16 books like Animals Strike Curious Poses

I don’t know of another book that so successfully explodes all our usual myths of rural America. Jesmyn Ward tells a story of community and tragedy as she chronicles the deaths of five young men across five years, including her younger brother, in her hometown of DeLisle, Mississippi, a rural, primarily African American community on the Gulf Coast.

This memoir is deeply sad and troubling, but I found the power of Ward’s language, wisdom, and resilience simply stunning. 

There’s this rumor that poets look longer and harder at the ornaments of the world than do anyone else.  They keep looking, and looking, and looking, after most everyone else has long ago looked away, moved on. Here, in the wonderful world of poet Aimee Nezhukumatathil’s first book of nonfiction, whimsy and reverence twine like the DNA helices of the flora and fauna she examines. In her essay on the firefly, I adore the part when the insects “…lose their light rhythm for a few minutes after a single car’s headlights pass. Sometimes it takes hours for them to recalibrate their blinking patterns.”

In Ross Gay’s linked essay collection, The Book of Delights, the desire to record joyous observations, and to examine the complexities and “underbellies” of such quotidian moments—becomes, as the book progresses, an act of political commentary, and unexpected engagement of social justice. The essay, “Bird Feeding,” shows Gay obsessively watching a man feed a pigeon until their bodies—that of the man and that of the bird—seem to fuse together. “How often do you get to see someone slow dancing with a pigeon!” Gay exclaims, revealing the often-hidden tenderness that can exist between human beings and wild birds.   

Valeria Luiselli dissects the odd systems and networks of our world’s cities and reveals in their hidden corners and corridors strange and magical identities. Luiselli’s essays further interrogate a city’s relationship to the bodies, cultures, artifacts, and languages that inhabit its spaces. In the essay, “Flying Home,” Luiselli journeys to Mexico City, the place of her birth, and, staring out of her airplane window, considers the city’s layout from this great height. This act of “mapping” according to her extraordinary vantage (suspended in flight), allows for a greater, incantatory meditation on our various perceptions of “home,” and how said perceptions depend as much on the imagination and on ephemeral memories as they do on reality.   

For me, this book is a master class on using animals to write about humans without losing sight that animals aren’t human at all. It’s also laugh-out-loud hilarious because each story here is based on a real celebrity’s fateful encounter with an animal—and Millet uses a delightfully broad and irreverent definition of “celebrity.”

In this book, Noam Chomsky tries to sell a used gerbil habitat, Sharon Stone’s journalist husband is bitten and infected by a komodo dragon, and Madonna, in her British accent phase, shoots a pheasant badly. Millet’s precise prose satirically skewers our relationship with celebrities and creatures, inviting us to reconsider both.

Colin Dayan’s book is a memoir of her 1960s Southern childhood, so lushly described that I can smell the magnolias. Using the fauna of her youth as touchstones, Dayan’s interrogations of race, gender, and place illuminate how Americans treat animals and each other.

Her research into the song “The Old Gray Mare” becomes a meditation on female aging and filial tension. Photographs of the violent bullfights her parents enjoyed on their honeymoon seem prescient considering their doomed marriage.

Meanwhile, Lucille, Dayan’s African-American nanny, forms the book’s emotional core. She takes her young charge, Possum, hunting while teaching her how unfairly humankind excludes beings they deem “less-than.” 

Grounded in philosophy and law, Thalia Field’s book explores how human/animal relationships are codified by human systems. Like Field’s other ecocritical work, this one is formally bold, blurring the lines between lyric essay and poetry.

I am particularly intrigued by 'Happy/That You Have The Body (The Mirror Test),' where Field uses the legal concept of habeas corpus and the Mirror Self-Recognition test to discuss the rights of a captive elephant named Happy, isolated from her own kind for 40 years.

This book is exactly the kind of animal writing I love because each piece asks loudly why “some animals are more equal than others.”

Hannah Tinti’s debut collection is a darkly funny book of stories about how people coexist with animals. The stories are both harrowing and heartfelt. Her sense of humor is just the right level of disturbing for me.

Slim’s Last Ride, the bizarre tale of a little boy convinced his pet rabbit can fly, narrated by his equally unwell mother, realistically depicts mental illness and dysfunction.

How To Revitalize the Snake in Your Life is an icy revenge fable involving an ex-boyfriend’s abandoned snake, repurposed as dinner.

Unlike my other picks, many animals in this one are inconvenient, unwanted, or misunderstood by their human companions, leading to tension and danger. 

Yoga is much more than a workout, and the difference between a good class and a great one often centers on the instructor’s ability to inspire students to make a deeper connection—with themselves, with others, and with the world. In this practical and illuminating book, experienced instructors Sage Rountree and Alexandra Desiato offer a wealth of information designed to give yoga teachers essential tools to find their own, unique voice and take their classes to the next level. The book includes a section of 54 complete themes followed by blank temples and helpful prompts to create your own themes. Amidst bookshelves crowded with volumes on how to teach postures, this book stands out as a uniquely-helpful exploration of how to teach yoga.

In recent years, there’s been a growing appreciation that yoga is not just for slim, bendy, twentysomethings, but can offer profound physical, emotional, mental, and spiritual benefits to people of all ages, sizes, and health conditions. Much of this increased awareness is due to the work of Jivana Heyman, director of the non-profit Accessible Yoga Association, whose mission statement proclaims that “all people—regardless of ability or background—deserve equal access to yoga.” Heyman has spent more than 20 years teaching yoga to people with disabilities, with an emphasis on community building and social engagement. In this book, he offers inspiring and practical guidance on how to break down complex yoga practices in ways that make them accessible, enjoyable, and healing for anyone—regardless of limitations or challenges.