Here are 19 books that Animals Strike Curious Poses fans have personally recommended if you like
Animals Strike Curious Poses.
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I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
Not only does Ward provide an incredibly personal and achingly beautiful glimpse of a culture I was unfamiliar with—a rural, impoverished Black community in the Deep South—but she does so with an innovative structure that simply dazzled me.
One strand of the book opens at the beginning of Ward’s life, while the other strand picks up at the end of her tale, with the most recent of five harrowing deaths due to gun violence that she and her community have endured. Each part of the story then alternately proceeds toward the same point, forwards along her childhood and backwards through each death, until both strands wind up in the middle of the story. It’s brilliantly executed.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
Like many who carry over childish curiosity into adulthood, I'm attracted to forbidden places. I trespass. When I heard that a portion of South Africa’s coast was owned by the De Beers conglomerate and closed to the public for nearly 80 years, plunging the local communities into mysterious isolation, I became obsessed with visiting the place. Afterward, I began studying carrier pigeons—the amazing flying things that folks use to smuggle diamonds out of the mines. I wrote a book about this, Flight of the Diamond Smugglers. I'm also the author of nonfiction books about the first-ever photograph of the giant squid, working on a medical marijuana farm, and American food culture.
There’s this rumor that poets look longer and harder at the ornaments of the world than do anyone else. They keep looking, and looking, and looking, after most everyone else has long ago looked away, moved on. Here, in the wonderful world of poet Aimee Nezhukumatathil’s first book of nonfiction, whimsy and reverence twine like the DNA helices of the flora and fauna she examines. In her essay on the firefly, I adore the part when the insects “…lose their light rhythm for a few minutes after a single car’s headlights pass. Sometimes it takes hours for them to recalibrate their blinking patterns.”
"Hands-down one of the most beautiful books of the year." -NPR
From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction-a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us.
As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted-no matter how awkward the fit…
Like many who carry over childish curiosity into adulthood, I'm attracted to forbidden places. I trespass. When I heard that a portion of South Africa’s coast was owned by the De Beers conglomerate and closed to the public for nearly 80 years, plunging the local communities into mysterious isolation, I became obsessed with visiting the place. Afterward, I began studying carrier pigeons—the amazing flying things that folks use to smuggle diamonds out of the mines. I wrote a book about this, Flight of the Diamond Smugglers. I'm also the author of nonfiction books about the first-ever photograph of the giant squid, working on a medical marijuana farm, and American food culture.
In Ross Gay’s linked essay collection, The Book of Delights, the desire to record joyous observations, and to examine the complexities and “underbellies” of such quotidian moments—becomes, as the book progresses, an act of political commentary, and unexpected engagement of social justice. The essay, “Bird Feeding,” shows Gay obsessively watching a man feed a pigeon until their bodies—that of the man and that of the bird—seem to fuse together. “How often do you get to see someone slow dancing with a pigeon!” Gay exclaims, revealing the often-hidden tenderness that can exist between human beings and wild birds.
A NEW YORK TIMES BESTSELLER As Heard on NPR's This American Life 'The delights he extols here (music, laughter, generosity, poetry, lots of nature) are bulwarks against casual cruelties . . . contagious in their joy' New York Times
The winner of the NBCC Award for Poetry offers up a spirited collection of short lyric essays, written daily over a tumultuous year, reminding us of the purpose and pleasure of praising, extolling, and celebrating ordinary wonders.
Among Gay's funny, poetic, philosophical delights: a friend's unabashed use of air quotes, cradling a tomato seedling aboard an aeroplane, the silent nod of…
Like many who carry over childish curiosity into adulthood, I'm attracted to forbidden places. I trespass. When I heard that a portion of South Africa’s coast was owned by the De Beers conglomerate and closed to the public for nearly 80 years, plunging the local communities into mysterious isolation, I became obsessed with visiting the place. Afterward, I began studying carrier pigeons—the amazing flying things that folks use to smuggle diamonds out of the mines. I wrote a book about this, Flight of the Diamond Smugglers. I'm also the author of nonfiction books about the first-ever photograph of the giant squid, working on a medical marijuana farm, and American food culture.
Valeria Luiselli dissects the odd systems and networks of our world’s cities and reveals in their hidden corners and corridors strange and magical identities. Luiselli’s essays further interrogate a city’s relationship to the bodies, cultures, artifacts, and languages that inhabit its spaces. In the essay, “Flying Home,” Luiselli journeys to Mexico City, the place of her birth, and, staring out of her airplane window, considers the city’s layout from this great height. This act of “mapping” according to her extraordinary vantage (suspended in flight), allows for a greater, incantatory meditation on our various perceptions of “home,” and how said perceptions depend as much on the imagination and on ephemeral memories as they do on reality.
