I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
Muehlmann’s beautiful, gripping book reveals how cartels and drug violence are not separate from everyday life, but instead interwoven with almost all facets of life on the Mexican side of the US-Mexico border.
In a narrative style, she traces how everyday people unwittingly get into supporting the drug trade, or find themselves wrapped up in supporting traffickers without their knowledge. She also illustrates how the figure of the “narco” (drug trafficker) gets idealized in the borderlands. An incredible read for anyone interested in the complexity of the US-Mexico border.
When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico's north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural…
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
The people in Sweet Mister are broken and derelict, strong and resilient, funny and terrifying. The book opens with overweight thirteen-year-old Shuggie (Sweet Mister) being forced to climb up a drain pipe to break into a building to steal drugs for Red, his mother’s treacherous, drug-addicted boyfriend. We follow through the eyes of Sweet Mister, who doesn’t know who his father is. It’s rumored to be the town’s wealthiest citizen. That rumor, more like fabrication, is told to him in the aftermath of Red’s rage, after he’s torn through the house like a tornado destroying everything in his wake, almost like a fairytale, spinning evermore intricately by Glenda, his adored mother, the most beautiful girl in Missouri. Shug is willing to believe it. Anyone besides Red.
Shug is in love with his mother, and he wants a better life for her. Better than a life of stealing from other people,…
Shug Akins is a lonely, overweight thirteen-year-old boy. His mother, Glenda, is the one person who loves him -- she calls him Sweet Mister and attempts to boost his confidence and give him hope for his future. Shuggie's purported father, Red, is a brutal man with a short fuse who mocks and despises the boy. Into this small-town Ozarks mix comes Jimmy Vin Pearce, with his shiny green T-bird and his smart city clothes. When he and Glenda begin a torrid affair, a series of violent events is inevitably set in motion. The outcome will break your heart.
How do rural areas fail young women? Monica Potts relentlessly pursues
this question in The Forgotten Girls because, while she escaped
this particular kind of failure, her best friend did not.
This is an uncompromising
look at the challenges of growing up in Clinton, AR, a typical small southern
town that soaks its young people in a particular and complex bath of religiosity
and rural politics with a generous handful of toxic sexism thrown in. I felt like Pott's burning questions had become my
own. How did we get here? How do we stop this and enable young women to pursue their goals and dreams? Why does this happen and what can we do about it? It didn't hurt that I have lived about 39 miles south of Clinton—I have met and taught these
women. I know what they're up against.
Even though anyone who reads the reviews knows how…
NEW YORK TIMES BESTSELLER • An acclaimed journalist tries to understand how she escaped her small town in Arkansas while her brilliant friend could not, and, in the process, illuminates the unemployment, drug abuse, sexism, and evangelicalism killing poor, rural white women all over America.
“The Forgotten Girls is much more than a memoir; it’s the unflinching story of rural women trying to live in the most rugged, ultra-religious, and left-behind places in America.”—Beth Macy, author of Dopesick
Growing up gifted and working-class poor in the foothills of the Ozarks, Monica and Darci became fast friends. The girls bonded over…
I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
A wittily written, powerful evocation of women’s lives in Arkansas from the 1930s to the 1980s, the history of how they got there and what made them such strong women. This is a revelation of family myth and tradition told fondly, yet with piercing pragmatism, in a way that provides insights into how we can understand women’s lives at all periods and in all places.
Reflects on the experience of growing up female in the South, explaining the meaning of the southern heritage, the southern notion of the feminine ideal, and the reasons why southern women leave their roots.
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Among many wonderful things about this book, I consider it a climate novel and a climate justice story in particular. Hurricane Katrina wipes out a Black working-class family who are flooded out of their house. I was deeply attached to the narrator, the teen daughter in the story, and I loved her even more for having hope that things could change.
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'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times
'Fresh and urgent' - New York Times
'There's something of Faulkner to Ward's grand diction' - Guardian
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WINNER OF THE NATIONAL BOOK AWARD
Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.
Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;…
A lover of language, character, plot, and place, I was hooked and hog-tied from the first page. Sometimes I like to feel lonesome. Sometimes I like to cry. Sometimes I want to be haunted by a book and never want it to end. Sometimes I want to find myself another To Kill A Mockingbird. Guess what? With One Good Mama Bone, I did.
