Here are 100 books that Framed Ink fans have personally recommended if you like
Framed Ink.
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I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
I was privileged to see firsthand these two Disney Legends and their passions for the craft of storytelling through animation. I worked with Frank and Ollie as a young animation trainee. I learned the basics of animation by ‘in-betweening’ scenes primarily for Frank. In addition to ‘in-betweening’ for Frank, he would give me scenes to animate under his supervision. The principles and philosophy of the ‘Disney way’ are explained within the pages of this book and I was fortunate to have absorbed them firsthand.
Applying the principles of animation that Frank and Ollie presented has had a tremendous effect on all aspects of my art. My book, my personal award-winning illustrations, and a 38-year career with the Disney Studio bear witness of putting these principles into practice.
The most complete book on the subject ever written, this is the fascinating inside story by two long-term Disney animators of the gradual perfecting of a relatively young and particularly American art from, which no other move studio has ever been able to equal.
The authors, Frank Thomas and Ollie Johnston, worked with Walt Disney himself as well as other leading figures in a half-century of Disney films. They personally animated leading characters in most of the famous films and have decades of close association with the others who helped perfect this extremely difficult and time-consuming art form. Not to…
When I was in middle school, I’d spend much of my time in class daydreaming. Imagining myself in, say, a debate with someone I disagree with and going through a litany of scenarios where I’d try to convince that other person to change their mind. It’s a lot of fun. (My teachers would likely disagree.) When I grew older, I did more of that on my daily walks, and then about 11 years ago, I decided to start writing about creative ways to teach someone something they’re vehemently opposed to or just ambivalent about. I’ve published four books since then on this topic.
I bought this book when I first got into the field of data visualization. I wasn’t planning on learning how to create comics; I just wanted to see how someone from a different discipline—a comic artist—thought about position, color, meaning, and communicating a whole lot of things in a compact format.
The bestselling international classic on storytelling and visual communication "You must read this book." - Neil Gaiman Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.
My career has spanned all genres of entertainment and I have taught thousands of students across three decades. I share with those learnings. I have been trained at Walt Disney Animation Studios, freelanced for Marvel Comics, been an art director in video games for decades, owned three of my own businesses in art fields, and written many books on drawing. I share with you some of my favorite books, books that you can learn from if you apply the information within and therefore gain the ability yourself to create inspired work.
Bruce Block has taught at many of the studios in the film industry and now you can also learn about the tools of art that can be used to elevate your art to entertainment industry standards. I myself have worked in animation, video games, and comics. In video games, I have been an art director for many years and when I discovered this book, it dramatically increased my ability to be a better AD. Not only is this book broken down into clear topics with numerous visuals to help you understand but Bruce also shows you have to chart these tools allowing you to art direct your own projects. Every artist and visual creative person should own this book.
This updated edition of a best-selling classic shows you how to structure your visuals as carefully as a writer structures a story or composers structure their music. The Visual Story teaches you how to design and control the structure of your production using the basic visual components of space, line, shape, tone, color, movement, and rhythm. You can use these components to effectively convey moods and emotions, create a visual style, and utilize the important relationship between the visual and the story structures.
Using over 700 color illustrations, author Bruce Block explains how understanding the connection between story and visual…
My career has spanned all genres of entertainment and I have taught thousands of students across three decades. I share with those learnings. I have been trained at Walt Disney Animation Studios, freelanced for Marvel Comics, been an art director in video games for decades, owned three of my own businesses in art fields, and written many books on drawing. I share with you some of my favorite books, books that you can learn from if you apply the information within and therefore gain the ability yourself to create inspired work.
This book is not so much educational as it is inspiring. Frazetta’s work has inspired me and my students for the last three decades. When I attended art school in New York, I discover that Frazetta had a gallery in East Stroudsberg, PA. I would travel there in the hopes of meeting him in person, an event that never occurred. I did have many discussions with his wife and I would spend hours in the gallery attempting to decipher how Frazetta created the dynamic, illustrious sci-fi and fantasy illustrations. Also, something that never occurred. This particular book presents Frazetta’s ink drawings, masterfully drafted and full story.
I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
This two-book volume of notes, drawings, wise sayings, and philosophy are and have been invaluable assets to the learning curve of myself and numerous others. I have these same handouts, in storage boxes, saved over the years. I was there in the lunch-time drawing classes Walt taught at the Disney Studio. Before each drawing session he would hand out these xerox pages. On occasion some of my sketches were included in these handouts. With humor and enthusiasm, Walt encouraged us to push the models pose, see the possibilities and more, all with a goal of making better animation drawings.
Discover the lessons that helped bring about a new golden age of Disney animation!
Published for the first time ever, Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Brad Bird, Glen Keane, and John Lasseter. These writings represent the quintessential refresher for fine artists and film professionals, and it is a vital tutorial for students who are now…
A couple of years ago, in my late 50s, I learned I had ADHD. It was a huge discovery to finally understand why I daydreamed while being lectured and had so many thoughts racing through my mind. When I was younger, I assumed that there was a level playing field between my classmates and me when it came to basic brain function. So, I always felt extra frustrated and sad when I didn’t learn the same way as others. Only recently have I come to the new understanding about what was going on then—that my brain has always worked a little differently.