Luiselli's essays (originally published in Mexico) have been released to great acclaim abroad and has been translated for and published in the UK, Italy, Germany, and The Netherlands Alma Guillermoprieto called Luiselli "one of the most important new voices in Mexican writing" at BEA and Luiselli is similarly known to and beloved by Latin American writers and venues including PEN America, the Americas Society, and the Mexican Cultural Institute Luiselli's work is well known to bilingual Spanish language readers (including invitations to appear at Instituto Cervantes in Chicago and the Spanish language bookclub at McNally Jackson) Luiselli is an engaging…
I’m a yoga therapist, health journalist, mother, and grandmother with a passion for helping people harness the powerful medicine of movement. Physical activity is essential to good health, and yoga can be particularly effective because it’s a holistic discipline that enhances all aspects of wellbeing—physical, emotional, cognitive, and spiritual. I started taking a weekly yoga class in my early 20s to stretch tight muscles and relieve stress from my busy job as a Washington Post reporter. Nearly 50 years later, yoga is central to my life, with practices that have helped me through several major health challenges, and kept me balanced, fit, and centered in our unpredictable world.
Yoga is much more than a workout, and the difference between a good class and a great one often centers on the instructor’s ability to inspire students to make a deeper connection—with themselves, with others, and with the world. In this practical and illuminating book, experienced instructors Sage Rountree and Alexandra Desiato offer a wealth of information designed to give yoga teachers essential tools to find their own, unique voice and take their classes to the next level. The book includes a section of 54 complete themes followed by blank temples and helpful prompts to create your own themes. Amidst bookshelves crowded with volumes on how to teach postures, this book stands out as a uniquely-helpful exploration of how to teach yoga.
Create class themes with yoga philosophy, inspirational quotes, and simple concepts to inspire and motivate students
Experienced yoga instructors Sage Rountree and Alexandra DeSiato give yoga teachers the tools to find their voice and tap into innate wisdom. The authors offer ready-made, detailed themes to use in classes and provide flexible templates for building a toolkit of themes for future use. Teaching Yoga Beyond the Poses offers guidance for both new and experienced teachers starting with a section on voice, authenticity, emulation, phrasing, practice, repetition, and finding inspiration. It continues with a second section that contains fifty-four complete themes that…
I’m a yoga therapist, health journalist, mother, and grandmother with a passion for helping people harness the powerful medicine of movement. Physical activity is essential to good health, and yoga can be particularly effective because it’s a holistic discipline that enhances all aspects of wellbeing—physical, emotional, cognitive, and spiritual. I started taking a weekly yoga class in my early 20s to stretch tight muscles and relieve stress from my busy job as a Washington Post reporter. Nearly 50 years later, yoga is central to my life, with practices that have helped me through several major health challenges, and kept me balanced, fit, and centered in our unpredictable world.
In recent years, there’s been a growing appreciation that yoga is not just for slim, bendy, twentysomethings, but can offer profound physical, emotional, mental, and spiritual benefits to people of all ages, sizes, and health conditions. Much of this increased awareness is due to the work of Jivana Heyman, director of the non-profit Accessible Yoga Association, whose mission statement proclaims that “all people—regardless of ability or background—deserve equal access to yoga.” Heyman has spent more than 20 years teaching yoga to people with disabilities, with an emphasis on community building and social engagement. In this book, he offers inspiring and practical guidance on how to break down complex yoga practices in ways that make them accessible, enjoyable, and healing for anyone—regardless of limitations or challenges.
“A treasure trove . . . what Yoga, capital Y, is all about.” —Donna Farhi “Nothing less than a gem.” —Judith Lasater “A vital tool.” —Book Riot
This daring, visionary book revolutionizes yoga practice, making it truly accessible to everyone—in every body, at any age, and in any state of health
Yoga practice has so much to offer us physically, emotionally, mentally, and spiritually. But many of us feel discouraged to practice because we see young, slim, flexible, well, and able-bodied people dominating yoga spaces. Yet, yoga is truly a practice for all—conferring enormous benefits to our overall well-being as…
I write about those people (geologists, art historians, historians, and curators), places (museums, universities, and societies), and things (fossils, paintings, and historical artifacts) that shape our understanding of the world. I am not so much interested in the history of ideas as in the very nature of art, geology, history, and the museum. And like my recommended authors, the approach I take to my subjects is, I hope, always rather novel. In The Great Fossil Enigma, for example, I felt that the tiny, suggestive, but ultimately ambiguous, nature of the fossils permitted me to see into the scientific mind. This tends to be where extinct animals live after their demise.
