I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
Reviewers of TheGreat Fossil Enigmathought that book strange. If they tried to think of a book like it, then they alighted on this one. I don’t see much similarity, but I do think Cohen’s book is strange. Her first paragraph is a single sentence of just seven words. It is: ‘This is not a book about mammoths.’ That sentence isn’t quite true because the book is about mammoths, but Cohen uses these animals as a pretext for a much grander history of science. The approach couldn’t be more different from the other books on my list.
From cave paintings to the latest Siberian finds, woolly mammoths have fascinated people across Europe, Asia and North America for centuries. Remains of these enormous prehistoric animals were among the first fossils to be recognized as such, and they have played a crucial role in the birth and development of paleontology. In this lively, wide-ranging look at the fate of the mammoth, Claudine Cohen reanimates this large mammal with heavy curved tusks and shaggy brown hair through its history in science, myth and popular culture. Cohen uses the mammoth and the theories that naturalists constructed around it to illuminate wider…
As a fiction writer and animal studies scholar, I’m always looking for strange historical anecdotes about human/animal relationships and literary works that help me view humanity’s complex historical relationship with our fellow creatures through fresh eyes. As these books show, whenever humans write about animals, we also write about personhood, bodily autonomy, coexistence, partnership, symbiosis, spectacle, sentience, and exploitation—themes perpetually relevant to what it means to be human!
This book immediately caught my eye with its cheeky Prince quote-as-title, then blew me away with Passarello’s meticulously researched, elegantly crafted essays, each centering around a different animal from world history.
Passarello’s prose is lyrical, whether she’s dramatizing Mozart’s creative correspondence with his pet starling, introducing us to “Mike, the headless chicken,” or whimsically “finishing” Christopher Smart’s famed 18th-century paean to his beloved cat Jeoffry.
Reading this book feels like visiting a combination zoo/museum with my smartest animal-loving friend.
Beginning with Yuka, a 39,000 year old mummified woolly mammoth recently found in the Siberian permafrost, each of the 16 essays in Animals Strike Curious Poses investigates a different famous animal named and immortalized by humans. Modeled loosely after a medieval bestiary, these witty, playful, whipsmart essays traverse history, myth, science, and more, bringing each beast vibrantly to life.
Elena Passarello is an actor, a writer, and recipient of a 2015 Whiting Fellowship in nonfiction. Her first collection with Sarabande Books, Let Me Clear My Throat, won the gold medal for nonfiction at the 2013 Independent Publisher Awards. She lives…
Science is truth and always evolving as we discover new things. Like a child, scientists are always asking "Why this? Why that?" Great scientists like great artists are childlike or at least manage to harness the wonder of their childhood self. If a child is interested in the world around them they will never be bored. It will set them up for life and that's a truly precious thing.
This book is all about Macaulay's incredible draftsmanship, almost like Leonardo Davinci's.
It's full of wit and wisdom and has had to be constantly revised as new technologies emerge (I don't think we had VR Goggles in 1988). So, it's a bit like science itself.
Explainer-in-Chief David Macaulay updates the worldwide bestseller The New Way Things Work to capture the latest developments in the technology that most impacts our lives. Famously packed with information on the inner workings of everything from windmills to Wi-Fi, this extraordinary and humorous book both guides readers through the fundamental principles of machines, and shows how the developments of the past are building the world of tomorrow. This sweepingly revised edition embraces all of the latest developments, from touchscreens to 3D printer. Each scientific principle is brilliantly explained--with the help of a charming, if rather…
A lot of the books I write are about science or history, and Mr Darwin just happened to be about both: it was a history of science, as science was in 1859. People say the world changed after Darwin published, The Origin of Species in 1859, but Origin was a symptom not a cause. My book is a history of science that looks at how the world was changing (and shrinking) in the year 1859, as new specimens, new materials, new technologies, and new ideas came into play.
I have to deal, from time to time, with nervous would-be experts who have an abject fear of hybrid species in the sanctuary where I am a volunteer. One of the main lessons you take away from this ecological history is that hybrids drive a great deal of evolution, and trying to wipe out the hybrids is, in fact, an attempt to interfere with nature.
Looking at Europe as an evolutionary melting pot, we see that time and again, species migrated into the continent and were transformed, whether the immigrants were humans, elephants, or plane trees. Like all of Flannery’s books, Europe is food for thought, something to savour.
'Vivid, thrilling, a delight ... Tim Flannery is a palaeontologist and ecologist of global standing, and this is a compelling and authoritative narrative of the evolution of Europe's flora and fauna, from the formation of the continent to its near future ... an exciting book, full of wonder' James McConnachie, Sunday Times
A place of exceptional diversity, rapid change, and high energy, Europe has literally been at the crossroads of the world ever since the interaction of Asia, North America and Africa formed the tropical island archipelago that would become the continent of today.
