Here are 100 books that Cyclopedia Anatomicae fans have personally recommended if you like
Cyclopedia Anatomicae.
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I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
I was privileged to see firsthand these two Disney Legends and their passions for the craft of storytelling through animation. I worked with Frank and Ollie as a young animation trainee. I learned the basics of animation by ‘in-betweening’ scenes primarily for Frank. In addition to ‘in-betweening’ for Frank, he would give me scenes to animate under his supervision. The principles and philosophy of the ‘Disney way’ are explained within the pages of this book and I was fortunate to have absorbed them firsthand.
Applying the principles of animation that Frank and Ollie presented has had a tremendous effect on all aspects of my art. My book, my personal award-winning illustrations, and a 38-year career with the Disney Studio bear witness of putting these principles into practice.
The most complete book on the subject ever written, this is the fascinating inside story by two long-term Disney animators of the gradual perfecting of a relatively young and particularly American art from, which no other move studio has ever been able to equal.
The authors, Frank Thomas and Ollie Johnston, worked with Walt Disney himself as well as other leading figures in a half-century of Disney films. They personally animated leading characters in most of the famous films and have decades of close association with the others who helped perfect this extremely difficult and time-consuming art form. Not to…
I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
This book laid the foundation of the importance of anatomy for me. I was first introduced to the pages as a college student and over fifty years later I use it as reference for myself and the students I teach. The author, through the use of his thorough, detailed illustrations, charts, photographs and explanations guide us through a maze of complicated body parts. His mastery of the human body allows him to visually present this complex topic into easily understandable material. The information contained within its pages has also been invaluable to me over the years as a constant reference in my quick sketching, illustration, and animation projects.
Stephen Rogers Peck's Atlas of Human Anatomy for the Artist remains unsurpassed as a manual for students. It includes sections on bones, muscles, surface anatomy, proportion, equilibrium, and locomotion. Other unique features are sections on the types of human physique, anatomy from birth to old age, an orientation on racial anatomy, and an analysis of facial expressions. The wealth of information offered by the Atlas ensures its place as a classic for the study of the human form.
I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
This two-book volume of notes, drawings, wise sayings, and philosophy are and have been invaluable assets to the learning curve of myself and numerous others. I have these same handouts, in storage boxes, saved over the years. I was there in the lunch-time drawing classes Walt taught at the Disney Studio. Before each drawing session he would hand out these xerox pages. On occasion some of my sketches were included in these handouts. With humor and enthusiasm, Walt encouraged us to push the models pose, see the possibilities and more, all with a goal of making better animation drawings.
Discover the lessons that helped bring about a new golden age of Disney animation!
Published for the first time ever, Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios and influenced such talented artists as Tim Burton, Brad Bird, Glen Keane, and John Lasseter. These writings represent the quintessential refresher for fine artists and film professionals, and it is a vital tutorial for students who are now…
I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
Bambi, Sleeping Beauty, and Peter Pan are also part of this series. This compilation of drawings by master animators Frank Thomas, Ollie Johnston, Milt Kahl, Mark Davis, John Lounsbery, storyman Joe Grant and more are truly encouraging and inspiring. Before the drawings are passed along to the clean-up stage, we see the unique and beautiful drawings of the animators with the circles for heads and construction lines visible used to convey balance, proportion, perspective, silhouette, and attitude, all while drawing the character on model. We will all have a greater appreciation for the level of drawing mastery shared inside the pages of these books.
Spring 1997 is the fifty-fifth anniversary of the theatrical release of Bambi. This celebratory volume is filled with original sketches and color studies from the Animation Research Library and the personal collections of Bambi animators Ollie Johnston and Frank Thomas, many of which have never before been seen by the public. Walt Disney's Bambi reveals how animators Ollie Johnston, Frank Thomas, Marc Davis, Ty Wong and others transformed the Felix Salten story; how each of the beloved characters evolved; how the palette of the seasons was refined; and how the life of the forest was breathed into the animation.
Born at the base of the beautiful Wasatch Mountains, I began exploring and sketching the world—as most children do—at a very early age. I continued to pursue not only my artistic path through traditional schooling, higher education, and endless hours of practice, but also my love of storytelling. Intrigued by Science Fiction and Fantasy, many of my projects reflect elements of the fantastic, but I also appreciate the beauty and elegance in fine art masterpieces. I studied illustration and graphic design at Utah State University and the Academy of Art University in San Francisco. I currently live in Salt Lake City with my beautiful wife and four boys, where I continue to write, paint and draw regularly.
This is the artist's anatomy book I grew up studying throughout high school and college, and it goes deep into the structural and anatomical anatomy of the body. It gives good illustrative examples of the skeletal and muscular systems as well as providing a few photographic references for both male and female anatomy. It is a pretty old volume, having been originally published in 1957, but the principles remain the same and it holds up pretty well. For anyone serious about learning to not only draw or paint from life, but also the imagination, I highly recommend this foundational and educational reference guide.
"I recommend Fritz Schider's Atlas of Anatomy for Artists to those who wish to increase their understanding of the human figure." — Robert Beverly Hale, Lecturer on Anatomy, Art Students League of New York. Adopted by Pratt Institute, Cleveland School of Art, Art Students League of New York, and others.