Set in the early 1950s rural South, One Good Mama Bone chronicles Sarah Creamer's quest to find her "mama bone" after she is left to care for a boy who is not her own but instead is the product of an affair between her husband and her best friend and neighbor, a woman she calls "Sister." When her husband drinks himself to death, Sarah, a dirt-poor homemaker with no family to rely on and the note on the farm long past due, must find a way for her and young Emerson Bridge to survive. But the more daunting obstacle is…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
I don’t know of another book that so successfully explodes all our usual myths of rural America. Jesmyn Ward tells a story of community and tragedy as she chronicles the deaths of five young men across five years, including her younger brother, in her hometown of DeLisle, Mississippi, a rural, primarily African American community on the Gulf Coast.
This memoir is deeply sad and troubling, but I found the power of Ward’s language, wisdom, and resilience simply stunning.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
I have spent close to thirty years researching and teaching about questions of inequality and change. Most of my focus has been on the Global South, with a particular focus on India. I've written about intersecting class, gender, and caste inequalities. I've pursued this research agenda through extensive field research on labor politics, democratization, and the politics of economic reform in India. My interest stems from my background. I am originally from India and have lived and travelled extensively in the Middle East and Southeast Asia. I'm an author, public speaker, and consultant and have been a professor for three decades at the University of Michigan, Rutgers University, The University of Washington, and Oberlin College.
It is often hard to get our minds around poverty and the scarcity of resources that affect people’s lives. This is especially true of rural life in the Global South. This is a highly accessible book written by an eminent journalist in India and is considered to be a classic text on rural poverty. It also illuminates the failures of governance including the programs and policies that seek to help poor and marginalized communities in countries like India.
Acclaimed across the world, prescribed in over 100 universities and colleges, and included in part in The Century's Greatest Reportage (Ordfront, 2000), alongside the works of Gabriel Garcia Marquez, Studs Terkel and John Reed, Everybody Loves a Good Drought is the established classic on rural poverty in India. Twenty years after publication, it remains unsurpassed in the scope and depth of reportage, providing an intimate view of the daily struggles of the poor and the efforts, often ludicrous, made to uplift them.
An illuminating introduction accompanying this twentieth-anniversary edition reveals, alarmingly, how a large section of India continues to suffer…
I'm a writer and a reader. I love getting lost in books. It has been the most consistent aspect of my life. I love audacious books whose beauty pushes all the way to the edge of absurdity, without ever slipping over. I love nothing more in life than sitting by a fire and dissolving into a good book. I'm the author of the Children of Paranoia series, the Memory Detective series, and the stand-alone novel List of Fears. My books have been published in seven different languages and have been optioned for both movies and television. I live in Brooklyn with my wife and two children, all of whom can be found reading at any given moment.
When I read The Hungry Tide for the first time, it read to me like a fantasy novel set in a faraway world. Except it isn’t. The setting for The Hungry Tide is a real place, but it is as dangerous and as fantastic as something created by Tolkien. It takes place in the Sundarbans of India, a world where tigers hunt people and tidal floods come without warning and wipe out villages. Sometimes I read a book to get lost in a world that doesn’t exist. Other times I read a book to get lost in a world that does. I’ve never been to the Sundarbans, but I still periodically dream about them.
A profound and absorbing saga from the Internationally Bestselling and Man Booker Prize shortlisted author
'Amitav Ghosh is such a fascinating and seductive writer... I cannot think of another contemporary writer with whom it would be this thrilling to go so far, so fast' The Times
January 2001: A small ship, led by wealthy Scotsman Daniel Hamilton, arrives in the Sundarbans, a vast archipelago of islands in the mythical river Ganges, a half-drowned land where the waters of the Himalayas merge with the incoming tides of the sea.
In the Sundarbans the tides reach more than 100 miles inland, and…
I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.
I loved the author's innovative, passionate, and broadminded approach as he experimented and succeeded in bringing tiny loans to the poorest of the poor in his country, Bangladesh. His bank lifted millions out of poverty and provided an example that has been copied in many other nations, deservedly winning him the Nobel Peace Prize.
Having worked part-time on an agricultural project in Bangladesh for many years, I appreciate his challenges and the ingenuity required to overcome them. I like that he identified impoverished women as the primary clients for the bank and figured out how to overcome prevailing religious and cultural norms to include them.
His model, which relies heavily on peer pressure to achieve high loan repayment rates, has revolutionized micro-lending worldwide.
Muhammad Yunus is that rare thing: a bona fide visionary. His dream is the total eradication of poverty from the world. In 1983, against the advice of banking and government officials, Yunus established Grameen, a bank devoted to providing the poorest of Bangladesh with minuscule loans. Grameen Bank, based on the belief that credit is a basic human right, not the privilege of a fortunate few, now provides over 2.5 billion dollars of micro-loans to more than two million families in rural Bangladesh. Ninety-four percent of Yunus's clients are women, and repayment rates are near 100 percent. Around the world,…
