I am the Goldthwaite Professor of Rhetoric and Japanese at Tufts University. I’ve lived in Japan for 8 years beginning when I was 17 when I travelled to Tokyo and lived on my own, teaching English, and studying Japanese. I became a scholar of Japanese literature, and then in the 1990s became interested in Japanese animation (anime) and in animation in general. I’ve written five books on either Japanese literature or anime-related subjects, and I am currently working on a project comparing the animated films of the Walt Disney Studio with the films of Studio Ghibli.
This gorgeous catalogue is an event in itself that commemorates an even more interesting event, the fact that the brand new Museum of the Academy of Motion Pictures chose as its first special exhibition not the work of an American director, and not the work of a live-action auteur but the work of a Japanese animation director who lives and creates thousands of miles from Hollywood. The catalogue is not only beautifully illustrated with scenes from Miyazaki movies and reproductions of many of Miyazaki’s storyboards, but also contains some excellent essays by the exhibition’s curators, including Jessica Niebel and Daniel Kothensculte. The curators draw on their film and art expertise to give insightful, sensitive readings of the director and his contributions to the world of cinema.
A richly illustrated journey through the extraordinary cinematic worlds of beloved filmmaker Hayao Miyazaki
For over four decades, Hayao Miyazaki has been enchanting audiences of all ages. His animated films, often featuring children navigating unfamiliar and challenging worlds, offer timeless explorations of youth and what it means to grow up. Celebrated and admired around the globe for his artistic vision, craftsmanship and deeply humanistic values, Miyazaki has influenced generations of artists. The universal appeal of his evocative natural settings and complex characters, many among them strong girls and young women, cuts across cultural boundaries.
I am an illustrator and author and fantasy stories are some of my favorites. I love getting lost in a book. It might be a cliche, but the ability of a book to take you to a place you’ve never been, or might not even exist, is an amazing power. These are the types of stories I love to create and these books have been a great influence on my own work.
Hayao Miyazaki is rightly renowned as one of the greatest animation directors of all time. But he also created this amazing comic over many years, while also directing films. Nausicaä is a fantasy epic, over 1000+ pages of lush drawings telling a beautiful story. It’s a post-apocalyptic world filled with warring factions, giant insects, and dark secrets. One young woman is trying to find her way through this world and put things right, though the right thing to do isn’t always clear. It’s a great story that I recommend to anyone who loves comics, adventures, or the environment.
Nausicaa of the Valley of the Wind is an epic fantasy tale written and illustrated by legendary Studio Ghibli director Hayao Miyazaki, creator of My Neighbor Totoro, Spirited Away and Howl's Moving Castle. A modern masterpiece, the entire series is now available in this deluxe box set containing two hardcover volumes with interior colour pages and a bonus poster.
My Globetrotter Book’s creative adventure originated from a deep desire to show the world to my son... I am from Quebec, Canada, but I have lived and traveled across the globe with my family for 20+ years and – so far – have lived in Montreal, Paris, New York, Tokyo, and Bangkok! I work as an international consultant on water security issues with the United Nations and other international organisations. My son has grown up, so now, I continue to inspire other kids to explore the myriad beauties and cultures of the world and, as of 2022, to "journey within" with the creation of My Bodytrotter Book.
For any child who has an interest in Japan, this is a must! This Studio Ghibli animation is also delightful in its graphic novel form. Set in rural Japan, the two young sisters Satsuki and Mei meet Totoro, a magical colossal good-natured creature who lives in the trunk of a big tree. The story is infused with enchantment, humor, and childhood delight. All children deserve to have their childhood enriched with this Japanese jewel.
The beloved animation classic by legendary Studio Ghibli director Hayao Miyazaki, My Neighbor Totoro, is now a novel. This edition features original illustrations by Miyazaki himself, accompanying a story by veteran children's author Tsugiko Kubo.
Eleven-year-old Satsuki and her sassy little sister Mei have moved to the country to be closer to their ailing mother. Soon, in the woods behind their spooky old house, Satsuki and Mei discover a forest spirit named Totoro. When Mei goes missing, it's up to Satsuki to find her sister, and she'll need help from some new, and…
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This is an excellent general review of the films from Castle of Cagliostro to Princess Mononoke, including plot outline, character studies, technical notes, and appreciations of the films. She is very insightful about the artistic technique. And there’s an interesting chapter at the end about Miyazaki merchandise. This would be a good starting point for a fan.
Anime is a huge market, and this is the exclusive, definitive book on the leading master of Japanese animation today, Hayao Miyazaki. Disney has licensed the Miyazaki line (e.g., Kiki's Delivery Service ) and plans another major release this summer. This book supplies informed discussions of style and narrative for each of Miyazaki's major films, with all the data and detail fans want.
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
These are collections of writings by Miyazaki in translation: interviews, essays, production notes, doodles, and even poems. These are sometimes directly related to the films, and sometimes on general themes such as artistic integrity, the environment, and contemporary Japan. You get a picture of Miyazaki: deeply thoughtful, ethically engaged, and playfully child-like. Plus, lots of cool illustrations. The second volume goes up through Howls’ Moving Castle.
A hefty compilation of essays (both pictorial and prose), notes, concept sketches and interviews by (and with) Hayao Miyazaki. Arguably the most respected animation director in the world, Miyazaki is the genius behind Howl's Moving Castle, Princess Mononokeand the Academy Award-winning film, Spirited Away.
