Here are 46 books that Anatomy for the Artist fans have personally recommended if you like
Anatomy for the Artist.
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Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
Steve Huston is one of my heroes. I love his art and I love how he talks about art. Steve walks with his feet firmly on the ground and lavishes the feel of the dirt between his toes. He talks about the lofty goals of being human and creating art in the most down-to-earth, practical ways.
And that's not a side-note to his how-to-draw book, that's the central message of this how-to-draw book. See the world, be in the world, trust and love your own senses, make contributions to the world. This book is filled with gorgeous drawings and a warm invitation to ways of seeing and drawing and conceptualizing the human figure.
Figure Drawing for Artists: Making Every Mark Count is not a typical drawing instruction book; it explains the two-step process behind juggernauts like DreamWorks, WB and Disney.
Though there are many books on drawing the human figure, none teach how to draw a figure from the first few marks of the quick sketch to the last virtuosic stroke of the finished masterpiece, let alone through a convincing, easy-to-understand method.
That changes now!
In Figure Drawing for Artists: Making Every Mark Count, award-winning fine artist Steve Huston shows beginners and pros alike the two foundational concepts behind the greatest masterpieces in…
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
This book really “clicks” with how I imagine the figure and how I draw. There are a hundred ways to learn to draw, and you need to find the one that clicks with how your brain works. But ways that don't click still strengthen you. Even if Hampton's approach isn't the right one for you in the long run, learning it and trying it out will only make you a better artist. There's great stuff here about visualizing form, and simplifying form while keeping everything living and breathing instead of stiff and posed. This is a great book for people who want to draw from imagination as well as from observation.
Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced artist alike. This book emphasizes a simplified understanding of surface anatomy, in order to clarify the mechanics of the figure, facilitate invention, and ultimately create a skill-set that can be successfully applied to other media. In addition, this book focuses very strongly on practical usage, making sure the artist is able to assimilate the steps presented here into a cohesive working process. (Fourth printing, September 2011)
Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced…
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
This is my list so I wanted to include this book that was so key to me. This is an art book, but it's a very math-y art book with very few illustrations and almost no how-to step-by-step illustrations. It has pages and pages of “to draw a line from 30 degrees above the horizon and 15 degrees to the left of center etc. etc. etc.” text. It's a dense read, but it was the book that solved six-point perspective for me, which was a topic I'd been working feverishly on for a solid year and couldn't quite nail on my own. It really opened up my understanding of perspective, especially curvilinear perspective drawing. I owe this book (and Flocon and Barre) a lot.
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
You're drawing, you're painting, you're doing whatever you do – you're making things that weren't there before. You're creating images, you're creating visual stories. Sometimes creation is a thrill, and sometimes it's a bizarre disorienting struggle. Nobody expresses the creative life quite like Mr.Earbrass (and Edward Gorey). Is it a how-to book? No. Is it a how-not-to book? It's not really that either. It's a story about an eccentric novelist crafting his latest book. I give this weird little storybook as a gift to artist and writer friends all the time. Everyone I've given it to just raves about it.
On November 18th of alternate years Mr Earbrass begins writing 'his new novel.' Weeks ago he chose its title at random from a list of them he keeps in a little green note-book. It being tea-time of the 17th, he is alarmed not to have thought of a plot to which The Unstrung Harp might apply, but his mind will keep reverting to the last biscuit on the plate." So begins what the Times Literary Supplement called "a small masterpiece." TUH is a look at the literary life and its "attendant woes: isolation, writer's block, professional jealousy, and plain boredom."…
I've been in love with biology since first playing with earthworms and marveling at the sprouting of radish seeds as a five-year-old. Further interest and curiosity led me to positions as nature counselor at summer camps and an eventual college degree in biology. Medical school was at times tedious, but the efficient, compact, durable mechanics of the musculoskeletal system totally engaged my interest. A residency in orthopedic surgery and a fellowship in hand surgery were natural follow-ons. My other passion is a love of teaching, taking a learner from where ever their understanding is presently and guiding them to what they need to know next. And they should have fun in the process.
Now turning to the human body, Bryson continues his long tradition of combining loads of engaging, thoroughly researched information with ironic humor.
He dissects his subject system by system, starting with the normal structure and function of the skin and eventually moving to the “nether regions.” He follows with chapters on what can go wrong and what can go very wrong. Whereas other books focus on single systems, e.g., skeleton or gut, The Body is broader in its scope but understandably not so thorough.
For a single book to heighten a reader’s marvel and understanding of the human workings, this is the one.
NEW YORK TIMES BESTSELLER • Bill Bryson, bestselling author of A Short History of Nearly Everything, takes us on a head-to-toe tour of the marvel that is the human body—with a new afterword for this edition.
Bill Bryson once again proves himself to be an incomparable companion as he guides us through the human body—how it functions, its remarkable ability to heal itself, and (unfortunately) the ways it can fail. Full of extraordinary facts (your body made a million red blood cells since you started reading this) and irresistible Brysonesque anecdotes, The Body will lead you to a deeper understanding…
I didn’t always know that I wanted to be a doctor, perhaps because there were no doctors in my family, and I did not even realize that I wanted to (or could) go to medical school until I was almost done with college. Once I did realize this, however, it became immediately obvious to me that being a physician (a surgeon) was what I wanted to dedicate my life’s work to, and I have been passionate about it ever since. Probably the topics I am most passionate about after surgery are education, books, reading, poetry, etc., so this book lets both these passions dovetail beautifully!
