Here are 95 books that Bone fans have personally recommended if you like
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From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.
Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoet mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker…
I started drawing comics in the first grade and have never stopped. My syndicated comic strip, Cow & Boy, ran for eight years, and now I write and draw the middle-grade fantasy series Quest Kids. I am so fortunate to have cobbled together my love of comics into a career and to have been inspired by so many talented people along the way. Below is a collection of some of the best.
My newspaper comic strip had just finished its run, and I was looking for my next big thing. That’s when I came across Diary of a Wimpy Kid.
The drawings were simple and hilarious, and the clever writing didn’t seem to be just for kids. Greg Heffley has this flawed prickly everyman edge which makes him easy to identify with. But as good as this book and series are, I was more impressed with the new way Jeff Kinney had found to sneak comics into chapter books.
The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate to
It's a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you're ready are uniquely revealed through words and drawings as Greg records them in his diary.
In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley's star…
I am an illustrator and author and fantasy stories are some of my favorites. I love getting lost in a book. It might be a cliche, but the ability of a book to take you to a place you’ve never been, or might not even exist, is an amazing power. These are the types of stories I love to create and these books have been a great influence on my own work.
Hayao Miyazaki is rightly renowned as one of the greatest animation directors of all time. But he also created this amazing comic over many years, while also directing films. Nausicaä is a fantasy epic, over 1000+ pages of lush drawings telling a beautiful story. It’s a post-apocalyptic world filled with warring factions, giant insects, and dark secrets. One young woman is trying to find her way through this world and put things right, though the right thing to do isn’t always clear. It’s a great story that I recommend to anyone who loves comics, adventures, or the environment.
Nausicaa of the Valley of the Wind is an epic fantasy tale written and illustrated by legendary Studio Ghibli director Hayao Miyazaki, creator of My Neighbor Totoro, Spirited Away and Howl's Moving Castle. A modern masterpiece, the entire series is now available in this deluxe box set containing two hardcover volumes with interior colour pages and a bonus poster.
I am an illustrator and author and fantasy stories are some of my favorites. I love getting lost in a book. It might be a cliche, but the ability of a book to take you to a place you’ve never been, or might not even exist, is an amazing power. These are the types of stories I love to create and these books have been a great influence on my own work.
This one is a completely wordless story that transports you back to the time when dinosaurs roamed the planet. It follows a pack of deinonychus who steal the eggs of a tyrannosaurus and a hunt ensues. Through lively drawings and colors that pop, you get to know the personalities of all these different dinosaurs and feel the difficult and often vicious life back then. It’s out of print, but if you can find a copy it’s worth it. There are a few more books in this series that are also great, but this was my first and I cherish my copy.
Thundering herds of lizards roam Cretaceous America, and the earth trembles with their passage. Enormous yet graceful meat-eaters shred the still-living meat from the bones of placid plant-eating saurians. Tyrannosaurus rex, the most fearsome carnivore that ever lived, is king. But even T-rex isn't safe from the greedy eyes and the ravenous appetites of a band of bird-quick Deinonychus. A tale from an age before humans and language, Age of Reptiles: Tribal Warfare is a 128-page epic told entirely in pictures. Ricardo Delgado, production artist for "Star Trek: Deep Space Nine," has crafted the finest graphic novel about dinosaurs ever…
In my opinion, a good adventure story does two things at once: it compels you to turn pages, while, paradoxically, also enticing you to get off the couch and go out into the beautiful, magical world, pregnant with unlimited possibilities, right outside your door, just waiting for you to notice it. I’ve hitchhiked, I’ve been lost in the jungle, I’ve sailed, I’ve run whitewater rivers, and I’ve written and drawn New Yorker cartoons and picture books. I hope these books are as hard for you to put down as they were for me, and when you do put ‘em down, it’s only to throw on your rucksack and head out in search of adventure!
This is one I just discovered (and have only read once, so far) but I immediately ordered copies for all my nieces and nephews. An important element of the kind of adventure graphic novel I love is art that conveys a carefully observed world, one which reminds us that if we slow down and pay attention marvels will reveal themselves to us. This Was Our Pact does precisely that. It starts off with kids on bikes setting off into the night, following their curiosity, and then swerves into the fairy tale territory of ancient rituals and magical creatures.
It's the night of the annual Autumn Equinox Festival, when the town gathers to float paper lanterns down the river. Legend has it that after drifting out of sight, they'll soar off to the Milky Way and turn into brilliant stars. This year, Ben and his classmates are determined to find out where those lanterns really go, and they made a pact with two simple rules: No one turns for home. No one looks back.
The plan is to follow the river on their bikes for as long as it takes to learn the truth, but it isn't long before…
I am an illustrator and author and fantasy stories are some of my favorites. I love getting lost in a book. It might be a cliche, but the ability of a book to take you to a place you’ve never been, or might not even exist, is an amazing power. These are the types of stories I love to create and these books have been a great influence on my own work.