Reviewers of TheGreat Fossil Enigmathought that book strange. If they tried to think of a book like it, then they alighted on this one. I don’t see much similarity, but I do think Cohen’s book is strange. Her first paragraph is a single sentence of just seven words. It is: ‘This is not a book about mammoths.’ That sentence isn’t quite true because the book is about mammoths, but Cohen uses these animals as a pretext for a much grander history of science. The approach couldn’t be more different from the other books on my list.
From cave paintings to the latest Siberian finds, woolly mammoths have fascinated people across Europe, Asia and North America for centuries. Remains of these enormous prehistoric animals were among the first fossils to be recognized as such, and they have played a crucial role in the birth and development of paleontology. In this lively, wide-ranging look at the fate of the mammoth, Claudine Cohen reanimates this large mammal with heavy curved tusks and shaggy brown hair through its history in science, myth and popular culture. Cohen uses the mammoth and the theories that naturalists constructed around it to illuminate wider…
As a speech pathologist, as well as a fiction writer and poet, I’ve been fascinated by language ever since I learned how to speak. Once I had kids, I was amazed to listen in on their conversations, which often surprised me in all the ways they were discovering and thinking about the world. I began researching how the adults in their lives could best help them express themselves—and how we can best understand them. Along the way, I realized that having these sorts of conversations can enhance our family lives and let us have more fun. I hope this list starts up some great conversations for you!
If you have a child who’s interested in the inner workings of things, or who has lots of “why” questions, you need this book. It’s been updated since its prior version and now covers stuff like digital cameras, e-paper displays, and lots of other classics like robots and gears. The great part is it starts with the basics and goes up in complexity—I’ve used the simple stories with young kids and the complex diagrams to teach science topics to middle schoolers. And the visual nature of the book lends itself to kids flipping through and seizing on what catches their interest.
Explainer-in-Chief David Macaulay updates the worldwide bestseller The New Way Things Work to capture the latest developments in the technology that most impacts our lives. Famously packed with information on the inner workings of everything from windmills to Wi-Fi, this extraordinary and humorous book both guides readers through the fundamental principles of machines, and shows how the developments of the past are building the world of tomorrow. This sweepingly revised edition embraces all of the latest developments, from touchscreens to 3D printer. Each scientific principle is brilliantly explained--with the help of a charming, if rather…
A lot of the books I write are about science or history, and Mr Darwin just happened to be about both: it was a history of science, as science was in 1859. People say the world changed after Darwin published, The Origin of Species in 1859, but Origin was a symptom not a cause. My book is a history of science that looks at how the world was changing (and shrinking) in the year 1859, as new specimens, new materials, new technologies, and new ideas came into play.
I have to deal, from time to time, with nervous would-be experts who have an abject fear of hybrid species in the sanctuary where I am a volunteer. One of the main lessons you take away from this ecological history is that hybrids drive a great deal of evolution, and trying to wipe out the hybrids is, in fact, an attempt to interfere with nature.
Looking at Europe as an evolutionary melting pot, we see that time and again, species migrated into the continent and were transformed, whether the immigrants were humans, elephants, or plane trees. Like all of Flannery’s books, Europe is food for thought, something to savour.
'Vivid, thrilling, a delight ... Tim Flannery is a palaeontologist and ecologist of global standing, and this is a compelling and authoritative narrative of the evolution of Europe's flora and fauna, from the formation of the continent to its near future ... an exciting book, full of wonder' James McConnachie, Sunday Times
A place of exceptional diversity, rapid change, and high energy, Europe has literally been at the crossroads of the world ever since the interaction of Asia, North America and Africa formed the tropical island archipelago that would become the continent of today.
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
This haunting collection of short stories left a faint chill in my bones for weeks—very aptly, given its name. None of the seven tales are conclusive, or wrapped up neatly. It feels as if there is always a kernel inside each one that remains tucked out of sight, no matter how many outer layers are peeled off—or in the case of one of the stories, no matter how much hide is flayed away.
Visual and performance artist, and winner of the inaugural Kill Your Darlings Manuscript Award, SJ Norman turns their hand to fiction with spectacular results. Permafrost explores the shifting spaces of desire, loss and longing. Inverting and queering the gothic and romantic traditions, each story represents a different take on the concept of a haunting or the haunted. Though it ranges across themes and locations – from small-town Australia to Hokkaido to rural England – this collection is united by the power of the narratorial voice, with its auto-fictional resonances, dark wit and swagger. Whether recounting the confusion of a child…
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