For more than forty years, this book has been recognized as the most thorough reference book on art anatomy in the world. Schider's complete, historical text is accompanied by a wealth of anatomical illustrations, plus a variety of plates showcasing master artists and their classic works on the anatomy of…
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
You gotta know your sacrum from your humerus, and you've gotta know what your sterno-cleido-mastoid attaches to. Even if you forget the names, you've got to learn the shapes and the jobs. This book is pretty awesome for that. And it's pretty, too. I love the mix of photos and drawings. The transparency overlays of muscle over bone are crazy fun and might be that experience that triggers your flash of insight. This book isn't an art-school classic like, say Fritz Schider's Atlas of Anatomy for Artists, but it's good solid material. Drawing from a live model, with this book on your knee for reference? That's a good time.
Unlock your inner artist and learn how to draw the human body in this beautifully illustrated art book by celebrated artist and teacher Sarah Simblet.
This visually striking guide takes a fresh approach to drawing the human body. A combination of innovative photography and drawings, practical life-drawing lessons, and in-depth explorations of the body's surface and underlying structure are used to reveal and celebrate the human form.
Combining specially-commissioned photographs of models with historical and contemporary works of art and her own dynamic life drawing, Sarah leads us inside the human body to map its skeleton, muscle groups, and body…
I didn’t know anything at all about meteorites (or, really, space in general) until I took a cosmochemistry class during my first semester of a PhD program in geology. As soon as I learned that meteorites captured information about the start of the Solar System – the material we started with, hints about how planets evolve, and how meteorites changed the course of Earth – I was hooked. At the end of that class in 2007, I switched the main topic of my PhD research to studying meteorites and what they can tell us about the past, and I have been doing it ever since.
Like many folks, I am fascinated with the “where we came from” question. And for me, this is the quintessential book to dive into this topic from an evolutionary biology perspective.
Correct or not, I fancy myself someone that knows a decent amount about evolution and the human body, but I was captivated by the parts of the human body that have endured, for good or for bad, the long journey of us crawling out of the ocean and eventually into the office cubicle.
This book isn’t as laugh-out-loud funny as some others I generally like, but it really is a great book, and I had a hard time putting it down.
The paleontologist and professor of anatomy who co-discovered Tiktaalik, the “fish with hands,” tells a “compelling scientific adventure story that will change forever how you understand what it means to be human” (Oliver Sacks).
By examining fossils and DNA, he shows us that our hands actually resemble fish fins, our heads are organized like long-extinct jawless fish, and major parts of our genomes look and function like those of worms and bacteria. Your Inner Fish makes us look at ourselves and our world in an illuminating new light. This is science writing at its finest—enlightening, accessible and told with irresistible…
I am a teacher, a mom, a bubbe, and a writer. I taught elementary school and college courses, directed a daycare, and owned a children’s bookstore, but my favorite job is scribbling words on paper. I have two grown children and four wonderful granddaughters who love to listen as I read to them. Many of my ideas come from my experiences with my granddaughters and from their questions. Our family and friends are a mix of religions and cultures, and most of my books reflect the importance of diversity, acceptance, and knowledge.
I am recommending this book because I love books that feature different cultures and different abilities.
This book has minimal text, so the illustrations carry the message. I love reading this book to my grandkids and talking about how people are different and the same, from noses to feelings to the clothes they wear.
I also love the Sesame Street characters in the illustrations.
Who better than Elmo and his Sesame Street friends to teach us that though we may all look different on the outside-deep down, we are all very much alike?
Elmo and his Sesame Street friends help teach toddlers and the adults in their lives that everyone is the same on the inside, and it's our differences that make this wonderful world, which is home to us all, an interesting-and special-place. This enduring, colorful, and charmingly illustrated book offers an easy, enjoyable way to learn about differences-and what truly matters. We're Different, We're the Same is an engaging read for toddlers…
Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
This is such a fascinatingly researched book about the science during the time Mary Shelley created Frankenstein. I was surprised and enthralled to learn how many real-life Victor Frankensteins there were in Victorian England, all trying to be the first to reanimate a dead corpse. The accounts of grave robbery and, yes, even murder (The fresher the corpse, the better the experiment!) had me hooked throughout.
Also intriguing was how this macabre practice was deemed by many to be the cutting edge of science. I feel the theme is especially resonant today as we face our own life-creating hubris with Artificial Intelligence.
The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley’s gothic masterpiece, Frankenstein.
Montillo recounts how—at the intersection of the Romantic Age and the Industrial Revolution—Shelley’s Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death.
With true-life tales of grave robbers, ghoulish experiments, and the ultimate in macabre research—human reanimation—The Lady and Her Monsters is a brilliant exploration of the creation of Frankenstein, Mary…
I didn’t always know that I wanted to be a doctor, perhaps because there were no doctors in my family, and I did not even realize that I wanted to (or could) go to medical school until I was almost done with college. Once I did realize this, however, it became immediately obvious to me that being a physician (a surgeon) was what I wanted to dedicate my life’s work to, and I have been passionate about it ever since. Probably the topics I am most passionate about after surgery are education, books, reading, poetry, etc., so this book lets both these passions dovetail beautifully!
The
thing that I really like about this book is that it is literally built around a
3-D model of the body embedded in the center of the book, so that as you turn
the pages, you uncover different layers of the body, since the model is built
in layers, each attached to the board-book-style pages. So, opening the cover (the skin, as it
were) of the book reveals a page on the dermal system, and the skeletal system,
and as you turn the next page, the ribs come with the page to reveal some of
the internal organs, and so on.