The
thing that I really like about this book is that it is literally built around a
3-D model of the body embedded in the center of the book, so that as you turn
the pages, you uncover different layers of the body, since the model is built
in layers, each attached to the board-book-style pages. So, opening the cover (the skin, as it
were) of the book reveals a page on the dermal system, and the skeletal system,
and as you turn the next page, the ribs come with the page to reveal some of
the internal organs, and so on.
I’m a science and technology journalist who has reported on neurotech and bioelectricity for over 15 years, for publications includingNew Scientist, IEEE Spectrum and Quartz. After a formative experience in a DARPA brain-stimulation experiment, I began to dig into the history and science of bioelectricity, trying to understand both the science at the level of membrane biophysics, and the history and psychology of how biology lost custody of electricity. My resulting book is an effort to create a repository of the real, rigorous studies that have advanced our understanding of this fascinating science at an accelerating rate in the past 20 to 40 years - and what the new science means about the future.
This book tells the story of how bioelectricity was finally accepted in modern neuroscience, how it interacts with biochemical elements of the nervous signal, and how its manipulation led to great medica and scientific advances in the late 20th century.
The author knew several of the leading figures who made these discoveries and provides personal anecdotes about them, as well as illuminating episodes from the history of neuroscience.
What happens during a heart attack? Can someone really die of fright? What is death, anyway? How does electroshock treatment affect the brain? What is consciousness? The answers to these questions lie in the electrical signals constantly traveling through our bodies, driving our thoughts, our movements, and even the beating of our hearts.
The history of how scientists discovered the role of electricity in the human body is a colorful one, filled with extraordinary personalities, fierce debates, and brilliant experiments. Moreover, present-day research on electricity and ion channels has created one of the most exciting fields in science, shedding light…
I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
Gorgeous illustrations abound in this through presentation of the anatomy of human and animal bodies. Practical application, diagrams, charts, text, definitions, and more have made this coffee table size book a go-to reference for me over the years.
Comparative anatomy of humans and animals has been a primary interest and subject of study of mine. I teach this topic and it is constantly brought into use in my quick sketching, illustration, and animation. I consider this a must-have for anyone interested in human and animal anatomy.
Designed for both professional and amateur artists, Cyclopedia Anatomicae is an essential guide to mastering the fundamentals of anatomical drawing. In addition to the human figure, it covers horses, dogs, cats, pigs, apes and more. Detailed, fully annotated illustrations of the skeletal, joint, and muscular systems clarify the proportions of each body type and lay the foundation for reproducing movements with true-to-life accuracy. With more than 1,500 illustrations, tips on drawing techniques, and informative explanations of the basics on human and animal anatomy, Cyclopedia Anatomicae provides the helpful guidance any artist can use.
Born at the base of the beautiful Wasatch Mountains, I began exploring and sketching the world—as most children do—at a very early age. I continued to pursue not only my artistic path through traditional schooling, higher education, and endless hours of practice, but also my love of storytelling. Intrigued by Science Fiction and Fantasy, many of my projects reflect elements of the fantastic, but I also appreciate the beauty and elegance in fine art masterpieces. I studied illustration and graphic design at Utah State University and the Academy of Art University in San Francisco. I currently live in Salt Lake City with my beautiful wife and four boys, where I continue to write, paint and draw regularly.
This is the artist's anatomy book I grew up studying throughout high school and college, and it goes deep into the structural and anatomical anatomy of the body. It gives good illustrative examples of the skeletal and muscular systems as well as providing a few photographic references for both male and female anatomy. It is a pretty old volume, having been originally published in 1957, but the principles remain the same and it holds up pretty well. For anyone serious about learning to not only draw or paint from life, but also the imagination, I highly recommend this foundational and educational reference guide.
"I recommend Fritz Schider's Atlas of Anatomy for Artists to those who wish to increase their understanding of the human figure." — Robert Beverly Hale, Lecturer on Anatomy, Art Students League of New York. Adopted by Pratt Institute, Cleveland School of Art, Art Students League of New York, and others.
For more than forty years, this book has been recognized as the most thorough reference book on art anatomy in the world. Schider's complete, historical text is accompanied by a wealth of anatomical illustrations, plus a variety of plates showcasing master artists and their classic works on the anatomy of…
I am a Harvard- and MIT-trained physician-scientist, and I am drawn to research problems that bridge the basic and the practical – how a better understanding of cells and tissues can inform new therapies for cancer and other diseases. As children, we are all scientists – mini-hypothesis generators trying to make sense of the world. I suppose I never outgrew that curiosity. My list of best science books credits writers who bring to life the excitement that comes from looking at the natural world in a new way, a spirit that I try to emulate in my own writing. I hope you enjoy these books as much as I have!
I can’t think of a better tale of discovery written by a scientist than Shubin’s engaging account of the unearthing of Tiktaalik, the first fish to walk on land.
I remember reading about the find on the front page of The New York Times, and this book is the backstory. By weaving his own boots-on-the-ground experience as a paleontologist with a highly approachable background on the relevant biology, Shubin us a front row seat to one of the most important events in evolution.
The paleontologist and professor of anatomy who co-discovered Tiktaalik, the “fish with hands,” tells a “compelling scientific adventure story that will change forever how you understand what it means to be human” (Oliver Sacks).
By examining fossils and DNA, he shows us that our hands actually resemble fish fins, our heads are organized like long-extinct jawless fish, and major parts of our genomes look and function like those of worms and bacteria. Your Inner Fish makes us look at ourselves and our world in an illuminating new light. This is science writing at its finest—enlightening, accessible and told with irresistible…
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