The most recommended animation books

James McMullan is one of America’s preeminent illustrators, working consistently from the 60s to today. He may be most familiar for his long series of posters for Broadway shows at Lincoln Center, but he has also done magazine illustrations, children's books, record covers, and animation. Running parallel to his illustration work has been a long career in teaching, principally at New York’s School of Visual Arts (for which he also has done a series of subway posters). I was privileged to take his SVA illustration course– which had a stringent portfolio review – for two years early in my career, about the time this book appeared. No collection of greatest hits, or even a guide to achieving McMullan’s juicy watercolor style, this is a thoroughly candid tour through an illustrator’s work process, including a generous selection of preliminary sketches and reference photos.

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This is the book- the one that helped me to understand why animation is and always will be important.

Maltin is thorough and impartial, explaining the strengths and weaknesses of classic animated films with clarity and skill. He has been the standard I have always sought to emulate in my own animation writing.

A meditative look at the inner life and social contexts of Norstein’s film Tale of Tales about a little grey wolf who wades through the realities of postwar culture as the eponymous character of a popular national lullaby. 

Kitson’s recovery of the material and spiritual biography of a Soviet auteur showed me the way to my own work on the Jewish labor force in Soviet animation. 

This book laid the foundation of the importance of anatomy for me. I was first introduced to the pages as a college student and over fifty years later I use it as reference for myself and the students I teach. The author, through the use of his thorough, detailed illustrations, charts, photographs and explanations guide us through a maze of complicated body parts. His mastery of the human body allows him to visually present this complex topic into easily understandable material. The information contained within its pages has also been invaluable to me over the years as a constant reference in my quick sketching, illustration, and animation projects.

Coraline and her very preoccupied parents move into their new house. They seem to have very little time for her. While exploring the house, she finds a little door that takes her to another house. One that is exactly the same but different. Her “other” parents are doting on her, and aside from the fact that they have terrifying buttons for eyes, they seem to love and need her around. 

This is the graphic novel version of the creepy story that captivated so many kids by Neil Gaiman and the first visualization of the story before it was animated. I have always loved this version illustrated by P. Craig Russell.

This book is not so much educational as it is inspiring. Frazetta’s work has inspired me and my students for the last three decades. When I attended art school in New York, I discover that Frazetta had a gallery in East Stroudsberg, PA. I would travel there in the hopes of meeting him in person, an event that never occurred. I did have many discussions with his wife and I would spend hours in the gallery attempting to decipher how Frazetta created the dynamic, illustrious sci-fi and fantasy illustrations. Also, something that never occurred. This particular book presents Frazetta’s ink drawings, masterfully drafted and full story.

Hayley is thrilled to be accepted to a prestigious summer program for aspiring teen animators. But then only boys are chosen to direct the participants’ short films, and that might only scratch the surface of the boys’ club culture within the program. The multiple forms of sexism Hayley experiences throughout are so real, they were painful to read (in the best, truest way), as I reflected on my own experiences with misogynistic gatekeeping—but the community and solidarity that develop throughout this fantastic novel are very satisfying. 

Marcos has been a DreamWorks concept artist for many years and shares his trade secrets in this beautifully illustrated book about composition. I myself have taught composition for decades and Marcos does a great job of sharing tools to direct an audience’s eye to where you want them to look. Learn how to do this in your own illustrations. Composition is one of the most important skills to learn in art and one of the least successfully and clearly taught.

These are collections of writings by Miyazaki in translation: interviews, essays, production notes, doodles, and even poems. These are sometimes directly related to the films, and sometimes on general themes such as artistic integrity, the environment, and contemporary Japan. You get a picture of Miyazaki: deeply thoughtful, ethically engaged, and playfully child-like. Plus, lots of cool illustrations. The second volume goes up through Howls’ Moving Castle. 

I grew up loving animation and was captivated by how putting drawings together could create an illusion of life.

This wordless picture book somehow captures that awe with its interactive tabs. By flipping the tabs throughout the book, the characters move and feel like they are being animated.

I love that the story is a dance between Flora and her flamingo friend, literally and figuratively, as they have a disagreement. Everything about this book is well thought out—the interactive mechanisms really enhance the story. Additionally, the drawings are just so beautiful.  It’s simply fantastic!