder why three shoes lie here abandoned, what is retreating in that mirror's reflection, or why there is an imprint of a body on the wallpaper, faded and floating four feet above the floor. A wordless mystery, it is one of Gorey's finest works.
While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
This is a more modern pick that is very quickly becoming a cult classic. Told entirely through emails and message board postings, it lays out a very dark story of psychological manipulation between two women. I love found footage horror movies, and this book gives you that same feeling of discovering something you aren’t meant to see (or read).
Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella.
A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s-a darkness that threatens to forever transform them once they finally succumb to their most horrific desires.
A couple isolate themselves on a remote island in an attempt to recover from…
I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.
Human creativity is on full peacock feathers out display with this one.
The story is laid out as a series of postcards and letters written between two people. Many of them are letters, on separate pieces of paper tucked inside envelopes that are inside the book. This one will be over the head of younger kids but because of the interactive nature, the colorful pictures, and the solve-a-mystery vibe of the story it could be a fun one to read with slightly older kids.
For me, I started it one night with my six-year-old and then continued to dig through the letters on the floor next to their bed long after they fell asleep. It feels voyeuristic reading through it. Who are these people? What’s inside this next envelope? Do they know I am reading their letters? It’s clever as hell and a lot of fun to read.
The best stories are the ones that take very silly ideas seriously. This doesn’t mean that they’re not funny; on the contrary, you don’t really hear the truth until it makes you laugh. These books all lean heavily on tropes, specifically B-movie tropes. I used to write detailed reviews of terrible movies, afterschool specials, and creature features. I host a podcast all about the funnier parts of TV criticism. Figuring out how something simple speaks to the core of us is the height of fiction, and all five of these do that and do it with humor.
Liking Terry Pratchett is a bit like liking pizza: not terribly remarkable.
Pratchett is a master storyteller who commands not only tropes but the idea behind them with such skill that I can read one of his books and never realize I’m getting the most profound lesson of my life. I could have recommended any of his books, and more to the point, any of his City Watch books, but I single out this particular book for a reason. I’m a humanist, like Pratchett, and this book explores his humanism most effectively.
And it’s also an amazing mystery and incredible comedy.
Vimes is back, in all his curmudgeonly glory, in this classic, perceptive and laugh-out-loud Discworld mystery that will keep you turning the pages.
'In my opinion, this is the book where Pratchett *really* hits his stride in terms of the city watch books . . . Is this book worth your time? Yes. A thousand times yes' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
THERE'S A WEREWOLF WITH PRE-LUNAR TENSION IN ANKH-MORPORK. AND A DWARF WITH ATTITUDE AND A GOLEM WHO'S BEGUN TO THINK FOR ITSELF.
But for Commander Vimes, Head of Ankh-Morpork City…
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