The most recommended fossil books

I recently travelled with David to make a BBC film about Hutton’s Unconformity, an important geological feature in Scotland that led to the ‘discovery’ of deep time.

But along the same coastline, we also came across a nuclear power station and a cement works - both creating unwanted legacies that will last long into the (fuel rods and carbon emissions, respectively.) These heirlooms are the focus of David’s book Footprints, in which he writes wonderfully about what we are leaving behind for future generations.

David teaches literature at Edinburgh University, so brings a literary perspective on time that I simply loved, and takes his reader all over the world in a quest to find “future fossils”.

Corless spent his life trawling through old magazines and scientific journals and recording articles about ancient artefacts that baffled the author at the time. He makes no comment on the articles, some of which reveal amazing discoveries. For example, the one about an iron cup that was found in a coal mine in Oklahoma. The coal had formed around it some 300m years ago and yet there it was—man-made but by whom. He outlines many other baffling discoveries as described in articles going back to the 19th century.

So often we find popular level dinosaur books with the most ridiculous and inaccurate illustrations. Usually, the fault lies with the middle-man – the children’s writer or the artist. In this book, we have an instance that is, luckily, becoming more common – the academic who has the skills to communicate directly with the general audience. Dr. Witton has the experience of studying fossil animals (pterosaurs are his specialty) and in his book demonstrates how the various aspects of his work command an accurate approach to his artwork (he is a superb artist). Any speculation in his book is based on his sound observations – who would have guessed that the keratinous covering of the horns of Triceratops continued to grow throughout life and so the horny sheaths would have produced weird curly structures like those of elderly sheep?

How can kids not walk away inspired to dig into their own interests after reading this book, especially if they feel like their dreams are out of reach or that they lack the skills to attain them? I love this book for the true life story it shares about a kid who grew up exploring the world around him, while paying attention to the details in a way that led to fascinating dinosaur fossil discoveries—discoveries that started small—with fossilized shells. Jack Horner found passion in hands-on science and persevered, despite dealing with the hardship of severe dyslexia. He also was helpful to me as I wrote my own book and was part of the inspiration behind it. It’s awesome to see such a great book about him.

These are thoughtfully observed, multi-generational stories about people obsessed with science while negotiating relationships and their place in the world. I’ve met some of them in Barrett’s previous books.

Much of the action happens in upstate New York, by the lake where my grandparents had a cottage. One major character, Henrietta Atkins, is first seen as a ten-year-old during the Civil War. She becomes a science teacher who studies moths, helps her sister’s family, and tries to find her place among the natural historians of her day. 

A family tree helps keep track of the characters over a century and a half. I especially like the details Barrett’s characters focus on. “…a young heron stabbed at a frog and missed, as if he didn’t yet understand how the surface bent the light and made everything shift position.”

Another favorite romance trope of mine is Beauty and the Beast, and Quick gives us The Beast of Blackthorn Hall paired with a paleontologist heroine who brooks no nonsense, especially from the Beast. The poor man doesn’t understand how outmatched he is until it’s too late. There are caves, dinosaur fossils, smugglers, the ocean tide, and the wonderful road to love for two characters who really, truly, need each other. The dialogue absolutely sparkles. Amanda Quick is a pen name for NYT bestselling author Jayne-Ann Krentz.  

Since long before the modern version of glitter was created—and continuing right up to the present, alongside the plastic stuff—mica has been a major source of sparkle for people all over the world.

But given the amount of ground (no pun intended) that we cover in our book, we were limited in how much detail we could go into about the mineral itself. This photo-rich, highly browsable, well-indexed geological guide for young rockhounds and others with minerals on their minds will come in handy for readers who want to know more about mica.

I met the author, Professor Mike Bassett, at the National Museum and Galleries of Wales on a visit from the Natural History Museum in London where I was the Curator of Gemstones. After an amazing walk around the museum and its collections, I finished my tour back in his office, where he gave me a signed copy of this slim book. I loved the photo of the front cover, of a coiled ammonite fossil with a fake snake head.

What particularly caught my interest was the fact that the book not only gave the scientific facts about the fossils but also introduced the more aesthetic, medicinal, and metaphysical aspects. I loved reading about the myths and legends and the entertaining nicknames such as Devil’s toenail for Gryphaea, a fossil oyster.

The history of life’s diversity, as revealed in the fossil record has been tumultuous. Periods of explosive evolution alternated with times of major species loss. Hannah skillfully utilizes the geologic record to provide a historical context for our current global ecological emergency and the rapid demise of many key species. He makes a strong case that those who ignore the clear messages of geologic history are doomed to experience the worsening “Sixth Extinction” during the newly defined Anthropocene epoch.

The reason that many dinosaur restorations are inaccurate is mostly because the artists base them only on the bones and skeletons. In an interesting exercise the authors and artists here have taken modern animals and imagined how future palaeontologists would illustrate them on the same basis. An elephant has no trunk (the soft musclular material would not have fossilized). A humming bird is a vampire (its long narrow beak looks so much like a hypodermic needle). A manatee is a pig-like animal grazing on upland meadows (or so we would surmise if we only knew of its skull). As a contrast they take the traditional view of fossil animals and make perfectly reasonable predictions of their behaviour based on modern animal lifestyles. Hypsilophodon eats millipedes (although it was definitely a vegetarian - but most modern vegetarian animals eat the occasional meaty snack). Protoceratops climbs trees (although its feet show it… show more.