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
Whereas my book is about the ideas that come out of the films, this book is on the philosophy of Miyazaki himself, based on his writings and interviews. It is organized not by film or chronology, but by themes, such as Time, Space, Vision, and my favorite, “The Courage to Smile.” She describes the director’s picture of the world and uses the films as illustrations. The book has certain fannish qualities, but is enriched by a creative selection of contemporary philosophers.
Hayao Miyazaki has gained worldwide recognition as a leading figure in the history of animation, alongside Walt Disney, Milt Kahl, Tex Avery, Chuck Jones, Yuri Norstein and John Lasseter. In both his films and his writings, Miyazaki invites us to reflect on the unexamined beliefs that govern our lives. His eclectic body of work addresses compelling philosophical and political questions and demands critical attention. This study examines his views on contemporary culture and economics from a broad spectrum of perspectives, from Zen and classical philosophy and Romanticism, to existentialism, critical theory, poststructuralism and psychoanalytic theory.
I've been writing and drawing children’s books and comic books for kids for over 23 years. I've always loved the comic book format and visual storytelling. Reading pictures is actually very stimulating for kids and adults alike. I’m also a parent to three daughters and teach art at an elementary school locally, so I work with children and see what captures their imaginations and inspires them. As someone who’s written and illustrated numerous graphic novels for kids, moderates a children’s book review group, and reads so many of the newest books available, I selected these graphic novels as some of the best I’ve read in the different genres that have been released recently.
In this magical and otherworldly graphic novel a village of desert dwellers were gifted by the moon spirit three enchanted moon moths and taught how to raise them so they would pollinate a special tree called “The Night Flower Tree”.
This miraculous tree bestows special gifts upon the desert people. Young Anya is to become a moth keeper and carry the “Moth Keeper’s Lantern”. This lantern keeps the moths from returning to their home in the stars and bound to earth.
This story is full of stunning artwork and magical scenes. Just an incredible coming-of-age story as Anya begins her apprenticeship. The reading level is spot on for ages 8 and up. A truly enchanting story.
Being a Moth Keeper is a huge responsibility and a great honor, but what happens when the new Moth Keeper decides to take a break from the moon and see the sun for the first time? From the author of the beloved Tea Dragon Society comes a must-read for fans of the rich fantasies of Hayao Miyazaki and the magical adventures of Witch Hat Atelier.
Anya is finally a Moth Keeper, the protector of the lunar moths that allow the Night-Lily flower to bloom once a year. Her village needs the flower to continue thriving and Anya is excited to…
I am the Goldthwaite Professor of Rhetoric and Japanese at Tufts University. I’ve lived in Japan for 8 years beginning when I was 17 when I travelled to Tokyo and lived on my own, teaching English, and studying Japanese. I became a scholar of Japanese literature, and then in the 1990s became interested in Japanese animation (anime) and in animation in general. I’ve written five books on either Japanese literature or anime-related subjects, and I am currently working on a project comparing the animated films of the Walt Disney Studio with the films of Studio Ghibli.
This book has remained consistently influential and thought-provoking from the time it was written in 2006. Kelts uses the notion of the moebius strip to analyze the sometimes surprisingly rich and complex dynamics in the mutual relationship between Japanese and American popular culture. He explains how much each country’s art and entertainment culture has influenced the other in an interweaving tapestry of history, art, and inspiration. At a time when the question of cultural appropriation is still a provocative subject, Kelt’s book reminds us of how fruitful cultural interchange can be.
Anime, or Japanese animation, is Asia's equivalent of the Harry Potter phenomenon in the rest of the world. While Hollywood struggles to fill seats, Japanese anime releases are increasingly outpacing American movies in sheer numbers and, more importantly, in the devotion they inspire in their fans. But just as Harry Potter is both "universal" and very English, anime is also deeply Japanese, making its popularity in the rest of the world surprising. "Japanamerica" is the first book that directly addresses our experience with anime and the Japanese pop phenomenon, covering everything from Hayao Miyazaki's epics, the burgeoning world of hentai,…
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This short book is a detailed study of just one great film, scholarly but without jargon.
Along the way, he points out many details I had missed. He also demonstrates the connections of Spirited Away to Miyazawa Kenji’s Night of the Milky Way Railway, and other sources and inter-textual references. Very interesting and revealing.
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train runs across the sea.
Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in…
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This is an excellent “life in art,” or a series of chapters on the major works in a biographical context.
Napier discusses such questions as: his feelings about the fact that his family profited from the war, making fan belts for fighter planes; his feelings about his father compared to his mother; the relation of the works to his professional life—the studio, his collaborators, his periodic burn-out and work ethic.
The story of filmmaker Hayao Miyazaki's life and work, including his significant impact on Japan and the world-"an essential work in anime scholarship." (Angelica Frey, Hyperallergic)
A thirtieth-century toxic jungle, a bathhouse for tired gods, a red-haired fish girl, and a furry woodland spirit-what do these have in common? They all spring from the mind of Hayao Miyazaki, one of the greatest living animators, known worldwide for films such as My Neighbor Totoro, Princess Mononoke, Spirited Away, Howl's Moving Castle, and The Wind Rises.
Japanese culture and animation scholar Susan Napier explores the life and art of this extraordinary Japanese…