This book gave me goosebumps. Which then inspired me to draw that feeling.
Niko reminded me of myself observing the world and trying to capture it on paper, but Niko takes it a step further as he draws the “ring-a-ling” of the ice cream truck and the warmth of the sun on his face.
This is another book that all children will relate to, but a special select few will feel inspired, as I did.
Niko loves to draw his world: the ring-a-ling of the ice cream truck, the warmth of sun on his face.
But no one appreciates his art. Until one day, Niko meets Iris . . .
This imaginative and tender story explores the creative process, abstract art, friendship, and the universal desire to feel understood.
A Junior Library Guild selection, Charlotte Zolotow Honor Book, Children's Book Committee at Bank Street College Best Children's Book of the Year, Chicago Public Library Best of the Best Books, Cooperative Children's Book Center Choice, Midwest Connections Pick, NCTE Notable Children's Book in the Language Arts,…
I grew up in a family of artists and then went to art school, so I have been thinking visually my entire life. I have always collected random, inspiring books with both words and images. I love being able to pick up a book and read a chapter at a time or flip through it for visual inspiration. I keep some of my favorite books at my bedside just because they give me comfort. There are so many more books I could recommend in the category I have chosen!
Be sure not to let the title deceive you, though. It is useful for artists at all levels because it is a place to refresh basic skills. To see in a very clear way how to draw a man standing is super helpful no matter where you are in your art practice.
If you aim to draw fantastical caricatures or very realistically, this book breaks it all down for you so that you can hit the ground running in your own personal style.
This inspiring book makes drawing in a realistic style easier than you may think and more fun than you ever imagined!
Authors Mark and Mary Willenbrink (Watercolor for the Absolute Beginner) cover it all-from choosing materials and the correct way to hold your pencil, to expert advice on the tricky stuff, like getting proportions and perspective right, drawing reflections, and designing strong compositions. (It's not as scary as it sounds...not with Mark and Mary as your guide!)
At the heart of this book, a series of fun, hands-on exercises help you practice and perfect your strokes-24 mini-demos lead up to…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Long out of print and expensive, this classic of illustration techniques has been republished. Although it was first published over 70 years ago, the sections on color and painting will prove useful for any artist, whether they work for concept art, galleries, or illustration. Loomis was a top magazine illustrator and devoted his later years to writing encouraging and practical guides that covered all the key topics.
"Creative Illustration" is considered Loomis' magnum opus, which is aimed primarily at the professional-level illustrator. It's divided into seven sections: Line, Tone, Color, Telling the Story, Creating Ideas, Fields of Illustration, and Experimenting and Studies. The book is filled with instructions, tips, insider experiences, and incredible illustrations.
I have always loved to draw ever since my Dad used to sit drawing with me at the kitchen table when I was little. At Art School we had to spend the first six weeks doing a daily life drawing class before being allowed to pick up a paintbrush! I then studied graphic design setting up my own business, at a time when, without computers, drawing was essential for presenting layout and design. Nowadays, I’m constantly instilling in my students the importance of drawing and sketching. Having been a professional artist all my working life, drawing has been a fundamental element in every way, and all the way.
This comprehensive guide to drawing landscapes includes six step-by-step as well as many examples of Margaret’s work. With her wonderful drawing ability she is able to create stunning landscapes, some with incredible detail, some much looser, maintaining compositional balance throughout. I recommend this book to the beginner and more experienced alike as I think it has something for everyone. For anyone who wants some guidance for drawing landscapes, this book will inspire whatever your level of ability.
Artists of all skill levels will find much to inspire them in this detailed and practical guide to drawing landscapes. Margaret Eggleton guides you through easy-to-follow drawing stages, and gives advice on using sketchbooks, line and tone, perspective and more. She shows how to draw elements of the landscape such as trees and foliage, hills and mountains, skies, water and buildings, and there are practical, step-by-step exercises throughout to help you practise the techniques.
Margaret then guides you carefully through each stage of six stunning projects, each culminating in a beautiful landscape drawing you'll be proud of. Suitable for beginners…
As a lifelong artist and drawing enthusiast, I am passionate about the world of drawing and its potential to inspire creativity and self-expression. I never planned to be an art teacher. Surprisingly, a part-time job as a school bus driver led me to develop Monart®, which has become highly successful in schools around the world. My experience enabled me to present at state art educator conferences without having any formal training. I have had the privilege of inspiring and empowering students of all ages and backgrounds. At 85, nothing makes me happier than when a former student tells me their passion for drawing has led to a successful career.
My private art school offers classes exclusively in basic to advanced drawing techniques, with a focus on achieving varying degrees of realism across a range of subjects.
To accomplish this, I have designed a method that utilizes exercises and structured instruction. However, I am cautious not to impose too many limitations with my Monart® Method because I believe that too much structure can hinder students' creativity.
Nicolaides' The Natural Way to Draw was the perfect addition for my lesson plans. The loose style effectively captures the essence of the subject while encouraging students to maintain a realistic interpretation.
The speed that is involved in his quick sketching technique makes it possible for the student to practice shape and feeling.
The book provides clear and simple instructions with lots of illustrations.
