I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
This book laid the foundation of the importance of anatomy for me. I was first introduced to the pages as a college student and over fifty years later I use it as reference for myself and the students I teach. The author, through the use of his thorough, detailed illustrations, charts, photographs and explanations guide us through a maze of complicated body parts. His mastery of the human body allows him to visually present this complex topic into easily understandable material. The information contained within its pages has also been invaluable to me over the years as a constant reference in my quick sketching, illustration, and animation projects.
Stephen Rogers Peck's Atlas of Human Anatomy for the Artist remains unsurpassed as a manual for students. It includes sections on bones, muscles, surface anatomy, proportion, equilibrium, and locomotion. Other unique features are sections on the types of human physique, anatomy from birth to old age, an orientation on racial anatomy, and an analysis of facial expressions. The wealth of information offered by the Atlas ensures its place as a classic for the study of the human form.
Gorgeous illustrations abound in this through presentation of the anatomy of human and animal bodies. Practical application, diagrams, charts, text, definitions, and more have made this coffee table size book a go-to reference for me over the years.
Comparative anatomy of humans and animals has been a primary interest and subject of study of mine. I teach this topic and it is constantly brought into use in my quick sketching, illustration, and animation. I consider this a must-have for anyone interested in human and animal anatomy.
Designed for both professional and amateur artists, Cyclopedia Anatomicae is an essential guide to mastering the fundamentals of anatomical drawing. In addition to the human figure, it covers horses, dogs, cats, pigs, apes and more. Detailed, fully annotated illustrations of the skeletal, joint, and muscular systems clarify the proportions of each body type and lay the foundation for reproducing movements with true-to-life accuracy. With more than 1,500 illustrations, tips on drawing techniques, and informative explanations of the basics on human and animal anatomy, Cyclopedia Anatomicae provides the helpful guidance any artist can use.
I was privileged to see firsthand these two Disney Legends and their passions for the craft of storytelling through animation. I worked with Frank and Ollie as a young animation trainee. I learned the basics of animation by ‘in-betweening’ scenes primarily for Frank. In addition to ‘in-betweening’ for Frank, he would give me scenes to animate under his supervision. The principles and philosophy of the ‘Disney way’ are explained within the pages of this book and I was fortunate to have absorbed them firsthand.
Applying the principles of animation that Frank and Ollie presented has had a tremendous effect on all aspects of my art. My book, my personal award-winning illustrations, and a 38-year career with the Disney Studio bear witness of putting these principles into practice.
The most complete book on the subject ever written, this is the fascinating inside story by two long-term Disney animators of the gradual perfecting of a relatively young and particularly American art from, which no other move studio has ever been able to equal.
The authors, Frank Thomas and Ollie Johnston, worked with Walt Disney himself as well as other leading figures in a half-century of Disney films. They personally animated leading characters in most of the famous films and have decades of close association with the others who helped perfect this extremely difficult and time-consuming art form. Not to…
This two-book volume of notes, drawings, wise sayings, and philosophy are and have been invaluable assets to the learning curve of myself and numerous others. I have these same handouts, in storage boxes, saved over the years. I was there in the lunch-time drawing classes Walt taught at the Disney Studio. Before each drawing session he would hand out these xerox pages. On occasion some of my sketches were included in these handouts. With humor and enthusiasm, Walt encouraged us to push the models pose, see the possibilities and more, all with a goal of making better animation drawings.
Discover the lessons that helped bring about a new golden age of Disney animation!
Published for the first time ever, Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Brad Bird, Glen Keane, and John Lasseter. These writings represent the quintessential refresher for fine artists and film professionals, and it is a vital tutorial for students who are now…
Bambi, Sleeping Beauty, and Peter Pan are also part of this series. This compilation of drawings by master animators Frank Thomas, Ollie Johnston, Milt Kahl, Mark Davis, John Lounsbery, storyman Joe Grant and more are truly encouraging and inspiring. Before the drawings are passed along to the clean-up stage, we see the unique and beautiful drawings of the animators with the circles for heads and construction lines visible used to convey balance, proportion, perspective, silhouette, and attitude, all while drawing the character on model. We will all have a greater appreciation for the level of drawing mastery shared inside the pages of these books.
Spring 1997 is the fifty-fifth anniversary of the theatrical release of Bambi. This celebratory volume is filled with original sketches and color studies from the Animation Research Library and the personal collections of Bambi animators Ollie Johnston and Frank Thomas, many of which have never before been seen by the public. Walt Disney's Bambi reveals how animators Ollie Johnston, Frank Thomas, Marc Davis, Ty Wong and others transformed the Felix Salten story; how each of the beloved characters evolved; how the palette of the seasons was refined; and how the life of the forest was breathed into the animation.
One of the benefits quick sketching has given me is that it has sharpened my ability to analyze actions quickly. I now look at human and animal movement and see their basic shapes, the various shapes it is composed of as a whole and individually. I am able to quickly recognize special relationships between my subject or subjects; how far an arm is away from the body, the distance one foot is from another in a walk, or how one body relates to another in space. Seeing both the negative and positive shapes as equally important has given me control over my quick sketches. I am definitely a better artist today because of what quick sketching has caused me to focus my artistic attention on.
I come by my interest in history and the years before, during, and after the Second World War honestly. For one thing, both my father and my father-in-law served as pilots in the war, my father a P-38 pilot in North Africa and my father-in-law a B-17 bomber pilot in England. Their histories connect me with a period I think we can still almost reach with our fingertips and one that has had a momentous impact on our lives today. I have taken that interest and passion to discover and write true life stories of the war—focusing on the untold and unheard stories often of the “Average Joe.”
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on any other single day of the war.
The narrative of No Average Day proceeds hour by hour and incident by incident while focusing its attention on ordinary individuals—clerks, radio operators, cooks, sailors, machinist mates, riflemen, and pilots and their air crews. All were men who chose to serve their country and soon found themselves in a terrifying and otherworldly place.
No Average Day reveals the vastness of the war as it reaches past the beaches in…
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on December 7, 1941, when the Japanese attacked Pearl Harbor, or on June 6, 1944, when the Allies stormed the beaches of Normandy, or on any other single day of the war. In its telling of the events of October 24, No Average Day proceeds hour by hour and incident by incident. The book begins with Army Private First-Class Paul Miller's pre-dawn demise in the Sendai #6B Japanese prisoner of war camp. It concludes with the death…
