The most recommended animation books

I was privileged to see firsthand these two Disney Legends and their passions for the craft of storytelling through animation. I worked with Frank and Ollie as a young animation trainee. I learned the basics of animation by ‘in-betweening’ scenes primarily for Frank. In addition to ‘in-betweening’ for Frank, he would give me scenes to animate under his supervision. The principles and philosophy of the ‘Disney way’ are explained within the pages of this book and I was fortunate to have absorbed them firsthand.

Applying the principles of animation that Frank and Ollie presented has had a tremendous effect on all aspects of my art. My book, my personal award-winning illustrations, and a 38-year career with the Disney Studio bear witness of putting these principles into practice.

Part of mastering influence with audiences involves visuals because of the prevalence of tools like Power Point and Keynote. I came to realize is this truth: your slides support your talk but should not be the focus.

As I read Presentation Zen, I kept going back to my slide dec to rework every aspect based on my learning. I moved away from the traditional bullet point, text-filled slides with cheesy animation and pictures. I replaced them with beautiful pictures and minimal words to supports my theme. The audience response was a night and day difference!

I love being in the gentle and cheery little world of Polo! Polo is a small dog who travels via ingenious visual twists of perspective and imagery. I both admire the cleverness and invention, and enjoy the cozy worlds and friends that Polo meets along the way. The Polo books are unique in being truly action-packed while also being very tranquil and peaceful.

Dayworld is an elegant but dystopic solution to a possible future population crisis and one that keeps me thinking about how we should restrain ourselves. Humanity can only endure overpopulation by placing people into suspended animation six days a week. Jeff Carid is a rebel and a daybreaker, living a different life each day as he illegally moves through the week. But, when Jeff’s ability to segregate his seven lives deteriorates, the rebels realise they can’t trust him.

I love how Jeff slips from Tuesday-World to Wednesday-World, etc., easing into distinct personalities. This story made me realise different cultures exist in the same place, often never noticing each other, which we see when Jeff looks back with distaste at a previous day’s persona.

James McMullan is one of America’s preeminent illustrators, working consistently from the 60s to today. He may be most familiar for his long series of posters for Broadway shows at Lincoln Center, but he has also done magazine illustrations, children's books, record covers, and animation. Running parallel to his illustration work has been a long career in teaching, principally at New York’s School of Visual Arts (for which he also has done a series of subway posters). I was privileged to take his SVA illustration course– which had a stringent portfolio review – for two years early in my career, about the time this book appeared. No collection of greatest hits, or even a guide to achieving McMullan’s juicy watercolor style, this is a thoroughly candid tour through an illustrator’s work process, including a generous selection of preliminary sketches and reference photos.

Like many of the students who passed through… show more.

Bambi, Sleeping Beauty, and Peter Pan are also part of this series. This compilation of drawings by master animators Frank Thomas, Ollie Johnston, Milt Kahl, Mark Davis, John Lounsbery, storyman Joe Grant and more are truly encouraging and inspiring. Before the drawings are passed along to the clean-up stage, we see the unique and beautiful drawings of the animators with the circles for heads and construction lines visible used to convey balance, proportion, perspective, silhouette, and attitude, all while drawing the character on model. We will all have a greater appreciation for the level of drawing mastery shared inside the pages of these books. 

This book is not so much educational as it is inspiring. Frazetta’s work has inspired me and my students for the last three decades. When I attended art school in New York, I discover that Frazetta had a gallery in East Stroudsberg, PA. I would travel there in the hopes of meeting him in person, an event that never occurred. I did have many discussions with his wife and I would spend hours in the gallery attempting to decipher how Frazetta created the dynamic, illustrious sci-fi and fantasy illustrations. Also, something that never occurred. This particular book presents Frazetta’s ink drawings, masterfully drafted and full story.

Ordinarily I don’t believe in “greatest” comparisons, but this book is different. Animation historian extraordinaire Jerry Beck surveyed more than a thousand historians and animation professionals to ascertain their picks, compiled the results into a list of fifty “greatest” cartoons, and then created this book with a separate entry for each film. It’s both informative and an endless delight, with well-illustrated celebrations of classic cartoon gems from the Disney, Warner, Fleischer, and MGM studios as well as the smaller, more obscure companies. You may disagree with the rankings or the choices, but this is undeniably a deep dive into a cornucopia of treasures. And Jerry didn’t stop there; fifteen years later he followed up with a similar but more specialized volume, The 100 Greatest Looney Tunes.

A lot of what we write online are explanations. In blog posts, we explain our ideas. In sales copy, we explain how our products or services help make our customers a little better. 

This book discusses the common pitfalls of explanation, and it teaches you how to really explain something so your readers feel enlightened. 

Lee LeFever is probably best known as the co-founder of Common Craft, where he wrote scripts for animated explainer videos. However, the advice in this book is equally applicable to written explanations. Improving our explanation skills is key to writing better online.

I believe this is one of the greatest books for breaking down and understanding the emotion and simplicity of construction. I love that it offers a variety of animals and humans to draw from and it can save you so much time by teaching you the basic fundamentals of drawing cartoon faces that will guide you throughout your career.