Another book of beautiful drawings (noticing a theme?), the dynamic lifework pulls you into a parallel dimension along with the characters. The protagonist crosses dangerous lines to find his partner and you are along for the ride in a new world. Also, check out Malassange’s work with Studio La Cachette, the animation studio he co-founded – it’s great!
Nills and Anaelle were looking forward to the first night in their rustic cabin in the woods. But the couple's idyllic vacation is suddenly thrown into turmoil when a strange flash of light bursts from the fireplace. A portal appears and out of it spill dragon-like creatures that are armed to the teeth. They grab Anaelle and flee back through the portal, leaving a distraught Nills with a sudden decision: stay behind or leap through after her?
He leaps. And that's when things get really weird.
In Kairos, French graphic novelist Ulysse Malassage turns the typical damsel-in-distress narrative on its…
From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An amazing personal tale of someone who went to high school with, what was to become, infamous serial killer Jeffrey Dahmer. What makes it so good, in my opinion, is, that it doesn’t become sensationalist in any way. It clearly shows how a vulnerable, very disturbed child could fall through the cracks in 70’s America. It is drawn in a cartoony style, which helps to create a distance from the reader to the incredibly dark and sad subject matter. It works amazingly well as it is told from the perspective of Dahmer’s classmates. Well recommended!
My Friend Dahmer is the hauntingly original graphic novel by Derf Backderf, the award winning political cartoonist. In these pages, Backderf tries to make sense of Jeffery Dahmer, the future serial killer with whom he shared classrooms, hallways, libraries and car rides. What emerges is a surprisingly sympathetic portrait of a young man struggling helplessly against the urges, some ghastly, bubbling up from the deep recesses of his psyche. The Dahmer recounted here, although universally regarded as an inhumane monster, is a lonely oddball who, in reality, is all too human. A shy kid sucked inexorably into madness while the…
I’m a storyteller. I’ve told stories through journalism, theater, film, and comics. When I was the editor of a film magazine, Scenario: “The Magazine of the Art of Screenwriting” I interviewed filmmakers about the craft of telling a great story. As a journalist, I love original sources and voices, for the way they tell a personal version of history. They say history is told by the winners. I prefer the reverse angle—history told, not by the “losers” but by true, strong, authentic voices. I somehow want to read, reveal, recommend, and illuminate marginalized voices.
I’ve always loved so-called monsters, and Emil Ferris, with her comforting voice and detailed, luminous drawings, elevates “monsters” to a transcendent place. This is a compelling graphic novel, a must-read for anyone who has felt labeled “monstrous” by societal norms or felt at all marginalized.
In reading My Favorite Thing is Monsters, Emil Ferris’s deep empathy for outsiders is felt in every line and drawing. The child’s point-of-view of 10-year-old Karen’s wild imagination felt like the author and protagonist were sharing their private diary with us. All this, and a mystery too, as Karen, who sees herself as a werewolf, tries to solve a monstrous murder mystery.
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
I personally read everything Burns makes. He is one of my all-time favourite graphic novelists and I’m heavily inspired by his work. This penultimate work of his has again that sense of otherwordly weirdness to it that he does so well. I just adore the tight line work and moody nightmarish sequences he does. Painting a tale here that raises questions that only get answered when the entire trilogy is completed. Mind-bogglingly well-constructed and strange but very good.
Meet Doug, aspiring young artist. He's having a strange night. A weird buzzing noise on the other side of the wall has woken him up, and there across the room, next to a huge hole torn out of the bricks, sits his beloved cat Inky. Who died years ago. But that's no longer the case, as he slinks through the hole, beckoning Doug to follow. So he does. Now there's no turning back. What the heck is going on? To say much more would spoil the creepy, Burnsian fun, especially since - unlike Black Hole - X'ed Out has not…
I started drawing comics in the first grade and have never stopped. My syndicated comic strip, Cow & Boy, ran for eight years, and now I write and draw the middle-grade fantasy series Quest Kids. I am so fortunate to have cobbled together my love of comics into a career and to have been inspired by so many talented people along the way. Below is a collection of some of the best.
I had aspirations of making comics for Marvel or DC, but could never get a handle on drawing realistically. So I found inspiration in newspaper comics, one in particular.
Calvin & Hobbes is a work of art, and the perfect representation of childhood creativity. But Calvin’s imaginary tiger is only the tip of the iceberg here. Between his life-sized dioramas of snowmen acting out, to cardboard transmogrifiers, Calvin’s wicked imagination just spoke to me. And Bill Watterson helped jet-propel me down my own artistic path.
Celebrating an exhibit of ten years of Sunday comics featuring the beloved boy and his tiger, Calvin and Hobbes: Sunday Pages 1985-1995 is sure to bring back memories.
New York Times best-seller!
Everyone misses Calvin and Hobbes.
It reinvented the newspaper comic strip at a time when many had all but buried the funnies as a vehicle for fresh, creative work. Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had…
